VALUTAZIONE IMDb
6,1/10
4328
LA TUA VALUTAZIONE
L'emarginato adolescente dai capelli rossi Rémy è vittima di bullismo a scuola e vive con la madre e la sorella in Francia. Lo psichiatra Patrick fa amicizia con lui e lo aiuta a liberare il... Leggi tuttoL'emarginato adolescente dai capelli rossi Rémy è vittima di bullismo a scuola e vive con la madre e la sorella in Francia. Lo psichiatra Patrick fa amicizia con lui e lo aiuta a liberare il suo odio represso e la sua sessualità.L'emarginato adolescente dai capelli rossi Rémy è vittima di bullismo a scuola e vive con la madre e la sorella in Francia. Lo psichiatra Patrick fa amicizia con lui e lo aiuta a liberare il suo odio represso e la sua sessualità.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Olivier Barthélémy
- Rémy
- (as Olivier Barthelemy)
Boris Gamthety
- Serge
- (as Boris Gamthety 'Byron')
Éric Paul
- Entraîneur
- (as Eric Paul)
Recensioni in evidenza
The movie is... trash. It's short but it felt like I lost three hours of my life because the film is just stupid, boring and meaningless. I give 4 (and that's generous). If you still wanna watch it the only thing that's worth it, is maybe one or two scenes and Camille Rowe, a total beauty.
Wow! There's something innately thrilling about a film that is constantly on the verge of it's own self-destruction, of teetering on the edge of believability, and at the same time completely committed to its own madness.
Absolutely enjoyed the experience. I set out to screen Alexander Payne's 'The Descendants' at the beginning of the evening and found myself a bit depressed and bored after the first ten minutes. (Usually the ten-minute mark is the fork in the road for me.)
On the glowing advice of a workmate I decided to screen 'Our Day Will Come'. This was the pill I needed.
Gavras' hand on the wheel here is even, lucid, and in control. But the bizarre turns of events, chance meetings which either bear fruit or become deeply passionate relationships, and the film's unique shimmy all had me seduced.
Fun stuff. To be taken with laughter and not to be taken lightly. Where do we go from here, Gavras? We don't know. Take us there.
Absolutely enjoyed the experience. I set out to screen Alexander Payne's 'The Descendants' at the beginning of the evening and found myself a bit depressed and bored after the first ten minutes. (Usually the ten-minute mark is the fork in the road for me.)
On the glowing advice of a workmate I decided to screen 'Our Day Will Come'. This was the pill I needed.
Gavras' hand on the wheel here is even, lucid, and in control. But the bizarre turns of events, chance meetings which either bear fruit or become deeply passionate relationships, and the film's unique shimmy all had me seduced.
Fun stuff. To be taken with laughter and not to be taken lightly. Where do we go from here, Gavras? We don't know. Take us there.
After seeing the directors music videos (I use the term music very loosely) I was looking forward to seeing this film. Expecting a certain amount of violence.
Sadly it was very few and far between.
Not what the trailer or cover art portrayed it to be.
It's nowhere near La Haine at all.
Just a sad kid trying to work out his sexuality and an older man having a midlife crisis.
It's not a terrible film though and the acting is good. Especially Vincent Cassel. But it never really satisfied and left me hoping they would totally go off the rails. Sadly. They didn't.
Worth a watch.
It's not a terrible film though and the acting is good. Especially Vincent Cassel. But it never really satisfied and left me hoping they would totally go off the rails. Sadly. They didn't.
Worth a watch.
I attended the screening of "Our Day Will Come" at SXSW and I was pleasantly surprised. The movie is a road rage of destruction and carnage and I sat at the edge of my seat and just thought how cool is this! However after seeing the movie I had completely fallen in love with it, but afterwards as I saw it once again, I began to realize some flaws.
First and foremost the dialogue feels forced at some times. In a certain scene Romain Gavras seems unsure on how to proceed and suddenly skips to the next scene and makes the following scene a bit unbelievable.
Second it seems unrealistic, that the boy in the movie really thinks his utopia is Ireland. It feels more like an excuse to get the film moving forward.
This being said the movie has one of the best psychedelic soundtracks and it makes the ending even more memorable and emotional.
The cinematography is also sublime. It reflects perfectly how the main characters feel.
Vincent Cassel plays his character with a cool ironic distance and with a spark in his eye, which makes him more believable as the intelligent and arrogant man he plays.
All in all this movie doesn't not play on dialogue, but its force is the way it depicts an emotional meltdown for two persons and how it effects the world around them. The movie brings back memories to when I saw "Clean, Shaven" and "Our Day Will Come" is definitely in my top 10 movies of all time.
First and foremost the dialogue feels forced at some times. In a certain scene Romain Gavras seems unsure on how to proceed and suddenly skips to the next scene and makes the following scene a bit unbelievable.
Second it seems unrealistic, that the boy in the movie really thinks his utopia is Ireland. It feels more like an excuse to get the film moving forward.
This being said the movie has one of the best psychedelic soundtracks and it makes the ending even more memorable and emotional.
The cinematography is also sublime. It reflects perfectly how the main characters feel.
Vincent Cassel plays his character with a cool ironic distance and with a spark in his eye, which makes him more believable as the intelligent and arrogant man he plays.
All in all this movie doesn't not play on dialogue, but its force is the way it depicts an emotional meltdown for two persons and how it effects the world around them. The movie brings back memories to when I saw "Clean, Shaven" and "Our Day Will Come" is definitely in my top 10 movies of all time.
This is not a real review, it should be understood more as a collection of impressions on the film.
Let's say this, if one wants to watch a film that is needlessly strange and senseless then this is the film for him because otherwise he will only find himself in front of senseless confusion without a real plot, indeed, there is a plot and it takes only halfway through the film and without a real meaning, even at the beginning it would like to have a plot and also have a moral, instead it only manages to give the spectator a terrible and terrible confusion without rhyme or reason, which is why I believe that this film is almost a waste of time.
Let's say this, if one wants to watch a film that is needlessly strange and senseless then this is the film for him because otherwise he will only find himself in front of senseless confusion without a real plot, indeed, there is a plot and it takes only halfway through the film and without a real meaning, even at the beginning it would like to have a plot and also have a moral, instead it only manages to give the spectator a terrible and terrible confusion without rhyme or reason, which is why I believe that this film is almost a waste of time.
Lo sapevi?
- QuizCamille Rowe's debut.
- ConnessioniReferenced in Film Junk Podcast: Episode 288: TIFF Part 2: Let Me In and The Town (2010)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 3528 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Proporzioni
- 2.35 : 1
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