VALUTAZIONE IMDb
7,3/10
16.026
LA TUA VALUTAZIONE
Una giornalista che fa un articolo sulla polizia assegnata a una divisione giovanile inizia una relazione con uno dei suoi intervistati.Una giornalista che fa un articolo sulla polizia assegnata a una divisione giovanile inizia una relazione con uno dei suoi intervistati.Una giornalista che fa un articolo sulla polizia assegnata a una divisione giovanile inizia una relazione con uno dei suoi intervistati.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 22 candidature totali
Frédéric Pierrot
- Baloo
- (as Frederic Pierrot)
Recensioni in evidenza
Couldn't say it any better then the Two comments before me; but had to write this anyway.
The Subject matter in film would make a lot of people I know feel very uneasy; I'm not used to seeing this kind of dialog in most movies I watch. Definitely a Creepy Subject.
The 'fast pace' of the film reminded me a bit of: "HILL STREET BLUES", one of the first 'Cop Shows' on TV, with this kind of Fast Pace.
Not understanding French, feel that I wasn't getting ALL that was being said, but got enough.
Some People will NOT watch films with Sub Titles; their loss. If you're One of Them- maybe you should start.
Lastly: One scene had me laughing out loud; was the Only Real 'funny' scene, in this Serious film about a serious subject; but isn't Life Just like that???
The Subject matter in film would make a lot of people I know feel very uneasy; I'm not used to seeing this kind of dialog in most movies I watch. Definitely a Creepy Subject.
The 'fast pace' of the film reminded me a bit of: "HILL STREET BLUES", one of the first 'Cop Shows' on TV, with this kind of Fast Pace.
Not understanding French, feel that I wasn't getting ALL that was being said, but got enough.
Some People will NOT watch films with Sub Titles; their loss. If you're One of Them- maybe you should start.
Lastly: One scene had me laughing out loud; was the Only Real 'funny' scene, in this Serious film about a serious subject; but isn't Life Just like that???
The average time that someone can work in child protection is two years. Some last longer, or there would not be supervisors, but it is a rough business, as this film depicts.
What should grab you is that they move from case to case without any continuity. This is the real world of child protection. You deal with a druggie mother today, a pederast grandfather tomorrow, and neglected or abused children the next day.
Some may find the language off-putting, but that is the way it is. You are under such stress during work, that you have to relieve it somehow after you get off. It may be crude, but it is effective.
I can also relate to those who lose it occasionally. You can put your heart and soul into this job, and get frustrated easily by parents and the bureaucracy.
The film may have been actors, but it has a documentary feel as they portray the action as it really happens.
What should grab you is that they move from case to case without any continuity. This is the real world of child protection. You deal with a druggie mother today, a pederast grandfather tomorrow, and neglected or abused children the next day.
Some may find the language off-putting, but that is the way it is. You are under such stress during work, that you have to relieve it somehow after you get off. It may be crude, but it is effective.
I can also relate to those who lose it occasionally. You can put your heart and soul into this job, and get frustrated easily by parents and the bureaucracy.
The film may have been actors, but it has a documentary feel as they portray the action as it really happens.
Polisse was my favourite film at the recent Sydney Film Festival. A french film from writer, director, star Maiween, it tells the story of the Child Protection Unit in Paris. It was absolutely riveting from start to finish.
An ensemble piece that moves at a cracking pace, it could be forgiven for not establishing character, but it actually manages to do that and do it very well. We are introduced to this group of close knit colleagues as they go about their day trying to balance the horrors they have to deal with (rapists, kidnappers, abusers, paedophiles) with their personal lives.
Maiween spent quite some time with a real CPU and told us in the Q&A that all the cases she featured are just like ones she witnessed and with that experience she brought an almost documentary feel at the same time as adding creative drama and plot to moments of the story as they rush through case after case. The performances are all excellent and the editing is sublime (it won a French Oscar for this).
It's shocking, emotional, intense and surprisingly very funny.
Highly recommended if you like hard-hitting films that deal with serious subjects in a very human and darkly humorous way.
An ensemble piece that moves at a cracking pace, it could be forgiven for not establishing character, but it actually manages to do that and do it very well. We are introduced to this group of close knit colleagues as they go about their day trying to balance the horrors they have to deal with (rapists, kidnappers, abusers, paedophiles) with their personal lives.
Maiween spent quite some time with a real CPU and told us in the Q&A that all the cases she featured are just like ones she witnessed and with that experience she brought an almost documentary feel at the same time as adding creative drama and plot to moments of the story as they rush through case after case. The performances are all excellent and the editing is sublime (it won a French Oscar for this).
It's shocking, emotional, intense and surprisingly very funny.
Highly recommended if you like hard-hitting films that deal with serious subjects in a very human and darkly humorous way.
In Paris, the photographer Melissa (Maïwenn) is assigned by the Ministry of the Interior to document the daily activities of the BPM – the Police Division for Child Protection under the command of Chief Baloo (Frederic Pierrot).
Along the days, Melissa witnesses and takes photos of pedophiles, children and women abusers and abused and befriends the team of detectives, sharing their investigations along the working days and leaning how their jobs affect their private lives. Soon she has a love affair with the sensitive and emotive Detective Fred (Joeystarr).
"Polisse" is an entertaining French docudrama about a team of police officers responsible to protect children from abuses. The screenplay uses ellipsis and it seems that is based on true stories. It is good to see how the team works and their relationship outside the work, showing that the officers are human beings with families and problems affected by their work.
The weakest part is the character Melissa, with her touristic and unprofessional camera, and taking her glasses off and loosening her hair in a silly behavior. My vote is seven.
Title (Brazil): "Polissia" ("Polisse")
Along the days, Melissa witnesses and takes photos of pedophiles, children and women abusers and abused and befriends the team of detectives, sharing their investigations along the working days and leaning how their jobs affect their private lives. Soon she has a love affair with the sensitive and emotive Detective Fred (Joeystarr).
"Polisse" is an entertaining French docudrama about a team of police officers responsible to protect children from abuses. The screenplay uses ellipsis and it seems that is based on true stories. It is good to see how the team works and their relationship outside the work, showing that the officers are human beings with families and problems affected by their work.
The weakest part is the character Melissa, with her touristic and unprofessional camera, and taking her glasses off and loosening her hair in a silly behavior. My vote is seven.
Title (Brazil): "Polissia" ("Polisse")
now that is a good film..too much talk in the dialog, which is famous in the french cinema and drama in general ,but this time it was well used i was not bothered by it,it's stayed real,and dealing with a true realistic problem without exaggeration, presenting it as is- i felt like as if its a reality drama ,that a hidden camera was shooting a real life events not drama,that is success,the film is deep and subtle and its emotional too,acting is very well carried out... even by the minors who were interviewed and the children,i must emphasis on" Maïwenn's" acting ,it was very calm yet deep and superb."Joey starr" was good too in some moments though he was exaggerating in anger in others but over all good acting i say if you have a chance to go watch this film, please do it s worth it really.
Lo sapevi?
- QuizDirector Maïwenn's first idea for the title was "Police", but another film already had this name: none other than famous French director Maurice Pialat's film in 1985. Her next idea was, "Vous êtes de la police?", but it too was already a film title. One day, as her young child was learning to write, he misspelled "Police", and she saw in front of her eyes the perfect title considering the subject of her movie, with a child's writing: "Polisse".
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.18 (2011)
- Colonne sonoreL'Île aux Enfants
Music by Roger Pouly
Lyrics by Christophe Izard
Performed by Anne Germain
(p) & (c) 1974 Editions de Alouettes (catalogue Technisonor)
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Cánh Sát Pháp
- Luoghi delle riprese
- Boulevard du Palais, Paris 1, Parigi, Francia(scene at the café)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 211.440 USD
- Fine settimana di apertura Stati Uniti e Canada
- 16.568 USD
- 20 mag 2012
- Lordo in tutto il mondo
- 20.601.245 USD
- Tempo di esecuzione2 ore 7 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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