No habrá paz para los malvados

What a great film if somewhat dark but thats what makes it real must watch

What could I add more than the other users have already done? They told everything about this authentic gem from Spain, dark, bleak, violent, speaking of a brutal, borderline cop for whom the audience may although feel empathy, no matter the evil side of this character. The first sequences of the killing in the bar are astounding. I won't repeat the scheme, but this could have pleased to Olivier Marchal, William Friedkin or David Ayer. The brutal cop character reminds me the film SHIELD FOR MURDER, starring Edmond O'Brien, made by Howard Koch in the fifties. In the future, I will watch out for further films from this director

It starts with a bloody crime scene that apparently has no motive and no meaning. And then for almost two hours we are watching somebody walking and walking and crawling on the screen. Half an hour into the movie you beg for it to end. Absolutely preposterous and pointless film. If you skip it, you lose nothing but save two hours of your life.

A highly recommended film that fills more than expectations. A film that grabs you from start to finish. It is one of the best noir cinema that has been made in Spain, the kind of film that proves that a small story can be much more meaningful than a larger one. Jose Coronado is superb, cold, wild and credible. The cinematography is stark and bare, with only the soundtrack adding some effect. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them. Nothing to laugh at. Heartfelt and riveting from the first frame to the last.

We begin with a completely pointless and unmotivated massacre. While trying to tie up loose ends in the crime, we watch the cop following people and walking around a lot-not exactly an action-packed thriller. The pacing is nonexistent after the initial paroxysm of violence. A parallel investigation begins to uncover a sinister terrorist plot, that very coincidentally, ties in with the initial mass murder.

There are so many scenes of just watching nothing happen: the cop having a quick cubata in a bar, someone walking through the metro or down a street while the cop tails him. It's these dead areas of the film that sink it. The dialogue in parts is quite good. The scene when Santos in interrogated by the señoría (can't remember the title of the woman investigator) was excellent and showed a lot about his character as a tough guy not at all intimidated by whatever evidence she thinks she has against him.

With just a little bit of doing the writer could have made the initial murders less pointless and more related to the terrorism plot. It would have made a lot more sense, and this could have been an excellent movie.

The claims that this film is somehow racist because it portrays Muslim men as terrorists is simply absurd. The fact that the Spanish father is concerned about the well-being of his daughter who married a Muslim man and now she goes around covered up like a nun isn't some sort of outlandish fiction. It happens all the time. Muslim culture towards the treatment of women goes completely against the values we have fought for in the West.