American Animal

Is this a quality production? It sure feels like a low-budget film, and often these are some of the best. In fact, the man playing Jimmy directed and wrote it too. He does quite a good job with the impressions and the crazy behavior. Whether you have the patience to get through the more serious scenes depends on your taste in what are called "art films", which I guess this one is. It starts out as a crazy comedy, but that just can't continue.

The other actors do a good job.

The classical music does make this more pleasant than some movies which can't get along without today's hits.

I saw this on broadcast TV, but I could tell the language had been cleaned up A LOT.

Is it good? I've certainly seen worse.

In the low-budget indy genre, a lot can be forgiven, less than perfect acting, rough effects, poor lighting, touchy at times sound, shaky camera-work, all sorts of things can be overlooked if need be, but the cardinal sin is overwrought, uninspired, navel gazing writing. Jesus Christ, man, you're going to spend thousands of dollars because you have a story to tell, and THIS is it? Perhaps, one should consider that just because we can, doesn't always mean we should. If I had to use one word to describe this film, I think I'd go with, 'wasteful.' Not like, it wasted time (which it did) but like the fact that it was made is a wasted of time, money, resources, storage space on someone's macbook pro, and in their hard drive, needless hours of use on a poor poor camera that had to sit through the whole thing for god knows how long. Jesus. Just, Jesus.

Words like "wild" and "madness" are cliché, but there's really no other way to describe American Animal. Just like Jimmy's (Matt D'Elia) more straight-laced roommate James struggles to voice his own concerns, ambitions, and feelings in the face of Jimmy's relentless energy; it's hard to describe the film as anything other than completely mad. Ultimately this is what made it so challenging at times, but also so engaging. This is no holds-barred madness that refuses to be channeled in a single vein, and the film jumps from one bizarre scene to the next; each a different manifestation of Jimmy's deranged psyche brought to life. Jimmy is Fight Club's Tyler Durden reinvented; half as violent and twice as zany, obsessed with Hollywood actors and costumes instead of Project Mayhem and underground boxing.

But like Tyler Durden, Jimmy fights what he perceives to be the conformist indoctrination of the masses with his own extreme doctrine and is mercilessly intolerant of his friends' more "normal" views. He leaps before he looks. He acts, then asks for forgiveness, or doesn't. The film drags and is at times overly dramatic, but the whole thing builds and builds until it spirals out of control. It offers some severe gut-checks amidst the chaos, offering clarity in the confusion, and it gives the film the uncompromising point it searches for.

When I first walked into the film, I wanted to have an open mind about what I would be watching, and I can honestly say I'm glad I did. American Animal was really interesting as it combined the feeling of an art-house film, with the song "Lazy Sunday". I thought it had some genuinely funny moments, while raising a couple social issues that are pretty present in my life. I had a fun time watching it and made me happy to see an Indie director put his work on the screen.

I've seen a lot of films about eccentric personalities, (mostly because I have one myself) but Jimmy really out did himself in this one. When I was first introduced to him in the film, I got the impression that he was a "seize the day" kind of guy and that he was going to be a fun character. While I was watching the film I really got invested in his character and thought he was one of the strongest part of the film. While we was a bit grating at times, he had some really heartfelt moments and was definitely the most memorable part of the film.

AA was definitely an experience... One of the most unique art films I've seen. At times it reminded a lot of American Psycho and Requiem for a Dream. Some parts seemed a little over the top and melodramatic but overall I thought it was a very interesting and well done film. It was also interesting to make the connections with the various movie nods within the film itself (for example: Gangs of New York).

Whenever I consider writing a screenplay I always want it to center around a main character whose mental health is questionable but he can't be called outright crazy, I think that the writer/director/star Matt D'elia did a superb job of it in the film and it made for a very entertaining and layered story that seemed somewhat one dimensional at first.