Dopo essere diventato quadriplegico in un incidente di parapendio, un aristocratico assume un giovane affinchè lo assista e si prenda cura di lui.Dopo essere diventato quadriplegico in un incidente di parapendio, un aristocratico assume un giovane affinchè lo assista e si prenda cura di lui.Dopo essere diventato quadriplegico in un incidente di parapendio, un aristocratico assume un giovane affinchè lo assista e si prenda cura di lui.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 38 vittorie e 40 candidature totali
Thomas Solivérès
- Bastien
- (as Thomas Soliveres)
Dorothée Brière
- Eléonore
- (as Dorothée Briere Meritte)
Émilie Caen
- Galeriste
- (as Emilie Caen)
Riepilogo
Reviewers say 'The Intouchables' is celebrated for its heartwarming portrayal of an unlikely friendship, addressing themes of resilience and social disparity. The film balances humor with emotional depth, avoiding sentimentality. Critics praise François Cluzet and Omar Sy for their performances and chemistry, bringing authenticity to their roles. While some find the film simplistic or clichéd, others appreciate its uplifting message and serious theme handling without melodrama. Its universal appeal and genuine character connection contribute to its success.
Recensioni in evidenza
Well, I've just got out of the theater and i must say that all the reviews are right. this is an amazing film! The actors are simply the best, Omar is not only a great comic but also a great actor.
The filming has a certain touch that brings to mind "What's Eating Gilbert Grape" in the way the director was able to capture not only the suffering of Phillip but also the joy.
Not wanting to spoil the film for others, i highly recommend seeing this in the theaters and with a loved one.
It is also a good film for teenagers as it holds a few wonderful life lessons.
Enjoy.
The filming has a certain touch that brings to mind "What's Eating Gilbert Grape" in the way the director was able to capture not only the suffering of Phillip but also the joy.
Not wanting to spoil the film for others, i highly recommend seeing this in the theaters and with a loved one.
It is also a good film for teenagers as it holds a few wonderful life lessons.
Enjoy.
It has been 9 weeks now since Intoucblaes has come to the movie theaters. I did not give it much thought at first, but the universal acclaim I have heard convinced me to go see it. I don't over-stating the universality of the acclaim, people of various races, classes, colors & countries told me it was a must see. I had no expectations, and I was floored.
Intouchables, directed by Eric Toledano and Olivier Nakache, starring Francois Cluzet and Omar Sy is possibly the best French movie of the year. This is not because of a lack of worthy contenders, but truly because Intouchables is that profound. It touches on themes of presumptions, social class difference, health, and as naïve as it may sound, the universality of humanity.
The story is not as important as is the relationship that is displayed between the two protagonists. Philippe (played by Cluzet) a rich aristocrat that loves adrenaline rushes finds himself a paraplegic after a paragliding incident. Driss (played by Sy) is, in appearance a typical hoodlum from the ghetto. The two are brought together and wonders happen.
The audience then sees how the men affect one another as they engage in a truly honest relationship. Driss is charismatic, lighthearted and funny, helping make Philippe's life enjoyable again. In the process the traditionally cold French aristocracy around Philippe warms up and lightens. He is like a hot knife through cold butter.
Again, it is not so much the story that is important as is the social commentary. The commentary is not judgmental and is very subtle, revealed only in the contrasts the director chose in the story and its contexts. His method reminded me of a sort of Zen approach to comedy. One example you can catch from the trailer alone is the contrast between the able bodied black Driss and t the crippled white man, etc.
The audience is also given wonderful sights of Paris and France as we go through the Pyrenees, Cabourg and the various streets of Paris.
On paper the review does not make the movie justice. It is hilarious in a way that is true, honest and by which anyone can relate to. Most importantly it is revealing and comforting in its reminder of the essential in life : love. It's approach is simple, pure and honest and that makes it worthy of the title of "best movie of the year".
I cannot say more; the film must be experienced. My friends tried, they failed, so I trusted them and I saw it. It floored me. Go and be floored.
PS - I heard American studios have purchased the rights for the film. They will need a brilliant director, screenwriters and perfect actors to make the original justice in the way "The Departed" did for "Infernal Affairs".
Intouchables, directed by Eric Toledano and Olivier Nakache, starring Francois Cluzet and Omar Sy is possibly the best French movie of the year. This is not because of a lack of worthy contenders, but truly because Intouchables is that profound. It touches on themes of presumptions, social class difference, health, and as naïve as it may sound, the universality of humanity.
The story is not as important as is the relationship that is displayed between the two protagonists. Philippe (played by Cluzet) a rich aristocrat that loves adrenaline rushes finds himself a paraplegic after a paragliding incident. Driss (played by Sy) is, in appearance a typical hoodlum from the ghetto. The two are brought together and wonders happen.
The audience then sees how the men affect one another as they engage in a truly honest relationship. Driss is charismatic, lighthearted and funny, helping make Philippe's life enjoyable again. In the process the traditionally cold French aristocracy around Philippe warms up and lightens. He is like a hot knife through cold butter.
Again, it is not so much the story that is important as is the social commentary. The commentary is not judgmental and is very subtle, revealed only in the contrasts the director chose in the story and its contexts. His method reminded me of a sort of Zen approach to comedy. One example you can catch from the trailer alone is the contrast between the able bodied black Driss and t the crippled white man, etc.
The audience is also given wonderful sights of Paris and France as we go through the Pyrenees, Cabourg and the various streets of Paris.
On paper the review does not make the movie justice. It is hilarious in a way that is true, honest and by which anyone can relate to. Most importantly it is revealing and comforting in its reminder of the essential in life : love. It's approach is simple, pure and honest and that makes it worthy of the title of "best movie of the year".
I cannot say more; the film must be experienced. My friends tried, they failed, so I trusted them and I saw it. It floored me. Go and be floored.
PS - I heard American studios have purchased the rights for the film. They will need a brilliant director, screenwriters and perfect actors to make the original justice in the way "The Departed" did for "Infernal Affairs".
Being french and a film maker myself, I have high standards for ratings, and this one definitely deserves in 10/10. I've not seen a film showing our world with such humour in a long time. The jokes are absurd and possibly, with a touch of British humour to them. The directing is beautiful, the acting is incredible, the shots are somehow truthful, if I can say that about a shot. It may be Omar Sy's first time in a leading role, for a major production, but he really delivered, and not just in the funny parts, the delivery of emotions was just spotless. Francois Cluzet was also just as brilliant, as he usually is. I will be recommending this film to everyone, and seriously hoping it will be released in the UK soon enough for me to see it again! Only negative aspect... the Americans are thinking of doing a remake... why do they always have to? I mean would you reconsider remaking the "Joconde" or the Sixtine Chapel to American standards? Film is an art like any other, it travels the world as it is... no need for remakes...
I am now trying to find words to describe this movie for an hour. I couldn't.
You've seen it, or you haven't. It's monumental and outrageously good.
The cast is brilliant. The jokes lovely. The story and the idea behind the movie is beautiful. Especially when you've worked/lived with handicapped people. The music is such a perfect choice, it is unbelievable.
I hope this movie makes a plenty of people think about how good their life is and how bad it could have been.
Bottom line: Oscar-worthy. Period.
You've seen it, or you haven't. It's monumental and outrageously good.
The cast is brilliant. The jokes lovely. The story and the idea behind the movie is beautiful. Especially when you've worked/lived with handicapped people. The music is such a perfect choice, it is unbelievable.
I hope this movie makes a plenty of people think about how good their life is and how bad it could have been.
Bottom line: Oscar-worthy. Period.
Just seen last night, amazing movie, great performances from actors, particularly from Omar, and Cluzet is great as usual. Photography of images are great, supported by good choice of locations supporting actors are all good and natural so doing a great job to give a great solid base to the story. RIch of emotions on a simple story where ordinary people become extraordinary. Good representation of social differences in France without being too heavy on it. Simple, beautiful, efficient, like a good French cuisine, making a great dish full of tastes magically mixed :) Most to be watched and even more emotional when you know its based on true story !
Lo sapevi?
- QuizAlthough the real-life 'Driss' was a young Algerian man called Abdel, directors Éric Toledano and Olivier Nakache changed the character's nationality to Senegalese, as they had enjoyed working with Omar Sy on Troppo amici (2009), and really wanted him to play the part. Sy also had the experience of living in the impoverished French suburbs, just like Driss.
- BlooperWhen the police car first appears behind Driss, you can hear a short burst of the siren, which is clearly an American-inspired tone (also used in UK etc.) When the pursuit begins, the police car has the recognizable and correct French siren tone.
- Curiosità sui creditiFive percent of the profits from the film will be donated to the Association Simon of Cyrene - 15 rue de Suffren - 75015 Paris whose purpose is to create shared living spaces for disabled adults and friends.
- ConnessioniFeatured in De wereld draait door: Episodio #7.128 (2012)
- Colonne sonoreSeptember
(Maurice White/Allee Willis/Al McKay)
Performed by Earth Wind & Fire (as Earth, Wind & Fire)
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Dettagli
Botteghino
- Budget
- 9.500.000 € (previsto)
- Lordo Stati Uniti e Canada
- 10.198.820 USD
- Fine settimana di apertura Stati Uniti e Canada
- 103.507 USD
- 27 mag 2012
- Lordo in tutto il mondo
- 426.590.315 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the streaming release date of Quasi amici - Intouchables (2011) in the United States?
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