Una guerra tra uomini e mostruose creature sottomarine viene combattuta con giganteschi robot operati da una coppia di piloti.Una guerra tra uomini e mostruose creature sottomarine viene combattuta con giganteschi robot operati da una coppia di piloti.Una guerra tra uomini e mostruose creature sottomarine viene combattuta con giganteschi robot operati da una coppia di piloti.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 7 vittorie e 48 candidature totali
Robert Kazinsky
- Chuck Hansen
- (as Rob Kazinsky)
Recensioni in evidenza
This film starts of with a monologue that explains in twenty seconds how big monsters start appearing from the sea and destroying everything. The only defence against them is to kick their heads in with massive robots. Cool! Starting so quickly out the blocks I expected this to be a fast paced action movie.
It really isn't. About every film element ever used, runs its course before the inevitable big battle. You get a fall from grace, a rivalry, a training period, a love story, forgiveness, reconciliation, etc. etc.
The battle sequences are epic, the monsters and robots are amazing, Kids especially will love them, and the action goes on and on.
The dialogue is cheesier and hammier than a 60 foot pizza monsters, and coupled with the extended scope of this film can make watching it gruelling if you are not instantly gripped.
This will keep any kids gripped for hours (nearly three of them) but if sci-fi isn't your thing get comfy and bring a pillow.
It really isn't. About every film element ever used, runs its course before the inevitable big battle. You get a fall from grace, a rivalry, a training period, a love story, forgiveness, reconciliation, etc. etc.
The battle sequences are epic, the monsters and robots are amazing, Kids especially will love them, and the action goes on and on.
The dialogue is cheesier and hammier than a 60 foot pizza monsters, and coupled with the extended scope of this film can make watching it gruelling if you are not instantly gripped.
This will keep any kids gripped for hours (nearly three of them) but if sci-fi isn't your thing get comfy and bring a pillow.
Part of the reason I have started completely sitting out the summer blockbuster season is that I just got fed up going to crowded noisy cinemas to be disappointed by films that promised much but deliver just basic effects and little else. With Pacific Rim though, it is hard to feel this way because it is a film that has never pretended to be anything other than a Japanese inspired monster movie where big robots hit big aliens in a way that pretty much never makes much sense when you think about it. The plot is explained very quickly at the start of the film and we then jump into the future where the war we just learned about is reaching a peak. From here we have some doubt, some lessons to learn, barriers to overcome but really what we have are big special effects punching each other. And it works.
It is easy to wring one's hands and say that blockbusters are the death of film, but all things have a place as long as they are done well and this is at least an honest and fun film. I say honest because it has no pretension to it – it is plain and simple a monster movie with a very big budget behind it. The effects are good, with good monster design and generally a sense of fun and energy to the deliver. Of course it is just effects hitting other effects but it works for what it is and at least does this well – unlike other films that would aspire to more but yet can't even do this with any skill. The action sequences are large and fun throughout and the soapy drama doesn't get in the way at all. The film is loaded with references which I mostly got – the voice of GLaDOS being my favorite one.
The cast are not particularly famous but it doesn't matter since the effects are the stars here. That said I thought they did a good job, in particular I enjoyed seeing Elba, Day, Collins, Kikuchi and others in their various roles. Del Toro continues his love of all things geeky with this film and in terms of direction it looks good, with plenty going on but never not being clear and engaging.
It isn't a brilliant film by any means but it is a straightforward one that is honest with the viewer. Robots punching monsters – that is all that is promised and on that it very much delivers. If this sounds like your thing then this will hit the spot no problem.
It is easy to wring one's hands and say that blockbusters are the death of film, but all things have a place as long as they are done well and this is at least an honest and fun film. I say honest because it has no pretension to it – it is plain and simple a monster movie with a very big budget behind it. The effects are good, with good monster design and generally a sense of fun and energy to the deliver. Of course it is just effects hitting other effects but it works for what it is and at least does this well – unlike other films that would aspire to more but yet can't even do this with any skill. The action sequences are large and fun throughout and the soapy drama doesn't get in the way at all. The film is loaded with references which I mostly got – the voice of GLaDOS being my favorite one.
The cast are not particularly famous but it doesn't matter since the effects are the stars here. That said I thought they did a good job, in particular I enjoyed seeing Elba, Day, Collins, Kikuchi and others in their various roles. Del Toro continues his love of all things geeky with this film and in terms of direction it looks good, with plenty going on but never not being clear and engaging.
It isn't a brilliant film by any means but it is a straightforward one that is honest with the viewer. Robots punching monsters – that is all that is promised and on that it very much delivers. If this sounds like your thing then this will hit the spot no problem.
Sometimes when I sit down and watch a movie I just want to be swept away and be dazzled with both sight and sound. The movies don't have to be dramatically perfect just capable of blowing all my sensors.
Battleship and Pacific Rim are 2 of those movies.
Pacific Rim takes a cool concept for a story, Monsters vs Machines and entwines a human element (the pilots) to result in a really fun extravaganza. The movie is not deep but has enough story to piece together the fighting sequences.
Sit down, hit the lights, pump the volume, disengage brain and have a blast :)
Battleship and Pacific Rim are 2 of those movies.
Pacific Rim takes a cool concept for a story, Monsters vs Machines and entwines a human element (the pilots) to result in a really fun extravaganza. The movie is not deep but has enough story to piece together the fighting sequences.
Sit down, hit the lights, pump the volume, disengage brain and have a blast :)
Pacific Rim really surprised me when it was first released in 2013. My initial thought was that this was just gunna end up being another movie about Colossal sized monsters similar to Cloverfield or Godzilla only with a Hollywood big budget and while it shares some similarities to Godzilla it does stand out on it's own with it's unique monsters and awsome robots plus with the movie being directed by Guillermo del Toro it has a unique style to it that only Guillermo del Toro can bring to a movie.
Pacific Rims story isn't a particularly complicated one but it's certainly got some interesting ideas. When the world is invaded by Colossal sized creatures known as Kaijus mankind bands together creating a defence against the Kaiju in the form of Colossal sized battle robots known as Jaegers each unique in style and armed to the teeth which are each piloted by two pilots who control the robot via neural interfaces the only problem is both pilots must be drift compatible meaning they have to be to link minds and create a stable neural link to be able to control the Jaeger during this both pilots share each other's memorys, feelings and thoughts. The Kaiju begin appearing faster than Jaegers can be assembled so with time running out before there are more Kaijus than Jaegers to fight them the last few remaining pilots prepare for a final assault on the portal the Kaijus are coming from.
The movie is like a mix between Godzilla and Power Rangers only a lot more adult and with much better effects. The Jaeger robots look amazing especially when fighting against the Kaiju monsters. There's plenty of cool action scenes which show the Kaiju monsters being shot, blown up, punched by robot rocket fists and even decapitations.
The characters are likable and interesting my favourite characters personally are the two mad scientists who dissect and study the Kaijus while they are meant to be the kind of comic relief of the movie they are very funny and likable both arguing over scientific theories and trying to prove each over wrong.
I highly recommend watching this movie if your a fan of movies that feature Colossal sized monsters crashing through city's while fighting with Colosal sized robots with swords, guns and rocket fists. This isn't a movie intended for kids in case your wondering this movie is definitely for a more mature audience even though the synopsis for the movie sounds like it was made for kids who watch Transformers cartoons.
Pacific Rims story isn't a particularly complicated one but it's certainly got some interesting ideas. When the world is invaded by Colossal sized creatures known as Kaijus mankind bands together creating a defence against the Kaiju in the form of Colossal sized battle robots known as Jaegers each unique in style and armed to the teeth which are each piloted by two pilots who control the robot via neural interfaces the only problem is both pilots must be drift compatible meaning they have to be to link minds and create a stable neural link to be able to control the Jaeger during this both pilots share each other's memorys, feelings and thoughts. The Kaiju begin appearing faster than Jaegers can be assembled so with time running out before there are more Kaijus than Jaegers to fight them the last few remaining pilots prepare for a final assault on the portal the Kaijus are coming from.
The movie is like a mix between Godzilla and Power Rangers only a lot more adult and with much better effects. The Jaeger robots look amazing especially when fighting against the Kaiju monsters. There's plenty of cool action scenes which show the Kaiju monsters being shot, blown up, punched by robot rocket fists and even decapitations.
The characters are likable and interesting my favourite characters personally are the two mad scientists who dissect and study the Kaijus while they are meant to be the kind of comic relief of the movie they are very funny and likable both arguing over scientific theories and trying to prove each over wrong.
I highly recommend watching this movie if your a fan of movies that feature Colossal sized monsters crashing through city's while fighting with Colosal sized robots with swords, guns and rocket fists. This isn't a movie intended for kids in case your wondering this movie is definitely for a more mature audience even though the synopsis for the movie sounds like it was made for kids who watch Transformers cartoons.
It was a curious thing being on line for certain Hollywood programmers in summer 2013, mediocre stuff like 2 Guns or White House Down that neither impressed nor offended too much, and then the split in hearing some other folks talking about Pacific Rim and how awful it looked.
Perhaps I came to it with a small chip on the shoulder – this is THE Guillermo mother-flipping del Toro, after all, a man who has created dark, supremely designed imaginations with Pan's Labyrinth and the Hellboy movies, and here he is getting to take on stuff he loves in a completely B-movie landscape: gnarly monsters, giant robots, comic-book stakes, and action with some substance. And Pacific Rim, for what it set out to accomplish as a sensational blockbuster, reached its aims for what I wanted. When taken in total, it may not have much more or less action than a Man of Steel, but it is much smarter, or just more creative and skilled and knowing of its audience, in layering out its action set pieces, and even in the broad strokes it takes as, basically, a B-level Saturday matinée flick. Del Toro cares about these characters, or at least tries to, deep down, and can show some of that like with the Asian pilot Mako Maori.
Is any of this deep? I'm still not sure. Does it need to be an artistic meditation on the cancelling of the apocalypse? Maybe another watch or two of five - because there will always be a part of me that can keep a hold on to an inner 13 year old - will bring that into focus. And aside from the monsters-and-robot work, which contains such good sights to behold, weight and depth to the designs, and the know-how to pace the action and to let us see it – in 2D, anyway, I didn't bother with 3D so I can't speak to that experience – there's some just good fun dialog (Charlie Day! Ron Perlman!!) and a sense that, 'Yes, this is a Godzilla experience, but we can still make it EXCITING'. So much of what I wanted this summer and only got in smaller doses (look at the end of the article for a bit on that) was in full-bloom in this production, which had a 190 million budget and the money looked like it was up on the screen, and not just in the CG but in the big sets and technology, and a story told by a Big Kid that would only hope the rest of the audience can genuinely feel like Big Kids if they aren't young already.
In other words, the director accomplished what Michael Bay has, over and over again, failed to do: inspire wonder, and put some basic thought into the process itself, in story and craft, and without a large dollop of cynicism.
Perhaps I came to it with a small chip on the shoulder – this is THE Guillermo mother-flipping del Toro, after all, a man who has created dark, supremely designed imaginations with Pan's Labyrinth and the Hellboy movies, and here he is getting to take on stuff he loves in a completely B-movie landscape: gnarly monsters, giant robots, comic-book stakes, and action with some substance. And Pacific Rim, for what it set out to accomplish as a sensational blockbuster, reached its aims for what I wanted. When taken in total, it may not have much more or less action than a Man of Steel, but it is much smarter, or just more creative and skilled and knowing of its audience, in layering out its action set pieces, and even in the broad strokes it takes as, basically, a B-level Saturday matinée flick. Del Toro cares about these characters, or at least tries to, deep down, and can show some of that like with the Asian pilot Mako Maori.
Is any of this deep? I'm still not sure. Does it need to be an artistic meditation on the cancelling of the apocalypse? Maybe another watch or two of five - because there will always be a part of me that can keep a hold on to an inner 13 year old - will bring that into focus. And aside from the monsters-and-robot work, which contains such good sights to behold, weight and depth to the designs, and the know-how to pace the action and to let us see it – in 2D, anyway, I didn't bother with 3D so I can't speak to that experience – there's some just good fun dialog (Charlie Day! Ron Perlman!!) and a sense that, 'Yes, this is a Godzilla experience, but we can still make it EXCITING'. So much of what I wanted this summer and only got in smaller doses (look at the end of the article for a bit on that) was in full-bloom in this production, which had a 190 million budget and the money looked like it was up on the screen, and not just in the CG but in the big sets and technology, and a story told by a Big Kid that would only hope the rest of the audience can genuinely feel like Big Kids if they aren't young already.
In other words, the director accomplished what Michael Bay has, over and over again, failed to do: inspire wonder, and put some basic thought into the process itself, in story and craft, and without a large dollop of cynicism.
Lo sapevi?
- QuizApproximately a hundred Kaijus and a hundred Jaegers were designed, but only a fraction of them appeared in the film. Every week, the filmmakers held a vote for their favorites.
- Blooper(at around 1h 14 mins) Gipsy Danger is said to be immune to an EMP because it is "nuclear powered" and therefore "analog". This would be nearly impossible as the two have nothing to do with one another. Most nuclear reactors have many digital parts and computers controlling them. Furthermore, the cockpit of Gipsy Danger is filled with what appear to be digital computers.
- Citazioni
Stacker Pentecost: Today. Today... At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are *canceling* the apocalypse!
- Curiosità sui creditiAt the end of the closing credits, a Kaiju roar is heard.
- Versioni alternativeIn the North American release, the scene where Mako is introduced has her and Raleigh speaking in Japanese. Some international releases have this scene dubbed in English - not in Denmark and Norway though, where the Japanese is intact. To the exception of France where all Japanese dialogs are subtitled even in french dubbed versions.
- ConnessioniFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- Colonne sonoreJust Like Your Tenderness
Written by Liang Hong Zhi
Executive Produced by Ivy Wang and Mathew D
Performed by Luo Xiaoxuan
Courtesy of R2G Music/Coden Music
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Titanes del Pacífico
- Luoghi delle riprese
- Papenburger Meyer Shipyard, Lower Saxony, Germania(Factory, where the Jaeger are built)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 190.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.802.906 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.285.325 USD
- 14 lug 2013
- Lordo in tutto il mondo
- 411.002.906 USD
- Tempo di esecuzione2 ore 11 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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