VALUTAZIONE IMDb
5,3/10
46.764
LA TUA VALUTAZIONE
La situazione di un marito e moglie peggiora tra la scoperta di tradimenti e inganni poiché sono detenuti per riscatto.La situazione di un marito e moglie peggiora tra la scoperta di tradimenti e inganni poiché sono detenuti per riscatto.La situazione di un marito e moglie peggiora tra la scoperta di tradimenti e inganni poiché sono detenuti per riscatto.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Matthan Harris
- Party Guest
- (non citato nei titoli originali)
Mitch Landry
- Bar Patron
- (non citato nei titoli originali)
Christopher Márquez
- Party Goer
- (non citato nei titoli originali)
Recensioni in evidenza
I was curious to watch "Trespass" because of the interesting casting of Nic Cage and Nic Kidman. I was a bit wary about Nic Cage, as his films lately have been a bit on the hammy side. Despite his leery reputation though, it is a wonder that he continues to get a lot of work, but good for him. Another curiosity about this film was the name of Joel Schumacher as director. His was a big name in directing box-office hits in the 80s and 90s. The last of film of his I had seen was when he directed Gerard Butler as "Phantom of the Opera."
"Trespass" turned out to be a film about a family whose beautiful suburban house was intruded upon by a gang of desperate amateur robbers. The robbers were quite violent and brutal the way they treated diamond trader Kyle Miller (Nic Cage), his glamorous wife Sarah (Nic Kidman) and their rebellious young daughter Avery (Liana Liberato). Things got a little more complicated when it was revealed that one of the robbers Jonah (Cam Gigandet) had a psychotic crush on Sarah.
The performances were over the top and unconvincing, both of the victims and the intruders. Nicole Kidman reminded me of her debut performance in "Dead Calm" as the victim of a psycho guy in love with her. However, she definitely loses her subtlety as well as any sexual tension as a victim here. Nicolas Cage was typically florid in his acting. You don't know where from his business background he got his extreme gung-ho bravado in facing these robbers! It was good to see Liana Liberato again after her memorably disturbing debut film "Trust." She had her good moments here. Cam Gigandet was appropriately creepy as the deluded Romeo. Jonah's brother and gang ringleader Elias was well-played by Ben Mendelsohn, whom I just realized was one of the sons in another crime family in "Animal Kingdom."
This was probably one of the noisiest movies set in a single house that I have seen. Everyone was always hysterically screaming and shouting at the top of their lungs. Despite the brutality of the robbers, it was a wonder how the victims also had the guts to stand up to them. The Millers were daringly answering and fighting back in spite of the guns brandished by the bad men in their faces! I must say this whole thing was highly improbable and unrealistic. Watch this at your own risk. Strictly for fans of the two Nics.
"Trespass" turned out to be a film about a family whose beautiful suburban house was intruded upon by a gang of desperate amateur robbers. The robbers were quite violent and brutal the way they treated diamond trader Kyle Miller (Nic Cage), his glamorous wife Sarah (Nic Kidman) and their rebellious young daughter Avery (Liana Liberato). Things got a little more complicated when it was revealed that one of the robbers Jonah (Cam Gigandet) had a psychotic crush on Sarah.
The performances were over the top and unconvincing, both of the victims and the intruders. Nicole Kidman reminded me of her debut performance in "Dead Calm" as the victim of a psycho guy in love with her. However, she definitely loses her subtlety as well as any sexual tension as a victim here. Nicolas Cage was typically florid in his acting. You don't know where from his business background he got his extreme gung-ho bravado in facing these robbers! It was good to see Liana Liberato again after her memorably disturbing debut film "Trust." She had her good moments here. Cam Gigandet was appropriately creepy as the deluded Romeo. Jonah's brother and gang ringleader Elias was well-played by Ben Mendelsohn, whom I just realized was one of the sons in another crime family in "Animal Kingdom."
This was probably one of the noisiest movies set in a single house that I have seen. Everyone was always hysterically screaming and shouting at the top of their lungs. Despite the brutality of the robbers, it was a wonder how the victims also had the guts to stand up to them. The Millers were daringly answering and fighting back in spite of the guns brandished by the bad men in their faces! I must say this whole thing was highly improbable and unrealistic. Watch this at your own risk. Strictly for fans of the two Nics.
I've never written a review before but felt compelled in this case due to the overwhelming number of positive reviews for a film that I felt was somewhat surprising in it's mediocrity considering its cast. Nic Cage does a fine job of subduing his performance and avoiding the tics that make him so Nicholas Cagey, but at some points it seems like a detriment. Coupled with the home invaders failure to produce much of a 'menacing' feel, Nic's performance doesn't do much to stem the movie from it's ultimate failure: a lack of intensity. In fairness, it seemed like more of a script issue; his character didn't seem very realistic.
Kidman's hyperventilating hysteria and sobbing pleas almost seem out of place in such a setting and I couldn't help but wish someone would just slap the bajeesus out of her already to quiet her down. She came close to seeming like a cliché but then it dawns on you that her acting would be right on target were the scenes and script properly conveying the direness of the situation she was responding to.
The bad guys were somewhat typical bad guys and although Ben Mendelsohn stood out with some great acting, in some scenes it could do little to conceal the sense that he was just doing his best to negotiate through some awkward dialogue.
The movie wasn't bad, it was just a bit predictable and boring, and watching it plod along, I kept waiting for it to be over so I could do something else. It's not transfixing, so would make for a great background movie while you do crosswords or something.
Kidman's hyperventilating hysteria and sobbing pleas almost seem out of place in such a setting and I couldn't help but wish someone would just slap the bajeesus out of her already to quiet her down. She came close to seeming like a cliché but then it dawns on you that her acting would be right on target were the scenes and script properly conveying the direness of the situation she was responding to.
The bad guys were somewhat typical bad guys and although Ben Mendelsohn stood out with some great acting, in some scenes it could do little to conceal the sense that he was just doing his best to negotiate through some awkward dialogue.
The movie wasn't bad, it was just a bit predictable and boring, and watching it plod along, I kept waiting for it to be over so I could do something else. It's not transfixing, so would make for a great background movie while you do crosswords or something.
Nicolas Cage has been on a bad movie streak for a while now. Every now and then he makes a winner, but most are forgettable B-movies that he agrees to do for a paycheck: You can't blame the man for doing his job. However, not all B-movies are bad - in fact, they're ideal entertainment if you want to sit back, relax, and shut off your brain for a couple hours. Trespass provides that mindless entertainment in spades, with a few head-scratches along the way.
The premise of Trespass is simple: Nic Cage plays a diamond dealer who lives in a beautiful house with his wife and daughter, and some thugs break into the house one day to steal his stash. Nicole Kidman plays his wife who feels distant from her hard-working husband, and the daughter is a typical rebellious teen that sneaks out and goes to a party behind her parents' back. Nothing special.
What makes this movie interesting is the performances. Cage taps into his subtlety - something he rarely does these days - which helps the tension and uneasiness of the atmosphere build until he finally bursts (on more than one occasion). And you never really know what is going through his head. These characters have secrets, all of them, and herein lies most of the film's faults.
The villains in this movie are a mixed bag. Each of the burglars have their own agenda that we find out over the course of the movie through the use of flashbacks and security cam footage. Some of the reveals are a pleasant surprise, others leave you scratching your head. It gets to the point that they're trying to intertwine all these villains' motives together but it ends up feeling forced and underwhelming. However, it is nice that they tried to do something different. Also Ben Mendelsohn's performance as the lead maniac and his eccentric back-and-forth between Cage really adds to the gravity of the situation and makes for a gripping protagonist-antagonist dynamic.
So to wrap up, this is not a thinking man's movie. You can try to put all the pieces together at the end but you'll only end up confused and disappointed - it's not worth the effort. The best thing you can do is grab some popcorn, turn off your brain and watch the events unravel before your eyes. You won't remember this movie as one of Cage's best that's for sure, but it's far from his worst. A good date movie? Sure. It's only 90 minutes, and if you're a fan of Nicolas Cage, you'll surely get at least some enjoyment from Trespass.
The premise of Trespass is simple: Nic Cage plays a diamond dealer who lives in a beautiful house with his wife and daughter, and some thugs break into the house one day to steal his stash. Nicole Kidman plays his wife who feels distant from her hard-working husband, and the daughter is a typical rebellious teen that sneaks out and goes to a party behind her parents' back. Nothing special.
What makes this movie interesting is the performances. Cage taps into his subtlety - something he rarely does these days - which helps the tension and uneasiness of the atmosphere build until he finally bursts (on more than one occasion). And you never really know what is going through his head. These characters have secrets, all of them, and herein lies most of the film's faults.
The villains in this movie are a mixed bag. Each of the burglars have their own agenda that we find out over the course of the movie through the use of flashbacks and security cam footage. Some of the reveals are a pleasant surprise, others leave you scratching your head. It gets to the point that they're trying to intertwine all these villains' motives together but it ends up feeling forced and underwhelming. However, it is nice that they tried to do something different. Also Ben Mendelsohn's performance as the lead maniac and his eccentric back-and-forth between Cage really adds to the gravity of the situation and makes for a gripping protagonist-antagonist dynamic.
So to wrap up, this is not a thinking man's movie. You can try to put all the pieces together at the end but you'll only end up confused and disappointed - it's not worth the effort. The best thing you can do is grab some popcorn, turn off your brain and watch the events unravel before your eyes. You won't remember this movie as one of Cage's best that's for sure, but it's far from his worst. A good date movie? Sure. It's only 90 minutes, and if you're a fan of Nicolas Cage, you'll surely get at least some enjoyment from Trespass.
I generally like to seek out films with a favourable IMDb review, yet have not previously reviewed a film myself. It was the relatively high review score that prompted me to "break my duck" (it's a UK expression) because I simply can't believe how this film has got such good reviews. It has the most outrageously over the top acting and ridiculous script that I have seen in such a long time.
Perversely, it's the absurdity that is the only thing line that keeps it from being boring and predictable - you are weirdly compelled to see how silly it can get. Every single character's handling of the situation and dialogue is so unbelievable that it's almost funny . If you thought that Nick Cage was bad in the ridiculous "Wicker Man" remake then this is certainly a close second.
One reviewer called this film "subtle" and I respect all views, but I found this as subtle as a flying mallet. This is sub standard fare even for the limited acting range of Nick Cage, but Nicole Kidman is sadly wasted here and is capable of so much more.
Sometimes "over the top" can make for entertaining escapism, not here. Sorry, I know it different strokes etc, but I thought this was absolutely awful.
Perversely, it's the absurdity that is the only thing line that keeps it from being boring and predictable - you are weirdly compelled to see how silly it can get. Every single character's handling of the situation and dialogue is so unbelievable that it's almost funny . If you thought that Nick Cage was bad in the ridiculous "Wicker Man" remake then this is certainly a close second.
One reviewer called this film "subtle" and I respect all views, but I found this as subtle as a flying mallet. This is sub standard fare even for the limited acting range of Nick Cage, but Nicole Kidman is sadly wasted here and is capable of so much more.
Sometimes "over the top" can make for entertaining escapism, not here. Sorry, I know it different strokes etc, but I thought this was absolutely awful.
This is the kind of film you should choose when you just want to relax and be entertained. It's not an epic but then - come on lets be honest - Nick Cage's films seldom are. However, they are nearly always enjoyable and even though I can never take him too seriously because of his southern drawl (he never really manages to convince that he is desperate or afraid, does he?) this one is still very watchable.
Accent aside, he gives a good solid performance. (Nicole Kidman, on the other hand, turns in a surprisingly weak one.) The plot is pretty standard, very predictable, but I for one enjoyed it right up to the end so in my opinion it delivered.
Accent aside, he gives a good solid performance. (Nicole Kidman, on the other hand, turns in a surprisingly weak one.) The plot is pretty standard, very predictable, but I for one enjoyed it right up to the end so in my opinion it delivered.
Lo sapevi?
- QuizProduction was disrupted on August 3, 2010 when it was reported that Nicolas Cage had abandoned the project as he had allegedly insisted on switching roles from Kidman's husband to the kidnapper. The role was then offered to Liev Schreiber. However, the following day Cage resumed his role as the husband.
- BlooperNail guns have a safety feature that keeps them from firing without putting pressure on the tip, which means Kyle couldn't have fired it like a gun.
- Curiosità sui creditiAfter the end credits, at about 1:30:47, extraneous frames marked "tail" and "foot" are visible for split seconds.
- ConnessioniFeatured in Trespass: Inside the Thriller (2011)
- Colonne sonoreHoody
Written by Joleen Belle, Jaden Michaels and Jack D. Elliot
Performed by Joleen Belle
Published by Wild Pink Music/JoBelle Music/J Ad3nmichaels (ASCAP) and Kobalt Music Publishing America, Inc. OBO G Tank Music (ASCAP)
Courtesy of the Royalty Network, Inc. and Kobalt Music Publishing America, Inc.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Chống Trả Kẻ Thù
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 35.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.094 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.816 USD
- 16 ott 2011
- Lordo in tutto il mondo
- 10.117.966 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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