Man on the Train

I didn't know how to rate this one. For the first 120 min it is excellent. Interesting music, excellent direction, wonderful cast--Donald Sutherland is in top form, nuanced yet clear, perfectly in character. But then came the ending, or perhaps three endings? Fatuous, pretentious, pseudo-"deep," just appallingly bad. I hated it that such great material and worksmanship should end up as such a train wreck. This director showed such wonderful talent, it's a shame she fell for such really bad end writing. She deserved better and should have known better. I look forward to her other work.

Basically this film centers on just two actors, Donald Sutherland and Larry Mullen Jr.

As we all know, Donald is a seasoned veteran but U2 guy Larry is new to cinema, and boy does it show.

I guess Donald has about 3,000 pages of dialogue here to Larry's one page. Larry's excuse is that he is playing a guy (we never know his name) who doesn't say much, although he's on screen nearly as much as Donald.

Basically the movie is about Larry (known as the thief) who arrives in town straight off a train and makes an accidental acquaintance with a Professor, played by Sutherland. Bizarrely, the professor invites the thief to stay at his home, while the thief secretly plans a robbery at a local bank.

It's a very slow film that never picks up speed. Donald acts his socks off, but Larry is so quiet and dull, the film hardly makes an impact.

Without Sutherland this film would have bombed. With a different actor playing the thief it might have been better.

I give it 5/10 because of Sutherland but the movie really doesn't deserve it.

I had no idea what to expect - I was sitting around checking out the new cable TV offerings and this came up. I was immediately caught up in this wacky little story (the path not taken, trading places, etc.). It's very low key for sure but that's a refreshing change of pace as far as I am concerned. The professor was a bit overly quirky (the nutty professor?) but still, if you accept it, it makes the movie that much more enjoyable.

I did not know that the "thief" was a U2 member - and I am glad I didn't know - I may have pre-judged the performance. I thought he was terrific - his character had fewer lines than Southerland but he definitely has an on screen presence that is engaging (I thought he must be some stage actor transitioning to movies because I'd never seen him before and I do see a lot of movies).

I am surprised to see negative reviews. Yes, the ending was a bit confusing but then it all comes together. One of the more interesting movies I've seen in a quite a while. Worth watching for sure.

A mysterious quiet man (Larry Mullen Jr.) arrives in the small town on a train. A poetry professor (Donald Sutherland) befriends the stranger and even takes him into his home. The man is in town to rob a bank with Sado (Graham Greene), Loco (Tony Nardi), and Max (Carlo Rota). He and the professor get to know each other as they discuss everything.

Mullen is playing the strong silent type and he does it with his stone face. Meanwhile Donald Sutherland is going off. He's acting for all he's worth with all his experience in tow. I don't see much in this performance for Mullen other than a lifetime of playing thugs with really short lines or playing in a really successful band. He should probably stick to the band. Sutherland is giving a lot here but Mullen isn't returning much. He has a flat monotone voice and stiff facial expressions. Although U2 fans may disagree vehemently. I saw the 2002 french movie, and I liked it for its attempt at a different kind of crime caper but I didn't love it. I have even less love for this one.

The cliche is that one would listen to a beloved actor even reading the phone book, if only to hear their voice. Well, even though I absolutely adore Donald Sutherland and am aware that he will never make another movie --- being favourably disposed to these points as well as the fact that it is set and was filmed (rather nicely) in Canada --- incredibly, I had to stop watching. The dialogue is awful! Unrealistically literary, stilted, stupendously cringeworthy, unbearable. In fact, Sutherland's all-in pro delivery makes it even more regrettable. On the plus side, Brik's character is hilarious, and Greene is good as always.