VALUTAZIONE IMDb
6,2/10
41.938
LA TUA VALUTAZIONE
Segue due fratelli che decidono di cavarsela da soli dopo una rapina fallita al casinò e della loro improbabile riunione durante la celebrazione del Ringraziamento di un'altra famiglia.Segue due fratelli che decidono di cavarsela da soli dopo una rapina fallita al casinò e della loro improbabile riunione durante la celebrazione del Ringraziamento di un'altra famiglia.Segue due fratelli che decidono di cavarsela da soli dopo una rapina fallita al casinò e della loro improbabile riunione durante la celebrazione del Ringraziamento di un'altra famiglia.
- Regia
- Sceneggiatura
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Recensioni in evidenza
Quite a good little crime drama with a snowy backdrop and isolation as an insistent threat. The tension is woven with the back stories of those involved all leading to an inevitable confrontation and a predictable solution.
Getting there is the fun and this movie delivers enough action and suspense to keep one's interest and it has a semi-stylish tone that is better in the action department then in the character's and their development. The acting ranges from the intense too intensely wooden. Eric Bana is engaging in an aloof amalgamation of insanity and infantile. The other male lead (Charlie Hunnam) barely registers even though he is given the most screen time.
There is very little invested in the female Deputy and her Sheriff Dad, and the conflicted Parents. Some effort is made in the end to strengthen these complex situations but it is really rushed and rather anti-climactic.
It is best when things are on the move and the hunt is on and at worst in the convoluted love story in the middle. Overall it is a good thriller that can be enjoyed for its moving parts, despite the stale and stoic presentation of psychological situations that are presented in such shallowness as to be distracting.
Getting there is the fun and this movie delivers enough action and suspense to keep one's interest and it has a semi-stylish tone that is better in the action department then in the character's and their development. The acting ranges from the intense too intensely wooden. Eric Bana is engaging in an aloof amalgamation of insanity and infantile. The other male lead (Charlie Hunnam) barely registers even though he is given the most screen time.
There is very little invested in the female Deputy and her Sheriff Dad, and the conflicted Parents. Some effort is made in the end to strengthen these complex situations but it is really rushed and rather anti-climactic.
It is best when things are on the move and the hunt is on and at worst in the convoluted love story in the middle. Overall it is a good thriller that can be enjoyed for its moving parts, despite the stale and stoic presentation of psychological situations that are presented in such shallowness as to be distracting.
Haven't seen a crime thriller this good in ages, with such fast moving pace but excellent character development at the same time.
The screenplay is exciting and observant of human psychology. The acting is superb, and I guess the directing had a lot going for it too. Like the perfect storm,this just all came together and did a job of stirring me up good.
The tension built up from the start with Addison and what we learn about him and his coach. The relationship between the sheriff and his daughter, and the how the men treated her, and her stoic dealing with it...wow, I could not have handled it.
The relationship between the siblings was ambiguous but inspiring at the same time. The relationship in the family between the spouses and the son was written with such deft strokes which said so much.
The actors were fabulous. Especially at the dinner table at the climax of the story. The mother, Sissy Spacek, had such easy going wisdom about her but exploded with outraged indignation when pushed beyond the limit.
Loved the way the brother got the "L" word out of the protagonist in the climactic denouement. And it left you in the end wondering how the story would go on with our antiheroes.
One of those screenplays where you just fall in love with the bad guy and it just kills you to know he is fated, and that he has written his own tragedy as well as having been written by it.
Look forward to more of Zach Dean's screenplays.
The screenplay is exciting and observant of human psychology. The acting is superb, and I guess the directing had a lot going for it too. Like the perfect storm,this just all came together and did a job of stirring me up good.
The tension built up from the start with Addison and what we learn about him and his coach. The relationship between the sheriff and his daughter, and the how the men treated her, and her stoic dealing with it...wow, I could not have handled it.
The relationship between the siblings was ambiguous but inspiring at the same time. The relationship in the family between the spouses and the son was written with such deft strokes which said so much.
The actors were fabulous. Especially at the dinner table at the climax of the story. The mother, Sissy Spacek, had such easy going wisdom about her but exploded with outraged indignation when pushed beyond the limit.
Loved the way the brother got the "L" word out of the protagonist in the climactic denouement. And it left you in the end wondering how the story would go on with our antiheroes.
One of those screenplays where you just fall in love with the bad guy and it just kills you to know he is fated, and that he has written his own tragedy as well as having been written by it.
Look forward to more of Zach Dean's screenplays.
Perhaps the reason this film is not meeting with a better reception has to do with our current situation of senseless killings that are happening throughout the nation. Had t been placed in the theaters at a different time it might have been better appreciated. The script by Zach Dean is tight and multifaceted in meanings, the direction by Stefan Ruzowitzky keeps us in suspense until the final frame, and the cast of actors is unusually fine. It is a fine little film and deserves more attention.
The title DEADFALL is translated by the dictionary as 'A trap for large animals in which a heavy weight is arranged to fall on and kill or disable the prey.' How that title applies to his story is one of the subtle strong points in this dissection of three dysfunctional families. Siblings Addison (Eric Bana) and Liza (Olivia Wilde) are on the run from a casino heist gone wrong. When a car accident leaves their wheel man and a state trooper dead, they split up and make a run for the Canadian border in the worst of circumstances - a near whiteout blizzard. While Addison heads cross-country, killing everyone who crosses his path or who could provide transportation possibilities, Liza is picked up by ex-boxer Jay (Charlie Hunnam) who has just been released from prison for fixing a boxing match and is en-route for a Thanksgiving homecoming with his parents, June (Sissy Spacek) and retired sheriff Chet (Kris Kristofferson). Following Addison's wake of killings the sheriff (Treat Williams) loses many of his men and ridicules his new deputy daughter (Kate Mara). The story all come together at the Thanksgiving dinner at June and Chet's place - where the three families' ties are strained to the breaking point. It's there the siblings are reunited in a terse and thrilling showdown that pushes the bonds of family to the limit.
The freezing cold of the blizzard backdrop is juts right for the tension that pervades this story. The original musical score by Marco Beltrami underlines all the facets of this tale. While every one in the cast is excellent, it is Eric Bana that pulls of a very well written role in a manner that despite his actions he never loses our empathy.
Grady Harp
The title DEADFALL is translated by the dictionary as 'A trap for large animals in which a heavy weight is arranged to fall on and kill or disable the prey.' How that title applies to his story is one of the subtle strong points in this dissection of three dysfunctional families. Siblings Addison (Eric Bana) and Liza (Olivia Wilde) are on the run from a casino heist gone wrong. When a car accident leaves their wheel man and a state trooper dead, they split up and make a run for the Canadian border in the worst of circumstances - a near whiteout blizzard. While Addison heads cross-country, killing everyone who crosses his path or who could provide transportation possibilities, Liza is picked up by ex-boxer Jay (Charlie Hunnam) who has just been released from prison for fixing a boxing match and is en-route for a Thanksgiving homecoming with his parents, June (Sissy Spacek) and retired sheriff Chet (Kris Kristofferson). Following Addison's wake of killings the sheriff (Treat Williams) loses many of his men and ridicules his new deputy daughter (Kate Mara). The story all come together at the Thanksgiving dinner at June and Chet's place - where the three families' ties are strained to the breaking point. It's there the siblings are reunited in a terse and thrilling showdown that pushes the bonds of family to the limit.
The freezing cold of the blizzard backdrop is juts right for the tension that pervades this story. The original musical score by Marco Beltrami underlines all the facets of this tale. While every one in the cast is excellent, it is Eric Bana that pulls of a very well written role in a manner that despite his actions he never loses our empathy.
Grady Harp
This is a taut drama/suspense film with a little romance and crime thrown in for good measure. The biggest problem I'm having is deciding which was better, the well done intertwining story lines, or the detailed character development. Both were excellent, making for a movie that is quite enjoyable and well worth watching.
The actors all did fine jobs, Eric Bana as the robber who is a killer, Olivia Wilde as the little sister who maybe has outgrown her need to be protected, Charlie Hunnam as her troubled but worthwhile romantic interest, Sissy Spacek and Kris Kristofferson as his parents, Kate Mara as the aspiring FBI agent deputy, and Treat Williams as her father the Sheriff. Their performances were all worthy of this well written and directed feature.
I have never heard of the writer or director, but I plan to watch for more of their stuff. This one is not a long movie by today's standards, but the pace of the action, and the time spent letting us figure out each character are so well balanced.
Make sure your snacks are ready ahead of time as, once this one starts, you will not want to miss a second of it (or even use the pause button once it is out on DVD).
Simply put, this is a good movie. Even knowing what happens, I'll probably watch it again sometime.
The actors all did fine jobs, Eric Bana as the robber who is a killer, Olivia Wilde as the little sister who maybe has outgrown her need to be protected, Charlie Hunnam as her troubled but worthwhile romantic interest, Sissy Spacek and Kris Kristofferson as his parents, Kate Mara as the aspiring FBI agent deputy, and Treat Williams as her father the Sheriff. Their performances were all worthy of this well written and directed feature.
I have never heard of the writer or director, but I plan to watch for more of their stuff. This one is not a long movie by today's standards, but the pace of the action, and the time spent letting us figure out each character are so well balanced.
Make sure your snacks are ready ahead of time as, once this one starts, you will not want to miss a second of it (or even use the pause button once it is out on DVD).
Simply put, this is a good movie. Even knowing what happens, I'll probably watch it again sometime.
"It's a good sign when you feel a little bad." Brother and sister Addison (Bana) and Liza (Wilde) have just robbed a casino and are making their getaway when they get into an accident. Jay (Hunnam) is fresh out of jail and is looking for answers as to why he took the fall. When all their paths cross things turn for the worse. This is a movie I was looking forward too. The cast had me interested right away. The movie started off fast and never really slowed down. It is a movie where you seem to be one step ahead of what is going on though and that kind of hurts the overall enjoyment. When you can predict 90% of what is going to happen before it does you start to lose interest, at least I do. I did like the movie and I would recommend it but don't expect a lot of twists. The movie was good and entertaining though and the cast was great but a few twists could have made it better. Overall, an enjoyable movie that could have been better if it wasn't so predictable. I give it a B.
Lo sapevi?
- QuizOlivia Wilde's first day of shooting was actually the scenes where her character almost freezes to death and she was only in a miniskirt during filming in Canada.
- BlooperDuring the opening sequence, the get-away car hits a deer, smashing the windshield and covering it with blood. In the following shots showing the car careening out of control, the windshield is intact with no damage.
- ConnessioniFeatured in Maltin on Movies: Playing for Keeps (2012)
- Colonne sonoreSweet Soul Sunshine
Written by John Alexander Aguon, Jr. and Eric King
Performed by The Gypsy Sons
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Dettagli
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 66.351 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.391 USD
- 9 dic 2012
- Lordo in tutto il mondo
- 1.946.254 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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