Laurel Hester è una tenente di polizia del New Jersey che con la sua compagna domestica registrata, Stacie Andree, combattono entrambi per assicurarsi i benefici pensionistici di Hester quan... Leggi tuttoLaurel Hester è una tenente di polizia del New Jersey che con la sua compagna domestica registrata, Stacie Andree, combattono entrambi per assicurarsi i benefici pensionistici di Hester quando le viene diagnosticato un cancro terminale.Laurel Hester è una tenente di polizia del New Jersey che con la sua compagna domestica registrata, Stacie Andree, combattono entrambi per assicurarsi i benefici pensionistici di Hester quando le viene diagnosticato un cancro terminale.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 10 candidature totali
- Stacie Andree
- (as Ellen Page)
- Toohey
- (as Anthony De Sando)
Recensioni in evidenza
"Freeheld" (2015) is a movie based on a very real story. I won't go into plot details, but this is kinda inspirational story. The lead performance by Julianne Moore is great - you won't expect anything less from this caliber Oscar winner, and she delivers it. Movie itself isn't bad by any means, at running time 1 h 40 min it wasn't boring and i watched it in one sit, and that is not a bad sign. But movie-making wasn't original or exciting and etc. This is a very averagely told story, with any emotional deep (script lacks of it) or anything else for what i could remember this movie for longer then one day after i finished it.
Overall, "Freeheld" is very watchable movie with no lasting impression. There are many well known faces in this movie, but they don't have much to do, script is very flat and predictable, directing is very simple. This is OK movie for one evening.
We catch up with Laurel (Julianne Moore) and her police partner Dane Wells (Michael Shannon) while on a drug bust in 2002. This scene is meant to quickly establish that Laurel is an excellent cop who is fully trusted by other cops. Soon after, we find Laurel and her god-awful volleyball skills flirting with Stacie (Ellen Page), a much younger auto mechanic. The two strike up a romance that leads to buying a house and jumping through the legal hoops required under the Domestic Partnership Act.
When Laurel is diagnosed with late stage lung cancer, the battle for her pension benefits begins as she goes up against the Freeholders who control Ocean County. While Stacie holds out hope for a cure and full recovery, Gay activist Steven Goldstein (Steve Carell) swoops in to generate media attention through protests and chants against the County. His cause is Gay marriage, while Laurel simply wants equality. It's an odd differentiation that the movie dwells on, but never quite explains.
A significant social issue, a stroll on the beach, a pet dog, and a terminal illness this sounds like the TV Guide synopsis of the latest Lifetime Channel movie. Perhaps that was the goal of screenwriter Ron Nyswaner (Philadelphia, 1993), whose next movie is a sex-change love story. Fortunately, the extremely talented cast elevates the material to an emotional level that allows viewers to connect. Those opposed to the issue include the macho cops from Laurel's own squad room, and the ultra-conservative faction on the County board – who predictably runs and hides when the conflict reaches its peak.
Julianne Moore and Ellen Page do outstanding work in allowing us to accept a romance that at times looks more like a mother/daughter relationship due to the age difference. Humor is injected with a rare drywall joke and possibly the first ever on screen tire-rotation contest. However, this isn't a story for laughs. Rather, director Peter Sollett (Nick and Norah's Infinite Playlist, 2008) shows one of the many personal stories that have led to the legal authorization of gay marriage and rights. We view this acceptance through the eyes of Laurel's partner Dane, and Michael Shannon's low key performance prevents the role from being too clichéd. The film suffers a bit with Steve Carell's over-the-top portrayal of the over-the-top Goldstein, but it does ring true in that desperate times call for desperate measures.
Certainly the film suffers from technical and script issues, yet the true story and the emotional subject matter, along with the fine performances, provide a clear look and reminder of some of the obstacles faced by good people over the years. Be sure to watch the closing credits for photographs of the real Laurel, Stacie, Dane and Goldstein – each (except Laurel, of course) have cameos in the film.
I worked for NYS Crime Victims Board and in death I came in contact with a lot of ordinary LGBTQ people who in death had their lives magnified far more than what they did in their lives. Such is the case with Laurel Hester who was a detective with the Ocean County Police in New Jersey. I'm not sure she was closeted, but she certainly was discreet in her male dominated work place.
Discretion went out the window when she meets Stacie Andree a much younger woman at a softball game. The two start living together and while it's not all roses, the commitment is truly there.
And then cancer strikes and what to do about whatever estate Hester might leave. This story illustrates precisely the problem that LGBTQ people had before marriage settled the issue permanently. You could in some places get a domestic partnership certificate and have the relationship recorded. But it wasn't mandated that private industry and government recognize it.
Thus was the issue of the film as the town of Freehold and its governing body would not extend survivor benefits to Ms. Andree. They were not married, but legally they could not get married. At least without a lot of agitation and organizing.
Which is where Steve Carrell as Steven Goldstein comes in, leading the same sex marriage lobbying group. The issue as he says is so neatly encapsulated in the problem that Hester and Andree face.
Two things I liked about Freeheld that make this a special film. One was the chemistry between Julianne Moore and Ellen Page as Laurel and Stacy. They made me believe the love was real.
The second was the scenes among Laurel's police colleagues with her and among themselves. The differing reactions was a sampling of straight and male America, quite nicely documented.
Freeheld is a great film showing the need for same sex marriage as few others have.
When a veteran police officer Laurel Hester is diagnosed with terminal cancer, all she wants to do is leave her pension benefits to her life partner, Stacie, so that she can afford to keep their house. Laurel is told no since they are not husband and wife. After spending a lifetime fighting for justice for other people, Laurel launches a final battle for justice for the love of her life.
The story is told in a straightforward manner. The first half of the film focuses on depicting Laurel as a dedicated police officer who dreads her colleagues finding out that she is a lesbian and as an average human being who longs for love and strives to start a family with "a house, a dog and a woman she loves". In a homophobic workplace, LGBTI people have to hide and lie since coming out of the closet makes them targets of bullying and affects their promotion. Apprehensive and timorous, Laurel can never truly be herself. The second half of the film focuses on the couple's brave but bitter fight against not only cancer, but also tradition, prejudice, ignorance and inequality, luckily and touchingly with the help of Laurel's colleague, a gay rights activist, the couple's friends and family members. Although some people criticize the first half of the film for being insipid, the director's refusal to resort to sentimentality is greatly appreciated. Instead of making a tear-jerker with clichés sugar-coating and praising effusively the greatness of homosexual love, the director creates life-like characters the audience care about and shows genuinely the love between Laurel and Stacie, which accurately echos the nature of the global fight for LGBTI rights. It can be summarized by what Laurel says in the movie – "I've never asked for special treatment. I'm only asking for equality." True love is beautiful and precious, be it heterosexual or homosexual.
Religion is a major reason why some freeholders say no to Laurel's request. In the movie, a priest reminds us that Jesus himself says nothing about homosexuality in the bible. Most of the proscriptions against homosexuality come from the Old Testament, which does mention homosexuality as an abomination, yet if one had actually read the Bible, one would have noticed that the same book of Leviticus also considers eating shellfish, or wearing clothing of two fabrics, an abomination. Some religious people blindly believe in what their churches advocate and apply double standard. Now, let's assume a particular religion is against homosexuality. Should religion and state be separate? For example, it is well known that Pope John Paul II was against artificial birth control. Should there be a law prohibiting citizens from using condoms? If Buddhists deemed it wrong to kill animals, should the government make eating meat illegal? If homosexuals cannot get married just because it goes against your religion, you cannot have cookies because I'm on diet. It seems that some pious people are not aware of a fact that marriage is a legal system which does not belong to a particular religion. While freedom of religion should be totally respected, it is unacceptable to impose religious beliefs on both the legal system and non-believers. Indeed, the overarching theme of the Bible is love. Mother Teresa is right. "If you judge people, you have no time to love them".
The ensemble cast is capable. Julianne Moore and Ellen Page are phenomenal. Their facial expressions and body language can effectively convey the characters' emotions. In the movie, we do not see the actresses. Instead, we see an ailing police officer and a car mechanic truly loving each other and fighting together against cancer and inequality. Michael Shannon also delivers a very convincing performance. His character is a "straight, white, ex-Protestant, atheist cop". The wholehearted support he has given Laurel is sincere and moving. Steve Carell, who plays the gay rights activist, adds comic relief to this knuckle-biting and heartbreaking journey. His performance in Foxcatcher is beyond compare though.
Love is love. LGBTI people "deserve to experience love fully, equally, without shame and without compromise." Like Suffragette, Freeheld is an important film that needs to be seen. Never take human rights for granted. Let's speak out against injustice courageously, in the name of love.
Lo sapevi?
- QuizThe real Stacie Andree, Dane B. Wells and Steven Goldstein can be seen as extras in the film. Stacie can be seen wearing a black cardigan behind Elliot Page (who portrays her) in the third Freeholder meeting, sitting in the right aisle seat of the second row. Dane portrays the police officer, between two taller officers, who is handed a box of ashes. Steven can be seen in the second Freeholder meeting, seated behind Steve Carell (who portrays him), holding a red sign and seated in the aisle seat of the right side second row (the same seat that the real Andree can be seen in, later in the film).
- BlooperLaurel and Stacie first encounter each other at a volleyball game with each playing on opposite teams. Stacie serves to Laurel, whereupon Laurel's team successfully returns the ball and the game is over. However, in volleyball, only the side that is serving can score a point and they must also win by two. For the game to be over, Laurel's side would need to get the ball back to serve the winning point. The director may have decided to skip that in order to keep the story moving.
- Citazioni
[From Trailer]
[about Laurel's appeal being turned down]
Steven Goldstein: This is an outrageous miscarriage of justice. Their next meeting we show up with 100 protesters.
Dane Wells: Radicals and strangers from New York aren't going to convince these guys.
Steven Goldstein: I am not a radical. I am a middle-class, Jewish homosexual from New Jersey. How about you, sweetheart?
Dane Wells: I'm a straight, white, ex-Protestant, atheist cop. You okay with that, *sweetheart*?
Steven Goldstein: I am. That is very hot.
- Colonne sonoreChange of Season
Written and Performed by Lindon Puffin
Courtesy of Lindon Puffin
By arrangement with Sugaroo!
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Freeheld
- Luoghi delle riprese
- Town of North Hempstead, Town Hall - 220 Plandome Road, Manhasset, New York, Stati Uniti(Ocean County, NJ Board Room)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 546.201 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.983 USD
- 4 ott 2015
- Lordo in tutto il mondo
- 1.447.337 USD
- Tempo di esecuzione1 ora 43 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1