Trappola infernale

"Target Number One" is a well directed, well acted and compelling Canadian film that everyone should see. . In this drama based on a true story, a Canadian journalist investigates the circumstances surrounding the suspicious arrest of a heroin addict imprisoned in a Thai jail. . Well crafted and unafraid of telling the true story; "Target Number One" dives deep into a frustratingly un-Canadian crime story and really delivers. This is the first Canadian film to be released since Covid-19 hit and it truly is a really good film to kick it off. Josh Hartnett gives probably the performance of his career and Antoine Olivier Pilon is exceptional. The film is never boring nor does it lag, it's the perfect length and pace and I really enjoyed it. .

If you're in the mood for a complex true crime thriller then Target Number One will fit the bill nicely. You'll have to pay attention though as there are lots of moving parts, many characters and broken time lines which can make it difficult to follow. Some of the characters break into French often without subtitles which is a bit anoying. Characters disappear never to be seen again and scenes end abruptly without conclusion. For all these faults I still enjoyed it and it's nice to see Josh Hartnet getting a leading role, if only in a low budget movie like this. I hope it leads to bigger and better things for him.

Well worth a watch! A credible account that was well depicted.

I can't speak for 80's Canada but it got 80's Thailand spot on. DEA and British customs were very active in Thailand at that time. They pressured the Thai police which,in turn, vigorously targeted foreigners, escalating the severity of relatively minor drug offences, and if they didn't have the funds to buy their way out of trouble, in they went. To divert attention from the real ( protected) players, to satisfy visable Thai compliance, to deter chancers and newcomers but predominantly to bolster publicity for Reagan and Bush's, well funded and highly lucrative "just say no! " "war on drugs."

There from 84 to 92. The film brought back a lot of memories, not least those shackles that Justin Jackson mentions in his review. I'd forgotten the peeling blue/green paint that was everywhere. The prison population seemed authentic apart from a lack locked up foreigners (among other nationalities lots of Nigerian mules were convicted around that time) the film depicts the situation and era very well.

The camera work is rough at major points in the film. Increasing the budget for an actual camera person rather than shooting it on someone's phone would make a big difference in the viewers experience.

This was an alright biographic movie with elements of crime and thriller added. The cast did well portraying the characters. Josh Hartnett playing victor was a good choice in my opinion as well. But aside from everything else seeming ok the movie itself just felt disconnected, the way the sections were added almost didn't create a liner story and as I watched, I wondered why they were doing this and why he was there and such. Overall a good biographical movie, it could've just been a better approach to it.