Un fotografo misantropo e in difficoltà vuole solo guardare la TV e mangiare caramelle mentre sua moglie è fuori città, ma quando un vecchio amico disperato riemerge, i suoi piani vengono sv... Leggi tuttoUn fotografo misantropo e in difficoltà vuole solo guardare la TV e mangiare caramelle mentre sua moglie è fuori città, ma quando un vecchio amico disperato riemerge, i suoi piani vengono sventati, con conseguenze spaventose.Un fotografo misantropo e in difficoltà vuole solo guardare la TV e mangiare caramelle mentre sua moglie è fuori città, ma quando un vecchio amico disperato riemerge, i suoi piani vengono sventati, con conseguenze spaventose.
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Recensioni in evidenza
As I sat down to watch the 2023 comedy "The Civil Dead", I had never actually heard about it. I happened to stumble upon the movie by random luck, and thus, I opted to sit down and watch it.
However, writers Clay Tatum and Whitmer Thomas didn't exactly churn out some of the greatest material here. Sure, "The Civil Dead" was watchable, but it was a rather monotonous viewing experience. And for a movie, then the script was rather devoid of funny contents. And that made it even more of a drag to sit through, truth be told.
I wasn't familiar with the cast ensemble in the movie, but usually a movie that stars the same people whom writers and directs the movie isn't a particularly good sign.
Sure, "The Civil Dead" was a fair attempt at making a movie, however, writers Clay Tatum and Whitmer Thomas just failed to entertain me with what they concocted here.
This is not a movie that I will ever return to watch a second time, nor is it a movie that I will recommend for comedy fans to rush out and get to watch.
My rating of "The Civil Dead" lands on a three out of ten stars.
However, writers Clay Tatum and Whitmer Thomas didn't exactly churn out some of the greatest material here. Sure, "The Civil Dead" was watchable, but it was a rather monotonous viewing experience. And for a movie, then the script was rather devoid of funny contents. And that made it even more of a drag to sit through, truth be told.
I wasn't familiar with the cast ensemble in the movie, but usually a movie that stars the same people whom writers and directs the movie isn't a particularly good sign.
Sure, "The Civil Dead" was a fair attempt at making a movie, however, writers Clay Tatum and Whitmer Thomas just failed to entertain me with what they concocted here.
This is not a movie that I will ever return to watch a second time, nor is it a movie that I will recommend for comedy fans to rush out and get to watch.
My rating of "The Civil Dead" lands on a three out of ten stars.
When his wife goes away for a weekend, "Clay" (Clay Tatum) is quite happy just dragging the mattress in front of the television and beering out! He's a photographer by trade and wandering around the city he encounters "Whit" (Whitmer Thomas) whom he knew years earlier. Their's is an uneasy friendship, but he is polite enough and the two spend a day together that concludes in the most unlikely of revelations! It appears that "Whit" isn't quite what he seems! Of course scepticism abounds, but a conversation with his neighbour confirms the worst - nobody else can see "Whit"! What now ensues are a fun series of increasingly exasperating escapades as the former man finds his new gadfly pal persistently more and more annoying and demanding whilst he just wants to get on with his life - especially when his wife returns! Perhaps a few days in a remote mountain cabin for the two men might provide a solution? Although it's really dialogue heavy and the scenarios do repeat themselves a few times, this is still an entertaining film with plenty of quirkiness and two engaging performances from the lead characters who try to avoid the obvious "Scooby-Do" style stereotype spooks. The end of the film rather entertainingly explains the beginning, too. No, you'll never remember it afterwards, but it's quite an enjoyable tale of the geek and his beast.
This movie was such a breath of fresh air, not just to the comedy genre but to the entire industry as well. What I liked the most about this film was that the director was generous in showing the entire experience of the characters. The production's 70's vibe and feel complemented really well with the theme. One cannot help but admire the friendship that the two characters. It seemed at the beginning that these two would be inseparable towards the end, until an unexpected twist took place. And the attitude of one of the characters served as clue to the occurrence of the said twist. It was entertaining and funny. A must-see for everyone.
10jonkrus
I never write reviews for movies, but hot damn, these guys are just great. I've been following them since there too shortly lived animated show "Stone Quackers" and I love there podcast too. There chemistry is undeniable and I love that kinda of humor so much. Going into this movie I didn't really know what to expect but I can honestly say it surpassed whatever I thought it was gonna be. So insanely clever, funny, weirdly dark at times, and I just really loved it. Hope to see much more from them again soon!
Slamdance Film Festival 2022
Greetings again from the darkness. What a terrific film to kick off this year's Slamdance festival! Writer-director Clay Tatum and co-writer Whitmer Thomas co-star in their own story that brings the "old" meaning of ghosting back to the forefront. But fear not, this is about as scary as the clip from the classic cartoon "Casper the Friendly Ghost" that's included. Rather than spooky horror, this is about comedic situations involving a particular ghost (not named Casper).
Clay (Tatum) is a frumpy slacker who fancies himself a photographer, but lacks the drive to market himself or his work. He does, however, think a different haircut might help, even if he wields the scissors himself. His wife Whitney (Whitney Weir) chuckles at the idea, but seems extremely supportive (or forgiving) of her husband's lack of effort in life. While Whitney's away on a business trip, Clay seizes the opportunity to eat and drink the hours away, somehow accomplishing less than he would on a typical day.
Displaying an unusual spark of inspiration, Clay crafts a scam to raise his share of the rent ... proving his lack of drive might actually be his finest quality. Later, while out taking pictures, Clay runs into his old friend Whit. They may be from the same hometown, but there is something a bit off in their re-connection. Clay tries to part ways, but Whit's having none of that - he's thrilled to be seen by his old buddy.
Robert Longstreet adds a jolt of energy in a poker sequence that evolves into a slow-motion booze-filled musical interlude. It's yet another example of Clay's moral compass, but most of the movie revolves around the interaction between Clay and Whit ... and that's fertile ground for some laughs and a premise that works pretty darn well. The filmmakers start us with a prologue with a bump in the night, though we aren't really allowed to understand it until near the end of the film. It's a nice start to the festival and an impressive project from the young filmmakers.
Clay (Tatum) is a frumpy slacker who fancies himself a photographer, but lacks the drive to market himself or his work. He does, however, think a different haircut might help, even if he wields the scissors himself. His wife Whitney (Whitney Weir) chuckles at the idea, but seems extremely supportive (or forgiving) of her husband's lack of effort in life. While Whitney's away on a business trip, Clay seizes the opportunity to eat and drink the hours away, somehow accomplishing less than he would on a typical day.
Displaying an unusual spark of inspiration, Clay crafts a scam to raise his share of the rent ... proving his lack of drive might actually be his finest quality. Later, while out taking pictures, Clay runs into his old friend Whit. They may be from the same hometown, but there is something a bit off in their re-connection. Clay tries to part ways, but Whit's having none of that - he's thrilled to be seen by his old buddy.
Robert Longstreet adds a jolt of energy in a poker sequence that evolves into a slow-motion booze-filled musical interlude. It's yet another example of Clay's moral compass, but most of the movie revolves around the interaction between Clay and Whit ... and that's fertile ground for some laughs and a premise that works pretty darn well. The filmmakers start us with a prologue with a bump in the night, though we aren't really allowed to understand it until near the end of the film. It's a nice start to the festival and an impressive project from the young filmmakers.
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Botteghino
- Lordo Stati Uniti e Canada
- 32.346 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.350 USD
- 12 feb 2023
- Lordo in tutto il mondo
- 32.714 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 2.39:1
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