Con il cuore spezzato e alla deriva, l'immigrato brasiliano senza documenti Lourenço cerca uno scopo nella mecca queer di Provincetown. Mentre la stagione estiva volge al termine, scatena un... Leggi tuttoCon il cuore spezzato e alla deriva, l'immigrato brasiliano senza documenti Lourenço cerca uno scopo nella mecca queer di Provincetown. Mentre la stagione estiva volge al termine, scatena un amore intensa e inaspettata con Maurice.Con il cuore spezzato e alla deriva, l'immigrato brasiliano senza documenti Lourenço cerca uno scopo nella mecca queer di Provincetown. Mentre la stagione estiva volge al termine, scatena un amore intensa e inaspettata con Maurice.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 10 candidature totali
Andre Gadbois
- Hot Friend
- (as André Gadbois)
Recensioni in evidenza
This movie is so well done not only for the story line that most foreigners can relate, the gay life's nuances, but also for the photography and scenes cuts.
What seamed to be an ordinary story, was transformed to be a moving sequence of events and little details of life that made it all combined a gorgeous film to watch.
From romance, to drama, to fun, to suspense, the mix of emotions was so captivating to watch and lovely to learn more about the story.
I could not recommend it enough. Me and my friends left the theater crying and wanting for the second one. I hope there is a continuation of the story.
What seamed to be an ordinary story, was transformed to be a moving sequence of events and little details of life that made it all combined a gorgeous film to watch.
From romance, to drama, to fun, to suspense, the mix of emotions was so captivating to watch and lovely to learn more about the story.
I could not recommend it enough. Me and my friends left the theater crying and wanting for the second one. I hope there is a continuation of the story.
Heartbreakingly beautiful haunting and realistic depiction of love, loss, rock bottom, desperation, resilience and resurrection
I was so afraid it was going to be a flashy camp boy meets boy blah blah blah
It was the most realistic (and self identifying relatable) of all the phases one can go through in a breakup... and fear of "where am I...what am I know?"
the brilliant and poignant moments hit me hard; harder and more beautifully than expected
Marco (subtle and yet intense), James Bland (vulnerable and self aware) Marisa Tomei (just...!!!) and Bill Irwin (melancholy and sincere) were outstanding. Director Marco let his stars shine and develop and demonstrate REAL human emotion... wisdom... and a common thread of melancholy-tinged hope
He brought out so much from all allowing them disappear into characters. I simply fell in love with, rooted for, cried with, identified with... and wanted them to simply find fulfillment (and forgiveness).
I've not been so immediately moved from frame 1 nor felt each and EVERY actor's emotions in such a long long time
It gave me hope.
I was so afraid it was going to be a flashy camp boy meets boy blah blah blah
It was the most realistic (and self identifying relatable) of all the phases one can go through in a breakup... and fear of "where am I...what am I know?"
the brilliant and poignant moments hit me hard; harder and more beautifully than expected
Marco (subtle and yet intense), James Bland (vulnerable and self aware) Marisa Tomei (just...!!!) and Bill Irwin (melancholy and sincere) were outstanding. Director Marco let his stars shine and develop and demonstrate REAL human emotion... wisdom... and a common thread of melancholy-tinged hope
He brought out so much from all allowing them disappear into characters. I simply fell in love with, rooted for, cried with, identified with... and wanted them to simply find fulfillment (and forgiveness).
I've not been so immediately moved from frame 1 nor felt each and EVERY actor's emotions in such a long long time
It gave me hope.
I saw this at the IFC Center during its opening week in NYC, and I was charmed by it. The intercut scenes did a great job of establishing the setting, and the relationships between the characters were nicely layered. The sex scenes were artfully done and evocative. The story of a Brazilian immigrant in P-town is not high drama, but it is human, and on that level, it did a great job of throwing the spotlight on gay culture and the theme of wanting to escape one's life, through dancing, swimming, drugs, or relief work in Angola. The casting was interesting, the performances very realistic, the cinematography beautiful, and the montages worked well. My husband missed much of the show because he lost his ticket and had to get up to use the bathroom, and he felt the plot was predictable. I however could not have predicted what happened at the end, I don't think he could have either.
High Tide, written and directed by Marco Calvani and starring his husband Marco Pigossi, isn't just a film-it's a mirror. A soft, brutal one. The kind that doesn't flatter but tells the truth, gently, and then walks away before you can argue.
At 49, gay, and newly divorced, I didn't expect to be seen-really seen-by a film that moves this quietly. Pigossi's character floats through his life like a ghost haunting his own body, and I felt every second of it. I've been there. Frankly, I might still be there.
Calvani's script cuts with a poet's precision, carving out themes of shame, isolation, and the quiet cruelty of gay loneliness with zero melodrama and zero apologies. Pigossi, for his part, delivers a performance so naked and unguarded, it feels almost obscene that the Academy will likely ignore it.
This film doesn't beg for attention. It trusts you'll lean in. And if you do, you'll find something rare: a gay story told without polish or pretension, but with the kind of emotional architecture that stays with you for days.
We need films like High Tide. Not louder ones-truer ones.
At 49, gay, and newly divorced, I didn't expect to be seen-really seen-by a film that moves this quietly. Pigossi's character floats through his life like a ghost haunting his own body, and I felt every second of it. I've been there. Frankly, I might still be there.
Calvani's script cuts with a poet's precision, carving out themes of shame, isolation, and the quiet cruelty of gay loneliness with zero melodrama and zero apologies. Pigossi, for his part, delivers a performance so naked and unguarded, it feels almost obscene that the Academy will likely ignore it.
This film doesn't beg for attention. It trusts you'll lean in. And if you do, you'll find something rare: a gay story told without polish or pretension, but with the kind of emotional architecture that stays with you for days.
We need films like High Tide. Not louder ones-truer ones.
10Luizc-3
"Director, you did an incredible job! A friend from Brazil recommended this film, and when I saw the trailer, I felt an instant connection - it was like my life was right there. With ADHD, it's hard for me to focus on movies, but this one completely captivated me. The authenticity and emotion you brought to the screen are impressive.
Marco Pigossi's performance in "High Tide" was widely praised! He's a talented actor who brought depth and nuance to the character of Lourenço. His portrayal of the complexities of love, identity, and vulnerability must have been compelling to watch. Congratulations!
Marco Pigossi's performance in "High Tide" was widely praised! He's a talented actor who brought depth and nuance to the character of Lourenço. His portrayal of the complexities of love, identity, and vulnerability must have been compelling to watch. Congratulations!
Lo sapevi?
- QuizThe film was originally titled "Best Place in the World", then it was changed to "APART", and finally to "Best Place". It eventually settled on the title "High Tide".
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Dettagli
- Tempo di esecuzione1 ora 41 minuti
- Colore
- Proporzioni
- 1.85 : 1
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