Laurence Anyways e il desiderio di una donna...

As a trans woman. Seeing this film made me feel very conflicted. I had high hopes for a film that took trans characters seriously and portrayed them delicately. Sadly, it did anything but.

The first part of the film, when Laurence is pre-transition, is very good at depicting Laurence's inner stress of being perceived as a man, and was very powerful. The problem is that the film never really allows Laurence to transition. The way she is depicted, she remains, as the top review says, "a man who wants to be a woman", never a transgender woman. No real change, physical or psychological, occurs with transitioning, except for minor cosmetic alterations and failed attempts at clothes and makeup. This feeds into the classic trope of the "pathetic transsexual" who is doomed to forever remain a man who fails at womanhood.

Much of the problem lies with the decision to cast a cis male actor as Laurence. Melvile Poupaud does not succeed in portraying a trans woman. No trans woman I know is remotely like this. The lack of realism and sensibility to trans life is especially jarring since Laurence is an intelligent and resourceful character whom would be able to learn to navigate the norms of womanhood. Also, the film moves many years into transition, and even if hormones is mentioned at an early point, they don't seem to have any effect on Laurence except for some supposed breasts.

This type of depiction is dangerous. It feeds into a collective imagination of us as essentially men, which is what makes us susceptible to homophobic violence and lack of access to basic material needs, such as bathrooms and proper healthcare.

ALL THAT BEING SAID, the film is otherwise very good. The cinematography is excellent, the colors, the camera work, the locations, the use of sound and music. Except for Laurence, the acting is great. And the love story, that serves as the main plot of the film, is captivating. All in all, there were many parts of the film I could enjoy and where I felt immersed. And while I felt a deep discomfort with the depiction of Laurence as the film progressed, the early parts of pre- and early transition was relatable and emotional and found resonance with my own trans experiences.

This is one of the most impressed movies that I've ever seen. This movie is about a couple, Laurence and Fred, who love each other and have been together for long time. One day, Laurence opens his heart to her that he wants to be woman. Fred confuses and thinks about their future. Then, Fred decides she becomes Laurence's best friend and she teaches him how to make up, but they are troubled by prejudices of the society. Also, the mood of this movie and camera-work are fresh. Many colors are used and music invites us into story, so we can't be bored in spite of complex story. The director of this movie, Xavier Dolan, became my favorite one after I watched this movie, and this is the most favorite one of his movies. Therefore, I want everyone to see this. I recommend very much, but you will be tired a little because you are dragged very much.

This is a strong, disconcerting, highly unconventional movie that is not easy to review, or to watch. Although it is the story of a transgender experience and how it affects existing relationships, it is much more than that.

The movie is so strong and so complex--and so long--that I'm reluctant to say much more about it, partly because I don't know much else to say about it now. I'll need to watch it at least one more time before I'm ready even to think about doing that. I can say, though, that anyone expecting a love story about attractive and sympathetic characters will be severely disappointed and probably angry.

Anyone expecting a positive account of what it's like to change gender identity will probably be disappointed too. Anyone who needs the orderly development of a story and the relatable characters that are essential in Hollywood movies will be furious after having sat through these nearly three hours of VERY unconventional and challenging movie-making.

Finally, anyone who enjoys picking a movie apart and saying what he or she would do to make it better--eliminate peripheral characters, cut an hour off the movie's length, etc--will have a field day with this one. Unfortunately for them (and for anyone who takes what they say seriously), they will have denied themselves most of what this remarkable movie offers them.

The only way to receive what a movie (or any other work of art) offers is to accept it AS IT IS, on its own terms, WITHOUT trying to analyze it or change it to fit some outside notion ("outside" meaning in YOUR mind, as opposed to the author's) of what it OUGHT to be.

Instead of trying to make this (or any other) movie "better", either make your own movie or let go of your compulsion to control what happens to you as you watch this one. If you don't like the experience, that's fine, but if you really believe you could have done it better, you're a fool. You're impressing (and cheating) nobody but yourself and anybody else who takes you seriously.

But anyone who wants to see the latest work of an extraordinarily gifted and original young artist (Xavier Dolan, who is not yet 25 years old), whose genius is exploding into the world with such power and such speed that even he probably can't explain everything he does--and is willing to let go, to give up control of the experience and see what DOLAN is showing you instead of what you want to see--will be changed by this astonishing movie.

With this film, Xavier Dolan confirms his excellent style. The starring is incredibly well-chosen (distinction for the actress). A photography without mistake, there are numbers of beautiful shots. And too a good soundtrack, that is very eclectic (french's or qubecois's songs, classical's songs as Brahm or Bethoveen, or rock ballads), and first and foremost an original screenplay. In fact, I found the plot very interesting because I don't know film about the transsexualism. For a discovery, we can't dream a better movie.

So, check out his film (Les amours imaginaires, J'ai tué ma mère are too to discover).

A young film maker watch this space. The Quebecois's cinema too.

I finally watched Laurence Anyways & was not disappointed. The story had truth dripping from every fiber. I'm just blown away by the whole production. Some visually breathtaking scenes that create absolute magic are just the icing on the cake, top notch all the way. The acting was powerful & spot on, not once did I see the actors and not the characters. I'm not familiar with the director but based off of this movie I'm intrigued to look a little deeper.

Laurence Anyways should be destined to become a cult classic once it finds a wider audience, and not just in the gay/trans-gendered community. Calling it a potential cult classic doesn't do it justice though as it has the values of an Oscar contender in my opinion. If the story sounds in the least but interesting to you, you would be doing yourself a huge disservice to let this one pass you by. It's long at over two and a half hours but doesn't drag, it's one of those movies that you hope will never end.

Is this movie Canadian? The credits would suggest so, if it is it's the best Canadian movie I've ever scene (I'm Canadian & have seen more then a few). Don't let that sound like personal bias as I went in not knowing anything about it's production. If this movie doesn't (or hasn't) won awards then there is no justice in the world of cinema.