SGT. Will Gardner

First, I have always been a fan of Max's work. He's just one of those "dudes" that military guys can immediately associate with. It's one of those "he gets us". I was messaging with Max a few weeks ago, and less than 8 hours later I bumped into him in San Antonio. He was gracious and appreciative of my service. He told me when the film was coming out, we took a picture and parted ways. Now to the film. It started off perfectly, a Soldier on the beach reflecting, alone, not necessarily lonely, but alone with his thoughts and his ghosts. We've all been there. We meet Will at his lowest yet see that his humanity remains intact though he's clearly torn apart inside from his time "over there". We are given the opportunity to journey with him as he rides with his "ghosts" as he meets new people and reconnects with his humanity. Gary Sinise's scene was just incredible, such simple dialogue yet the connection between them and the gentle kindness of brother warriors was just fantastic. The conversations he has with "Top" are awesome, though we see Top it's really Will talking to his conscious, and that's powerful. The interactions with his son are what really stood out to me it's these kinds of interactions I have with my daughter that pull me out of those dark places we go, and to see this expressed on film when Max literally changes from dark and introspective to alive and full of boundless energy to just spend time with his son. It's charming and it resonates authenticity. Lilly Rabe was hilarious, she lightens the mood in all the right places and at the right times. Great writing and simple camera work. Before we realized that Top was a ghost, we see them talk to the old Nam vet and this scene really is wonderful in its simplicity. Will talks to the Nam vet as a fellow warrior and human he "squares away" his Boonie cap and gently places it back on his head. As the Nam vet walks away you can almost feel the pride swell in his chest as we see him stand a little more erect as he walks off and tosses his sign aside. Every vet in this generation has scars, we are only alone if we chose to be. This film shows us even if we are alone, we can find each other in the strangest places. When Will gave him the badge, a man with literally nothing to give it was a beautiful moment in the film. Watching him say goodbye to his ex-wife and son was gut wrenching, far too many of us have had to let go to what we once held onto the hardest what I appreciate most in the film, is that not everyone will get it and that's ok. To those that do don't despair. We remain... "Some make it back, but never make it home." I hope this film helps you if you need it, you aren't alone. Thanks Max...

As a veteran, I saw healing processes in this movie. Some parts were difficult to watch while others were very warming and fulfilling. I saw a loving husband and father that suffered from poor choices made by not only himself but other key people in his life. I saw a man who was healing himself by helping others. I saw a man, who even though down and out, refused to give up and pulled those around him, up on their feet to stand tall and be proud of who they are.

Does this film have high budget's and high quality filming? No. What it does have though is a realistic view of humanity. It deals with important issues such as PTSD and mental health and portrays them very accurately.

Are some of the reviews high? I'm not sure. I believe they are an indicator how real the film is and that the issues it deals with are more common than we realise. This film demonstrates beautifully that behind every situation is a story and maybe, just maybe we could stop to listen once in a while.

Will 'Ghost' Gardner (Max Martini) is a struggling Iraq War vet. He is constantly accompanied by the presence of his war buddy Samuel 'Top' Gallegos (Omari Hardwick). He steals a motorcycle from jerk employer Tony (Robert Patrick). Meanwhile, Mary-Anne Mackey (Lily Rabe) quits her office job in frustration. She keeps seeing Ghost riding the motorcycle and somehow assumes him to be Bryan Cranston.

The Bryan Cranston gag is funny the first couple of times, but it is a declining joke. It turns quite awkward and rather silly. Mary-Anne cannot be that dumb. I rather that she figures it out much sooner and drives off in a huff. This movie needs to be a road trip of individual encounters one after another. That's why I like the bar and I don't see JoBeth Williams enough. I like the family, but it would have been more original to have Buddy be a super nice guy. Charlie Burroughs is the best of the supporting characters. Despite some bumps in the road, this is a trip worth taking.

I'm pretty sure this film must hold the IMDb record for the most fake (every) 10/10 reviews lol. Clearly the overall rating speaks for itself, and it's a very generous 6/10 from me.

I think Max Martini wore too many hats with this film. His acting was great, directing (camera) decent, but the pacing and length needed work. The screenplay is where this film had problems, with plot issues and too many long dragged out scenes, that along with the slow pace, dragged down this film's entertainment value. The delusional comrade (of which the content of the conversations were mainly boring and unbelievable) and all that narrating (again, mainly boring) were unnecessary, and I feel it really toned down and took away from the film. Directing his cast also needed work.

This film's production felt like one of those Hallmark/Lifetime films, and that's not necessarily a bad thing, but had it been edited down to 80-90 mins instead of its long 125 min runtime, it would have been more enjoyable.

Omari Hardwick, Gary Sinise as well as the rest of the supporting cast were good, but I felt Lily Rabe was over the top to the point of annoying in her opening scenes.

Nevertheless, an underwhelming film with a great story that should have been told better.

Still, mad props to Max Martini for putting his all into this film, and still pledging 30% of the film's proceeds to three charities that support veterans suffering from TBI, PTSD, and veteran homelessness.

Would I see it again? No. Would I recommend it? Yes, if you can get past the productions issues to see the reality of how PTST affects veterans. More of a Yes if you pay to see this film to pass on the financial support pledged to the Vets.