Quando Tess e la sua famiglia subiscono una perdita inimmaginabile, trova supporto da il suo padre biologico un adorabile fannullone dalla parte sbagliata dei binari e da un affascinante del... Leggi tuttoQuando Tess e la sua famiglia subiscono una perdita inimmaginabile, trova supporto da il suo padre biologico un adorabile fannullone dalla parte sbagliata dei binari e da un affascinante delinquente giovanile della porta accanto.Quando Tess e la sua famiglia subiscono una perdita inimmaginabile, trova supporto da il suo padre biologico un adorabile fannullone dalla parte sbagliata dei binari e da un affascinante delinquente giovanile della porta accanto.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
- Zoe Gladstone
- (as MacKenzie Noel Rusiewicz)
Recensioni in evidenza
The story itself is a simple one of happiness turned to grief, then grief turned to acceptance, and I agree with some that it is slightly predictable and slightly melodramatic.
However I forgive all of that for 3 major reasons.
Sadie Sink is fabulous. She's very expressive and very intelligent with how she is viewed and therefore how she must portray her character. She carries this film easily.
The story is perfectly delivered with all main characters delivering quality results. Some of the dialogue is quote worthy: I loved the Before/After narration at the end. And the directing is very much top level. I loved the way all the characters were developed properly (except David for some reason) and I did feel a connection with each of them as a result.
It would have been easy with the handsome Jimmy and the lovely Tess to have had them fall in love instantly and give us a steamy sex scene to show their passion for each other. However, they were very reserved, only enjoying the odd, brief kiss now and again for some time.
When they did get passionate everything was suggested or hinted. There was not one single bit of passionate face smashing, or orgasmic thrash, or bare breasted chest heaving like we see so much of.
I gave it an extra point just for that. But the other 7 I gave because it truly is a great film about loss and coping and recovering.
A word about the cinematography in this low budget indie and the word is beautiful. Most independent films simply don't look as nice as this one does. There's a great physical sense of Pittsburgh and its surroundings and I like how the enhanced visuals reflect Tess's heightened awareness during this intense time in her life.
Dear Zoe has both heft and heart and it reveals important truths about both grief and guilt, and how we have to come to terms with these feelings in order to move on with our lives.
Consumed by guilt and resentment, Tess feels emotionally abandoned by her mother and stepfather, who seem unable to confront the trauma directly. Seeking escape, Tess runs away to live with her estranged biological father, Nick (Theo Rossi), a small-time marijuana dealer with a complicated past. Though he's far from a model parent, Nick offers Tess an unconventional kind of comfort-one rooted in honesty and shared pain.
As Tess adjusts to her new environment, she forms a connection with a quiet, artistic neighbor named Jimmy (Kweku Collins), who encourages her to confront her grief and embrace vulnerability. Through their growing relationship, Tess slowly begins to find her voice and reframe her understanding of love and loss.
The film is driven by Sadie Sink's raw and empathetic performance, capturing Tess's inner turmoil and search for meaning. Dear Zoe does not dwell on melodrama; instead, it offers a grounded and intimate portrait of a teenager navigating the emotional aftermath of tragedy. It also underscores the different ways people process grief-some with silence, some with anger, and some by running away.
Ultimately, Dear Zoe is a meditation on healing, forgiveness, and the enduring bonds of family, reminding viewers that even in moments of deep sorrow, there is still room for growth, connection, and hope. Quiet yet powerful, the film resonates with emotional authenticity.
Review written by artist jayakumar jrain.
Lo sapevi?
- QuizBased on the novel "Dear Zoe" by Philip Beard.
- Citazioni
Nick DeNunzio: You stay away from him, you hear me?
Tess DeNunzio: But I'm almost 17. I'm not a little girl anymore.
Nick DeNunzio: Yeah, well, it's my house, so it's my rules.
Tess DeNunzio: My body, my rules.
- Colonne sonoreLosing You
Written by Carmen Bradley and Whitney Dean
Performed by The Sweeplings
Courtesy of The Sweeplings
Under exclusive license to Nettwerk Music Group Inc.
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- Дорогая Зои
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- Tempo di esecuzione1 ora 34 minuti
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