Aggiungi una trama nella tua linguaAlongside Night is the story of the final economic collapse of the United States as seen through the eyes of 16-year-old Elliot Vreeland, searching for his missing Nobel-laureate-economist f... Leggi tuttoAlongside Night is the story of the final economic collapse of the United States as seen through the eyes of 16-year-old Elliot Vreeland, searching for his missing Nobel-laureate-economist father, and the mysterious teenage "Lorimer" whom Elliot meets in a black-market undergroun... Leggi tuttoAlongside Night is the story of the final economic collapse of the United States as seen through the eyes of 16-year-old Elliot Vreeland, searching for his missing Nobel-laureate-economist father, and the mysterious teenage "Lorimer" whom Elliot meets in a black-market underground, whose own father might be the reason Elliot's father is missing.
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The action runs quickly although not smoothly at all times. There are holes in the plot but the story seems secondary to me. Far from being tedious, the film brings forth ideas which are not in the mainstream and explains them fairly well. I found this quite refreshing if anyone can name a film which is as interesting in expressing a pro-government position please let me know.
To summarize: pros: good-looking film for a small Indie, I was very pleased with the acting, an interesting and decent exposition of fresh ideas, something the industry is desperate for. Cons: a fairly unexciting story line and a muddled ending. Watch if you have a curious mind. 8/10
Author, producer, and director J. Neil Schulman just died a couple nights ago, as I type, and I have cried buckets already. Watching this astonishingly good movie, I have cried even more: What an extraordinary talent we have lost.
J. Neil and I never met, but we exchanged many communications. I felt we were more than acquaintances, and we were certainly allies.
I have been impressed by his writings for decades now, and recently I discovered his short posts on Facebook were often hilarious.
J. Neil was an advocate of human liberty. I notice many of the negative reviewers here dislike that concept. They prefer authoritarianism, or even tyranny, judging by their words. Of course they won't like this movie.
But it is so good, it has such an engrossing story, and it is so well acted, so well directed, so well photographed, one need not be in philosophical agreement to appreciate, admire, and like "Alongside Night."
Of course I was predisposed to like it, but what I saw just overwhelmed me with its inventiveness and great production values, and even a good score.
My only complaint, and I am crying as I type this, is that I didn't see and review this excellent creation so J. Neil could know how much more I admire him, how much more I marvel at his talent, after watching "Alongside Night."
I do highly recommend this movie, and hope millions of people will buy a copy. It won't help J. Neil now, and he desperately needed the money in his last years, but it will be a tribute to him, a small way to say "J. Neil Schulman, R.I.P."
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- Colonne sonoreTzigane
Composed by Maurice Ravel
Solo violin by Marat Bisengaliev
Performed by Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (as Polish National Radio Symphony Orchestra)
Courtesy of Naxos of America, Inc.
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- Tempo di esecuzione1 ora 52 minuti
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