La furia dei titani

The powers of the gods are dwindling and the gods are slowly fading into oblivion. Monsters are being raised from wherever. Buildings are sliding all around the place. And there is no reason to care about ANY of it.

Ares and Hades are villains just as we've seen in nearly EVERY Greek mythology based storyline. I just want to pound my head against the wall every time I see this cinematic flatulence.

The love interest from the first movie is gone and instead of recasting the part, they just kill off the character. Bobo the Owl makes another cameo in this movie, playing the role of Wilson the Volleyball from Castaway. The blue ents are gone... I guess the action figures must not have sold that well.

When the Titan emerges (and it is the ONLY titan in the movie), he looks like the lava Titan from Disney's Hercules. The Titan shouts a lot, but hell if I could ever understand a word he said.

At least Perseus doesn't look like he came from the Jarhead Clan anymore. But he is still an idiot. Zeus comes to him in the beginning of the story to tell him that the world is coming to an end and he needs his help. Perseus refuses because... get this... he refuses to leave his son. Apparently despite having god blood in his veins he is still unable to think far enough in advance to realize that if the world comes to an end, he'll be leaving his son permanently.

The roles of Hades, Zeus and Hephaestus were really good, but three good performances just could not save this turkey from its bad writing and a dreadfully boring plot riddled with clichés.

That was really fun!

COTT was really bad and disappointing. In WOTT, Worthington is much better (I love the guy, but he was bland in COTT, and he says so himself, very professional guy), pretty intense, loved the scenes with his son Helius, nice moments with Zeus as well, he gets his ass kicked and kicks some major ass.

Neeson is great, Fiennes is really at ease, Kebbell is good, Nighy great as usual, Ramirez great (even though critics don't seem to think the same thing).

Incredible CGI, really, Kronos, Chimera, Tartarus, great set pieces, great monsters, beautifully shot, Liebesman really has an eye for the visuals, sometimes hand-held and shaky cam is used, and it works well. The action was for me most of the time mind-blowing, especially the last third of the movie.

Story is much better, even though dialogues are weak, it's more light- hearted. The 3D (and I'm pretty much a 3D lover) is great, lots of pop out, great depth, works really well with the scenery, creatures, action scenes. There are some really bad-ass scenes throughout the movie.

All in all, a truly bad-ass, kick-ass, fun movie that will get destroyed by the critics who seem like they can't just enjoy a blockbuster for what it is.

Epic movies have been around for several years now. Simply throwing action and graphics at a movie can no longer make it great. Epics have been pulled down to the level of an average movie. We must care about the characters. The dialogue must be worthwhile. The storyline cannot be linear and bland. Wrath of the Titans, although enjoyable, did not get the memo.

Wrath of the Titans follows a linear storyline. Any person who has any knowledge of Greek mythology with grow bored of the overused story of the labyrinth, Kronos, and how being part human makes you stronger than a God. The storyline has absolutely no originality. It's almost like the screenwriter read Percy Jackson and the Olympians and decided to turn the series into a more adult movie.

Luckily, there are several aspects that save Wrath of the Titans from being horrible. For one, the dialog worked. Mix that with the fantastic graphics and you have a movie that you can sit back and enjoy— so long as you don't think too much. At the heart, the original Greek mythology about Gods overthrowing Titians is quite intriguing. It's just been done far too often

I must note that this movie should have been longer. The opening was far too short. You barely see the town in which Perseus and his son live before it gets ripped apart. With no buildup, it is impossible to care for the characters. This makes the movie little more than Greek Myth brought to life with no depth. It is truly unfortunate. A movie like this has so much potential. It was all wasted with a horrible screenwriter.

If you like Greek Mythology or enjoyed Clash of the Titans, this is a movie you might want to see. If that is not the case, it's not something you will want to see in theatres (or at all). There have been much better action/adventure movies so far this year—The Grey and Chronicle are two. Wrath of the Titians is a movie with potential. Unfortunately, the makers of the movie forgot to turn that potential into gold.

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The Gods indeed deserved better than the 2010 remake of 'Clash of the Titans', a wholly ill-conceived attempt at revisiting the campy Ray Harryhausen sword-and-sorcery epic that instead replaced the original's stop-motion visual effects with second-rate CG effects. And certainly, the producers seemed to have heeded the call with this sequel, retaining the fine cast from the original- Sam Worthington, Liam Neeson and Ralph Fiennes- while opting for fresh writers and a new director.

It's still as important however to keep your hopes down for 'Wrath of the Titans', especially for those expecting a sweeping mythological epic. Taking over the reins from French director Louis Leterrier is Johnathan Liebesman, and going by his previous works- 'The Texas Chainsaw Massacre: The Beginning" and "Battle: Los Angeles"- the man is at best an efficient but uninspired director who pays more attention to visceral pleasures than to anything resembling depth.

That is certainly true of his work here, which vastly improves the action sequences of the original but little else. As if singularly devoting his time to create mind-numbing big-budget sequences, Liebesman invests little in the story and in his characters- God, demi-god and human alike. Both are mechanical at best and engineered with a specific purpose of taking his viewer from one jaw-dropping sequence to another, never mind the inconsistencies or the leaps of logic along the way.

So despite the exposition, the plot of the entire movie can be summed up in a one line- to save Zeus (Neeson) from his conniving brother Hades (Fiennes) and jealous son Aroes (Edgar Ramirez), the demi-god Perseus (Worthington) leaps back into full battle mode since retiring ten years ago to a quiet life in a small fishing village. Before facing the worst of them all, Perseus will have to go up against a host of hideous- looking monsters- a fiery-mouthed Chimera with two heads at the front and a snake's head at its tail; a trio of towering Cyclops giants; a Minotaur; and a band of half-man, half-rock soldiers with four arms and two bodies that twist around on a pair of legs.

There's no denying that the creatures this time are much more inventive, and the action sequences choreographed much more skilfully, adding up to a much more thrilling time than what its predecessor offered. Saving the best for last, Liebesman also crafts an epic finale with a gigantic lava-spewing monster known as the Kronos that also involves a whole legion led by warrior-queen Princess Andromeda (Rosamund Pike). The victory call at the end may be a tad overdone, but the climax alone is worth the price of admission and surprisingly impressive even in post- converted 3D.

Pity then that the rest of the movie often pales in comparison- and perhaps the most jarring of all is the poorly defined interfamilial conflict between Zeus, Hades and Aroes. Screenwriters Dan Mazeau and David Leslie Johnson (working off a story that's also credited to Greg Berlanti) give Aroes little motivation behind his father's betrayal other than his envy of Perseus, nor do they manage the sibling tension between Zeus and Hades convincingly. Worse still, they try to turn Hades into a less straightforward character by casting him as a reluctant pawn in Aroes' scheme midway into the movie, and the subsequent reconciliation between Zeus and Hades is laughable even with the considerable acting talents of Neeson and Fiennes.

Certainly, both thespians are well aware of the thin material here, but kudos to the pair for trying to imbue their Godly characters with the gravitas they usually bring to their roles. Among the more interesting additions to the cast are Bill Nighy as the loony weapons-maker Hephaestus whom Perseus approaches for help to gain entry to the underworld labyrinth Zeus is held captive, as well as Toby Kebbell as Poseidon's son Agenor and the only other character besides Hephaestus to have a sense of humour in the entire movie.

Indeed, the movie takes itself too seriously for its own good, ignoring its own campy origins in favour of a self-serious sensibility to its storytelling that only further exposes its plot and character flaws. This is, and perhaps has always been, about watching Gods, demi-gods and monsters go at each other with sound and fury- and thankfully, this sequel easily betters its predecessor on this regard alone. That's not likely to be enough to make the Gods happy though, but for those of us mortals looking for big-budget mind-numbing spectacle, this will do just fine.

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SPOILER FREE REVIEW

Let me start this right off the bat and tell you it's better than Clash of the Titans(Even though that's not saying much)However, Wrath of the Titans supplies enough action set pieces, that you have a good enough flick that you should check out this weekend. The plot is very simple, it's set 10 years after the events of the first film where Perseus and his son fish for a living. Hades and Zeus' son Ares trick Zeus and capture him. Now, the titans are getting stronger while Zeus is getting weaker. Perseus has to go to hell to save his father. There are some pretty cool monsters in this film, like the demons Makhai and the scene with Kronos is AMAZING. If you're looking for a good time this weekend and go into this movie with an open mind. Then you will definitely have a good time watching Wrath of the Titans. 8/10