VALUTAZIONE IMDb
5,3/10
21.521
LA TUA VALUTAZIONE
Una sfortunata giornalista televisiva viene inviata in un viaggio attraverso l'oceano, ma è seguita dal virus mortale che ha afflitto lei e molti altri.Una sfortunata giornalista televisiva viene inviata in un viaggio attraverso l'oceano, ma è seguita dal virus mortale che ha afflitto lei e molti altri.Una sfortunata giornalista televisiva viene inviata in un viaggio attraverso l'oceano, ma è seguita dal virus mortale che ha afflitto lei e molti altri.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 11 candidature totali
María Alfonsa Rosso
- Invitada Boda
- (as Mª Alfonsa Rosso)
Khaled Kouka
- Seguridad 2
- (as Khaled Kouka Ajmi)
Amadeo Rodríguez
- Seguridad 3
- (as Amadeo Rodríguez 'Drako')
Recensioni in evidenza
While the first REC was a very atmospheric, genuinely scary movie with some new genre elements added, especially in the way the action was captured, by now the REC series has slipped into the cliché trap.
This time around it's zombies on a boat. The director tries to emanate the claustrophobic feeling of a setting like the isolated camp in The Thing, but falls short.
The production is quite good for a horror movie, especially the acting stands out, but one can not help but feeling this is a cash machine franchise that has been milked too far by now. It's still a far better production than most straight to video horror flicks, but by now REC is not the captivating (low budget) horror sensation of the first movie, it's slightly better than run of the mill zombie movies.
Not essential and only if you are a big fan of the series.
This time around it's zombies on a boat. The director tries to emanate the claustrophobic feeling of a setting like the isolated camp in The Thing, but falls short.
The production is quite good for a horror movie, especially the acting stands out, but one can not help but feeling this is a cash machine franchise that has been milked too far by now. It's still a far better production than most straight to video horror flicks, but by now REC is not the captivating (low budget) horror sensation of the first movie, it's slightly better than run of the mill zombie movies.
Not essential and only if you are a big fan of the series.
The television reporter Ángela Vidal (Manuela Velasco) awakes in a ship and finds that she is locked in her cabin in quarantine. She escapes and stumbles with Guzmán (Paco Manzanedo), who rescued her from the apartment building in Spain. They discover that Dr. Ginard (Paco Obregón) and Dr. Ricarte (Héctor Colomé) are researching a cure for the lethal infection in the ship. Guzmán goes to the wheelhouse and he is introduced to Captain Ortega (Mariano Venancio) that is in his last voyage and radio operator and hacker Nic (Ismael Fritschi) that is trying to retrieve the footages in Ángela's camera. There is a blackout in the vessel and Dr. Ricarte discovers that someone released their guinea pig, an infected monkey where they would test an antidote. The monkey attacks the cook and most of the crew is infected by their lunch. Meanwhile Nic retrieves the footage from the camera and Dr. Ricarte sees the girl Tristana Medeiros transferring the worm-like virus to Angela that claims that is not infected. However Dr. Ricarte believes that Ángela is the hostage and patient zero and wants to extract the parasite from her belly to test the antidote. In the middle of the chaos on board, will the attempt work?
"(REC)4: Apocalipsis" is a decent conclusion of this franchise. The story returns to the genre of the first movie with Angela and the survivor from the wedding in the deceptive third movie and fortunately forgets the religious approach from the second movie. The problem now is a virus transmitted by a worm-like parasite that seeks the strongest hostage. The plot does not have surprise, is gore and entertains. My vote is six.
Title (Brazil): Not Available
"(REC)4: Apocalipsis" is a decent conclusion of this franchise. The story returns to the genre of the first movie with Angela and the survivor from the wedding in the deceptive third movie and fortunately forgets the religious approach from the second movie. The problem now is a virus transmitted by a worm-like parasite that seeks the strongest hostage. The plot does not have surprise, is gore and entertains. My vote is six.
Title (Brazil): Not Available
The fourth & final instalment in the REC franchise, REC 4: Apocalypse concludes the horror that began in 2007 with REC, which still remains one of the scariest horror flicks ever made, was followed by an inferior yet effective sequel in 2009 before hitting an absolute low with a needless third entry that was more a spin-off than a sequel and replaced the nerve-racking tension of the first two films with elements of comedy to serve as a parody of the series.
With REC 4, the tense & claustrophobic atmosphere of the first two films makes its return & so does the ever-adorable Manuela Velasco. Set right after the events of REC 2, the story of REC 4: Apocalypse follows Ángela Vidal who after being rescued from the doomed building is taken to a ship, that's miles off the shore, for further examination. However, things are set in motion when a test subject escapes from the lab and ends up infecting the ship crew.
Co-written & directed by Jaume Balagueró, REC 4 discards the found footage style that was so expertly employed in the first film and replaces it with conventional photography but with that, the effectiveness of those chaotic, frenzy camera-work also diminishes. It still uses the shaky cam technique but it fails to recreate the same chilling vibe of the original. The story isn't compelling enough for a final chapter and what Balagueró has done with Ángela's arc is just absurd.
Despite picking up the story from where it left off in the second chapter, REC 4 spends too much time in setting up its premise by introducing characters no one gives a damn about, and even when the terror begins, it's all poorly executed. The scares are cheap & ineffective and the film as a whole feels more like a generic action flick than a visceral horror. It's good to have Manuela Velasco back but her character undergoes a sudden transition which never works in the film's favour.
On an overall scale, REC 4: Apocalypse is definitely a step up when compared to the turd that was REC 3: Genesis, is similar in look & tone to the first two chapters of the franchise and although by no means it is a fulfilling conclusion of the series, there is no denying that it could've been much worse. Failing to completely tie up all the loose ends, leaving a few questions unanswered and utterly devoid of any scares, REC 4 may not be a total disaster but it's still finishes as a forgettable finale.
With REC 4, the tense & claustrophobic atmosphere of the first two films makes its return & so does the ever-adorable Manuela Velasco. Set right after the events of REC 2, the story of REC 4: Apocalypse follows Ángela Vidal who after being rescued from the doomed building is taken to a ship, that's miles off the shore, for further examination. However, things are set in motion when a test subject escapes from the lab and ends up infecting the ship crew.
Co-written & directed by Jaume Balagueró, REC 4 discards the found footage style that was so expertly employed in the first film and replaces it with conventional photography but with that, the effectiveness of those chaotic, frenzy camera-work also diminishes. It still uses the shaky cam technique but it fails to recreate the same chilling vibe of the original. The story isn't compelling enough for a final chapter and what Balagueró has done with Ángela's arc is just absurd.
Despite picking up the story from where it left off in the second chapter, REC 4 spends too much time in setting up its premise by introducing characters no one gives a damn about, and even when the terror begins, it's all poorly executed. The scares are cheap & ineffective and the film as a whole feels more like a generic action flick than a visceral horror. It's good to have Manuela Velasco back but her character undergoes a sudden transition which never works in the film's favour.
On an overall scale, REC 4: Apocalypse is definitely a step up when compared to the turd that was REC 3: Genesis, is similar in look & tone to the first two chapters of the franchise and although by no means it is a fulfilling conclusion of the series, there is no denying that it could've been much worse. Failing to completely tie up all the loose ends, leaving a few questions unanswered and utterly devoid of any scares, REC 4 may not be a total disaster but it's still finishes as a forgettable finale.
I really lost hope after i saw Rec 3 !!! A wedding !! a Bride who does a karate Moves :P
But thank god Rec is Back to the Story of "Ángela Vidal" and they connected the story to the first two movies ,,, amazing turn of events ..
The plot this time literally elevated to a new level ... Ohh and the ending is just another thing.
The scenes is so thrilling this time,, Jumped out of my seat a couple of times ;)
I still have no idea if there's another movie Rec 5 ;) but if there is ,they better make it connected and around the same story..
The Set is Genius.,. full of surprises and curves which were useful to make more frightening.. it's really amazed me though how you can do so much in such a small Set or location ..
So it must be also said the cinematography and the visual effects are Applaudable.
But thank god Rec is Back to the Story of "Ángela Vidal" and they connected the story to the first two movies ,,, amazing turn of events ..
The plot this time literally elevated to a new level ... Ohh and the ending is just another thing.
The scenes is so thrilling this time,, Jumped out of my seat a couple of times ;)
I still have no idea if there's another movie Rec 5 ;) but if there is ,they better make it connected and around the same story..
The Set is Genius.,. full of surprises and curves which were useful to make more frightening.. it's really amazed me though how you can do so much in such a small Set or location ..
So it must be also said the cinematography and the visual effects are Applaudable.
(TIFF'14 Intro) The film premiered as part of the midnight madness lineup. Jaume Balagueró and Manuela Velasco introduced the movie. Velasco announced that this would be her first time watching the movie as well. Balagueró thanked a bunch of people involved and restated that this is the final movie in the series, and effectively ends the story.
(Review) I'm a huge fan of the first two Rec movies. The first one is widely considered a genre buster, invigorating the hand-held found footage genre. The second one managed to build on the original, while delivering some truly intense moments and hitting all the high marks. They were intelligent, smart films, a rarity in horror movies. However, Rec 3 was a truly awful mess and thankfully not really canon (you can pretend it never happened). While directors Jaume Balagueró and Paco Plaza collaborated on both Rec 1 and 2, they decided to split up directorial duties among the last two films. After sitting through a painful viewing of Plaza's Rec 3, I could only conclude that the talent and potential gleamed in the first two films must lay with Balagueró. With that in mind, I had pretty high expectations for Rec 4.
The movie opens (seemingly) moments after the end of Rec 2. The apartment building returns to set up the script before the film shifts to the interior of a cramped oil tanker, with hardly any transition. It is by doing this that Balagueró masterfully switches out one claustrophobic stage for another, without ever giving the audience a moment of relief, or the characters, any reprieve. After a slow-burn first act, the action kicks into high gear as we are told the hope for saving, or destroying the virus lies on that oil bunker. Balagueró is a true horror movie buff, and Rec 4 is littered with references from all over the genre: movies (Aliens, RE, Deep Impact) and games (RE Revelations). Speaking of the horror movie elements, the zombie/demons look and sound more authentic than ever. And as for the new entry in the enemy roster, well, it might seem a little gimmicky but it works and Balagueró has a lot of fun with it (Everybody cheered as Angela Vidal screamed M******!). I'm not sure if this would be the goriest entry in the franchise, but it certainly delivered in that department, especially once the final act kicks in, which is, more or less, an intense bloodbath in true Rec style: Never letting up until the end, yet sprinkling the final act with small moments of black comedy. The most pleasant surprise were the characters. Fleshing out characters is hardly a priority in most horror scripts, but Rec 4 surprised me by turning the tables on usual stereotypical characters, and by the end, I was rooting for the unlikeliest of them. And I loved that about this movie. The whole thing is propelled forward by an amazing score and excellent sound work.
The bad? Balagueró has to work with narrow halls and almost no corners (sadly he could not construct the hallways around his shots like James Wan did for The Conjuring) and as such, the shots are tight and cramped. I was onboard with the directors' decision to move past hand-held, but that does not seem to have helped with shakycam. And while the movie captures some moments of pure intense action and manages to outdo Rec 3 in every way possible, it does not twist the genre like the first two films did, nor will it blow you out of the water.
In the end, Rec 4 is a satisfying, gory, visceral and intense conclusion to a great and (mostly) unique series. While the first two movies were made with the aim of creating genre-busters, Rec 4 is made for the fans who've followed the series, and Angela Vidal from the start. And you will not be disappointed.
(Review) I'm a huge fan of the first two Rec movies. The first one is widely considered a genre buster, invigorating the hand-held found footage genre. The second one managed to build on the original, while delivering some truly intense moments and hitting all the high marks. They were intelligent, smart films, a rarity in horror movies. However, Rec 3 was a truly awful mess and thankfully not really canon (you can pretend it never happened). While directors Jaume Balagueró and Paco Plaza collaborated on both Rec 1 and 2, they decided to split up directorial duties among the last two films. After sitting through a painful viewing of Plaza's Rec 3, I could only conclude that the talent and potential gleamed in the first two films must lay with Balagueró. With that in mind, I had pretty high expectations for Rec 4.
The movie opens (seemingly) moments after the end of Rec 2. The apartment building returns to set up the script before the film shifts to the interior of a cramped oil tanker, with hardly any transition. It is by doing this that Balagueró masterfully switches out one claustrophobic stage for another, without ever giving the audience a moment of relief, or the characters, any reprieve. After a slow-burn first act, the action kicks into high gear as we are told the hope for saving, or destroying the virus lies on that oil bunker. Balagueró is a true horror movie buff, and Rec 4 is littered with references from all over the genre: movies (Aliens, RE, Deep Impact) and games (RE Revelations). Speaking of the horror movie elements, the zombie/demons look and sound more authentic than ever. And as for the new entry in the enemy roster, well, it might seem a little gimmicky but it works and Balagueró has a lot of fun with it (Everybody cheered as Angela Vidal screamed M******!). I'm not sure if this would be the goriest entry in the franchise, but it certainly delivered in that department, especially once the final act kicks in, which is, more or less, an intense bloodbath in true Rec style: Never letting up until the end, yet sprinkling the final act with small moments of black comedy. The most pleasant surprise were the characters. Fleshing out characters is hardly a priority in most horror scripts, but Rec 4 surprised me by turning the tables on usual stereotypical characters, and by the end, I was rooting for the unlikeliest of them. And I loved that about this movie. The whole thing is propelled forward by an amazing score and excellent sound work.
The bad? Balagueró has to work with narrow halls and almost no corners (sadly he could not construct the hallways around his shots like James Wan did for The Conjuring) and as such, the shots are tight and cramped. I was onboard with the directors' decision to move past hand-held, but that does not seem to have helped with shakycam. And while the movie captures some moments of pure intense action and manages to outdo Rec 3 in every way possible, it does not twist the genre like the first two films did, nor will it blow you out of the water.
In the end, Rec 4 is a satisfying, gory, visceral and intense conclusion to a great and (mostly) unique series. While the first two movies were made with the aim of creating genre-busters, Rec 4 is made for the fans who've followed the series, and Angela Vidal from the start. And you will not be disappointed.
Lo sapevi?
- QuizIf you watch Rec (2007), [Rec]² (2009) and this film back to back without watching the end credits, the three movies would play out as one entire sequence of events.
- BlooperThe boat motor that is being used as a weapon and also to propel the escape raft has no fuel source.
- Curiosità sui creditiThere's a scene during the end credits.
- ConnessioniFeatured in [REC] 4: Making of (2015)
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Dettagli
Botteghino
- Budget
- 3.000.000 € (previsto)
- Lordo Stati Uniti e Canada
- 837 USD
- Fine settimana di apertura Stati Uniti e Canada
- 708 USD
- 4 gen 2015
- Lordo in tutto il mondo
- 4.915.757 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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