Tre giocatori che si conoscevano da adolescenti gareggiano in un torneo di tennis per diventare il vincitore del Grande Slam di fama mondiale e riaccendono vecchie rivalità dentro e fuori da... Leggi tuttoTre giocatori che si conoscevano da adolescenti gareggiano in un torneo di tennis per diventare il vincitore del Grande Slam di fama mondiale e riaccendono vecchie rivalità dentro e fuori dal campo.Tre giocatori che si conoscevano da adolescenti gareggiano in un torneo di tennis per diventare il vincitore del Grande Slam di fama mondiale e riaccendono vecchie rivalità dentro e fuori dal campo.
- Regia
- Sceneggiatura
- Star
- Premi
- 74 vittorie e 151 candidature totali
Shane T Harris
- Art's Security Guard
- (as a different name)
A.J. Lister
- Lily
- (as AJ Lister)
Riepilogo
Reviewers say 'Challengers' is a visually striking film with intense performances by Zendaya, Mike Faist, and Josh O'Connor. Its non-linear narrative and use of tennis as a metaphor for personal struggles are noted. The cinematography and soundtrack by Trent Reznor and Atticus Ross are praised, though some find the script lacking and characters underdeveloped. The ambiguous ending sparks debate, with mixed reactions to its narrative and character development.
Recensioni in evidenza
This was my first Luca Guadagnino film, so I'm not sure if any of these criticisms can be explained by "it's just his style" but who knows. The trailer makes the movie look fun, and while there are humorous moments, these are few and far between.
We have two young tennis players - one successful and the other is not for various reasons - both in love with the same woman who seems to jump between them in what makes for a complicated love triangle. Add in electronic music played loudly over scenes where not much is happening, gratuitous nudity (so many penises), and neverending slo-motion in an overlong running time and you have Challengers.
I liked Zendaya when she was playing the role of mature mother and retired tennis professional, but she all too easily slips into an angsty teen who feels too young to play the character.
My favourite moments were the two male leads just hanging out (they had more chemistry than Zendaya with either one), but I wasn't exactly sure what the seemingly homoerotic moments added to the story.
Despite the above points, this movie held my interest and had me wondering exactly where it was going. When it landed, however, I felt cheated of 2 hours by watching a movie that thought it was smarter than it really was. Severely lacking payoff.
We have two young tennis players - one successful and the other is not for various reasons - both in love with the same woman who seems to jump between them in what makes for a complicated love triangle. Add in electronic music played loudly over scenes where not much is happening, gratuitous nudity (so many penises), and neverending slo-motion in an overlong running time and you have Challengers.
I liked Zendaya when she was playing the role of mature mother and retired tennis professional, but she all too easily slips into an angsty teen who feels too young to play the character.
My favourite moments were the two male leads just hanging out (they had more chemistry than Zendaya with either one), but I wasn't exactly sure what the seemingly homoerotic moments added to the story.
Despite the above points, this movie held my interest and had me wondering exactly where it was going. When it landed, however, I felt cheated of 2 hours by watching a movie that thought it was smarter than it really was. Severely lacking payoff.
Luca Guadagnino means something to me. Elegance and daringness for instance. His movies introduce you to something new even when it feels terribly familiar. Challengers is no exception. Tennis? Well yes whatever Luca Guadagnino wants to tell us because I know is going to be a portal to something unique, something personal. Zendaya is. I don't want to say revelation because I already knew she's very, very special. Josh O'Connor too. What moment for this wonderful young actor. I've already seen him in in two or three parts that I will never forget and. Mike Faist, I must confess, is totally new to me but I already love him., The first three way scene they have at the motel is just sublime. I know I will watch that many time. So I haven't said anything about the film yet and I'm not going to. Discover it, just like I did. I loved it.
I felt that three of them were good but Guadagino chose to focus on (a) the product placement (god.. could they be more obvious?) (b) the annoying soundtrack accompanying the endless scenes in slow motion of people staring at each other, and (c) cool camera angles. Don't get me wrong. I understand film is another language in itself but I think the acting is far from the priority of the filmmaker. In the few moments where we get to see them interact with each other there is chemistry. I don't understand why he (or Amazon) chose not to focus more on that. I was so over that annoying soundtrack of gay 90s club. Did he choose to cut the story like that because he knew there was not much story to tell to begin with?
First of all, this movie has an 80s-style vibe that we have seen many times before that could have well been told in a conventional 90-100 minute movie. This movie truly was not "important" enough to tell it over 131 minutes. Add to that there were pointless extended shots that you were begging to end. At about 100 minutes in, audience members were looking at their cellphones either to check the time or they were getting restless.
Second, there were excessive timeline jumps. It is often a useful story-telling device, but here it was excessive and distracting - so much so that when they did another timeline jump there was a consensus "groan." Making matters worse, is that there were time jumps as long as 13 years. However, Zendaya --- bless her heart --- as much as they tried to "age" her and "de-age" her through hair and make-up, she never looked, to me, older than about 17 years old regardless of the time era.
Third, while I credit Zendaya for tackling such a meaty role, and as much as I otherwise adore her, she just simply seemed to young to be so "weathered" and "jaded" and "cynical" and "ruthless" and "calculating" as she was. Further, I really don't remember her smiling once throughout the movie. And as I have read in other reviews, she seemed to have a resting "scowl" throughout the movie - ironically very much similar to the scowl she had throughout both Dune 1 and 2.
And lastly, by the end of the movie, none of the three characters were likeable, and, perhaps, oddly, sadly, Zendaya was, to me, the least likeable. And from a film character study point of view, the viewer is never given a reason or backstory for this.
With all these distractions in mind, I was so eager for the movie to end that I lost all investment whatsoever in who won or lost in the story's big moment.
Second, there were excessive timeline jumps. It is often a useful story-telling device, but here it was excessive and distracting - so much so that when they did another timeline jump there was a consensus "groan." Making matters worse, is that there were time jumps as long as 13 years. However, Zendaya --- bless her heart --- as much as they tried to "age" her and "de-age" her through hair and make-up, she never looked, to me, older than about 17 years old regardless of the time era.
Third, while I credit Zendaya for tackling such a meaty role, and as much as I otherwise adore her, she just simply seemed to young to be so "weathered" and "jaded" and "cynical" and "ruthless" and "calculating" as she was. Further, I really don't remember her smiling once throughout the movie. And as I have read in other reviews, she seemed to have a resting "scowl" throughout the movie - ironically very much similar to the scowl she had throughout both Dune 1 and 2.
And lastly, by the end of the movie, none of the three characters were likeable, and, perhaps, oddly, sadly, Zendaya was, to me, the least likeable. And from a film character study point of view, the viewer is never given a reason or backstory for this.
With all these distractions in mind, I was so eager for the movie to end that I lost all investment whatsoever in who won or lost in the story's big moment.
The only reason I went to see this movie was to see if Zendaya could hang with the big dogs. To see if she can carry a film all by herself. She has the talent, she has the looks. She has it all. I think this movie is a good start to launch her career as a bonfide movie star. That being said, the movie itself was okay. Just okay. Not great, not bad but okay. I thought Zendaya was good. Her performance was something I expected, which I guess is a good thing. Didn't blow me out of the water but overall good. The actor who played Patrick, in my opinion did a great job. However everything else about this movie just fell short for me. Too much style and not enough substance.
Lo sapevi?
- QuizPatrick taking a bite of the churro and letting Art take one was unscripted. Josh O'Connor was starving and it was the first time he ever had churros.
- BlooperAfter Patrick loses the second set in his final round match against Art and smashes his racket, the chair umpire declares a code violation point penalty; however, it should have been a game penalty, as Patrick had already received a point penalty earlier in the match (the scoreboard at the bottom accurately reflects the correct score).
- Citazioni
Tashi Donaldson: [after Patrick notices her engagement ring] It was his grandmother's.
Patrick Zweig: How is she?
Tashi Donaldson: She died. Stroke.
- Curiosità sui creditiOn the United States release of the film, the MGM logo appears after the brief opening prologue, and the roar of studio mascot, Leo the Lion, is silenced.
- ConnessioniFeatured in The 7PM Project: Episodio datato 26 marzo 2024 (2024)
- Colonne sonoreSound the Trumpet
Written by Henry Purcell
Performed by The Toronto Children's Chorus
Courtesy of Marquis Classics
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Desafiantes
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 55.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 50.119.408 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.011.061 USD
- 28 apr 2024
- Lordo in tutto il mondo
- 96.119.408 USD
- Tempo di esecuzione2 ore 11 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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