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L'arte di cavarsela

Titolo originale: The Art of Getting By
  • 2011
  • T
  • 1h 23min
VALUTAZIONE IMDb
6,5/10
61.743
LA TUA VALUTAZIONE
L'arte di cavarsela (2011)
George (Highmore), a lonely and fatalistic teen who's made it all the way to his senior year without ever having done his schoolwork, is befriended by Sally (Roberts), a popular but complicated girl who recognizes in him a kindred spirit.
Riproduci trailer2: 22
11 video
99+ foto
Coming-of-AgeRomantic ComedyComedyDramaFamilyRomance

George, un adolescente solitario e fatalista che è arrivato all'ultimo anno da senior senza aver mai fatto un vero sforzo, fa amicizia con Sally, una ragazza popolare ma complicata che ricon... Leggi tuttoGeorge, un adolescente solitario e fatalista che è arrivato all'ultimo anno da senior senza aver mai fatto un vero sforzo, fa amicizia con Sally, una ragazza popolare ma complicata che riconosce in lui uno spirito affine.George, un adolescente solitario e fatalista che è arrivato all'ultimo anno da senior senza aver mai fatto un vero sforzo, fa amicizia con Sally, una ragazza popolare ma complicata che riconosce in lui uno spirito affine.

  • Regia
    • Gavin Wiesen
  • Sceneggiatura
    • Gavin Wiesen
  • Star
    • Freddie Highmore
    • Emma Roberts
    • Michael Angarano
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    61.743
    LA TUA VALUTAZIONE
    • Regia
      • Gavin Wiesen
    • Sceneggiatura
      • Gavin Wiesen
    • Star
      • Freddie Highmore
      • Emma Roberts
      • Michael Angarano
    • 100Recensioni degli utenti
    • 116Recensioni della critica
    • 36Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria e 2 candidature totali

    Video11

    The Art of Getting By
    Trailer 2:22
    The Art of Getting By
    The Art Of Getting By: A Year's Worth Of Homework
    Clip 0:58
    The Art Of Getting By: A Year's Worth Of Homework
    The Art Of Getting By: A Year's Worth Of Homework
    Clip 0:58
    The Art Of Getting By: A Year's Worth Of Homework
    The Art Of Getting By: You And George Should Be Together, Sally
    Clip 0:57
    The Art Of Getting By: You And George Should Be Together, Sally
    The Art Of Getting By: With The Good Ones It's Not Right
    Clip 0:49
    The Art Of Getting By: With The Good Ones It's Not Right
    The Art Of Getting By: Which Novel
    Clip 1:08
    The Art Of Getting By: Which Novel
    The Art Of Getting By: He's Amazing
    Clip 0:35
    The Art Of Getting By: He's Amazing

    Foto157

    Visualizza poster
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    Visualizza poster
    Visualizza poster
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    + 151
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    Interpreti principali24

    Modifica
    Freddie Highmore
    Freddie Highmore
    • George Zinavoy
    Emma Roberts
    Emma Roberts
    • Sally Howe
    Michael Angarano
    Michael Angarano
    • Dustin
    Sasha Spielberg
    Sasha Spielberg
    • Zoe Rubenstein
    Marcus Carl Franklin
    Marcus Carl Franklin
    • Will Sharpe
    Ann Dowd
    Ann Dowd
    • Mrs. Grimes
    Maya Ri Sanchez
    • Cynthia
    Blair Underwood
    Blair Underwood
    • Principal Martinson
    Ann Harada
    Ann Harada
    • Mrs. Dougherty
    Rita Wilson
    Rita Wilson
    • Vivian Sargent
    Jarlath Conroy
    • Harris McElroy
    Elizabeth Reaser
    Elizabeth Reaser
    • Charlotte Howe
    Andrew Levitas
    Andrew Levitas
    • Javier
    Sam Robards
    Sam Robards
    • Jack Sargent
    Alicia Silverstone
    Alicia Silverstone
    • Ms. Herman
    Dan Leonard
    Dan Leonard
    • Nick
    Sophie Lane Curtis
    Sophie Lane Curtis
    • Chastity
    • (as Sophie Curtis)
    Joseph Ernest
    • Student
    • (non citato nei titoli originali)
    • Regia
      • Gavin Wiesen
    • Sceneggiatura
      • Gavin Wiesen
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti100

    6,561.7K
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    Recensioni in evidenza

    5napierslogs

    Asking the question, "What's the point?" But then doesn't deliver much

    The teenage rebel, full of angst, and feeling alienated through their own defeatist philosophies, once perfected in Holden Caulfield, is on display here again in George (Freddie Highmore). He has the typical advanced vocabulary and expected intellect, but boredom for school and life. "What's the point if you're just going to die alone?"

    "The Art of Getting By" tried to straddle the line between drama and comedy. Expecting us to laugh at George's despondency but then expecting us to feel for his life's difficulties. Although both comedic and dramatic elements were present, it was missing a touch of realism to help build the connection for the audience.

    Is it about getting the girl, finding your path in life, or just graduating high school? Of course it's about all of that, but at times it seemed to be about none of that. Its aimlessness in telling me what the point of it all was, seemed a little juvenile. It's a teen coming-of-age film, probably meant for the twenty-something crowd, but missing any greater meaning to fulfill its audience.

    It's the type of story that gets told frequently, but it also needs to be told frequently. It can get old quickly if you've seen better versions, and I, unfortunately, have seen better versions. I love Highmore and Emma Roberts, and this is exactly the type of roles they need to launch their adult career. I was impressed with Michael Angarano playing the older, if not any more mature, slacker artist who could have easily disappeared into adolescent oblivion, but instead found some meat in his role and really stood out.

    "The Art of Getting By" desperately needs the love it received from Sundance, because it's not going to get much of anything else. Which is a shame because it's not a bad movie but I don't think the filmmakers ever found the point they wanted to make.
    10louis_sound

    Hidden gem

    So I happened to notice quite a great deal of people hold negative opinions on this movie. That's why I wanted to share my 2 cents.

    Basically, the movie was what I expected it to be. Meaning: no blockbuster, no real Hollywood production, no mind-blowing action. A movie with a slice of life, just like 500 Days of Summer (come to think of it, it gets close to it in some ways, even if perhaps a little less mature). If you're looking for these exact characteristics, you may be better of looking for a different movie.

    So what to expect from it? First of all: it does not aim towards shocking you. It delivers a message, apparent from the introduction we get at the start of the movie. Starting a movie with a quote is bold, yet it's also original and different. It sets the tone perfectly. So George is this high-school guy who has a different hobby, drawing. He gets so worked up in it that when he does, he loses sight of all his surroundings (anyone who's creative will relate, as do I). On top of this he holds a pessimistic view on life, basically saying 'we're all going to die anyway so what's the point'? Now I know a lot of people will consider this to be 'emo' or whatever, but it's not. Honestly. I plead guilty: I myself often think in this manner. In fact, I can relate so much to George that by the end of the movie, I sat with my mouth open, totally freaked out and overwhelmed, still am. He's the different one, the outcast, the guy nobody knows and everyone ignores. Yet people tend to forget that being quiet doesn't equal being an uninteresting person. On the contrary: this movie likes to show us the other side of the coin. So my conclusion would be that if you often feel misunderstood, or have lost motivation for life in general, this movie would definitely be the way to go, as it requires a certain mindset I believe...

    What is so interesting about the movie, is that we see a great deal of changes in George's life from the moment he meets Sally. It triggers different actions and revelations in his life that are irreversible, as is often the case with love in real life too. It basically shows us that loved ones can change one's life for the better, even in a not always positive way. Love surpasses most joys of life, as it surpasses most of its burdens.

    There were times when I was slightly annoyed. I was aware there were times where I would tell myself 'just do it/just say it!'. There are many awkward silences in the movie, which are automatically transferred to the watcher's feelings. I wanted to jump into the movie, help G. out, because life can be difficult, more so when you're an introvert. And even more so when love's involved. (personal rant ahead) The world of today is all about extroverts, people who are eloquent and sociable, certainly not something George can boast about.

    The amount of growth George shows while struggling with his problems really makes the movie. You see him get out of his shell, while not losing his edge. It's not your typical American movie with happy ending, all's well that ends well. Again, just like life is a lot of the time.

    I'd advise anyone to have a look. This movie has been a hidden gem for me and it perfectly fits my taste for movies. Be prepared for some thinking and awkwardness from time to time and when that's OK with you, you'll love it. If this is not what appeals to you, then it will probably not be your cup of tea. If you are an artist and have lost motivation and/or inspiration, you should feel compelled to absorb what this movie has to offer.

    If you do enjoy this movie, don't forget to take a look at: '500 days of Summer' and 'It's kind of a funny story', which both are pretty close in terms of atmosphere to this one.
    7blanbrn

    Brings back memories of your high school days.

    This independent picture first titled "Homework" then changed to "The Art of Getting By" wasn't nothing great, yet it's story brings back memories of the times when most remember that being their high school days. When we struggled for social acceptance, worried about making good grades and getting into college. And most of all finding the right first love that you were mad about! And this film covers all of those themes.

    Set in New York City at a prep high school you have an odd and lonely out of place boy George(Freddie Highmore) who's searching for social acceptance while he slacks and struggles with his grades. Also his mother Vivian(Rita Wilson) is having problems of her own with George's stepfather and money woes are painful. It's upon meeting a girl that George has loved from a distance that gives him hope. Enter Sally(good performance from Emma Roberts)a southern girl who's moved north with her sexy and extroverted mother Charlotte(Elizabeth Reaser). And as typical the ups and downs of meeting, partying, and hanging out come and go and the typical hormones rage also. In the end George learns both a discovery of art and love. Overall nothing great it's somewhat predictable still it's theme and message is memorable and true this film is an all right watch.
    5Jim-500

    Good/But

    This is one of those movies that starts out well but seems to disappoint in the end.

    It's beautifully shot and edited, and we see many fine performances. I found Emma Roberts particularly appealing, as she has a dour, come-hither look in her dark eyes about 95% of the time. What Ingrid Bergman could achieve by looking down, Roberts does by looking almost right at us.

    Freddie Highmore looks and feels authentic. His character has a lot of choices to make, many of which go against all common sense. But although he drives us crazy, he's intriguing and we want to know what's to happen to him.

    Mid-movie, the characters are hit with several crises, and it gets interesting as we wonder how they'll resolve them. When resolution strikes, though, it's so conventional that it's disappointing. The expected is unexpected.

    Yup, it has indie-feel and Sundance all over it. But I was hoping for a big surprise at the end from these flawed but good people; instead, they seemed to abandon what they had stood for. And what may have qualified as a surprise involving Roberts was simply unbelievable and too convenient to accept. Though I was happy for them, a simple, happy ending didn't feel right with these non-simple characters.

    But then, maybe, that was the point.
    6JimmyCollins

    Bittersweet teen romance thats very different to the usual fare.

    this movie has gotten a pretty bad rap, it supposedly got terrible reviews from critics when it was first released and it didn't perform well at the box office but i don't see what is so horrible about it, i thought it was a nice, easily watchable film that didn't follow the usual cliché storyline that most teen romance films follow.

    Freddie Highmore and Emma Roberts are rather sweet together, although i have to say the Emma Roberts character is slightly annoying and a bit of a hussy, obviously she's picked this up from her mother but besides that the two leads are great together and have a genuine awkwardness between them that is really funny and nice to watch.

    The only time that i thought the movie faltered was when it started to deal with the family side of the story, i didn't find it very interesting and it seemed like a kinda boring subplot. I would have liked to see more scenes with Alicia Silverstone because she is great and it was cool to see her in a very different role like this. Also the lack of soundtrack lets this film down slightly but this is an independent film so i guess you have to make allowances for that.

    So if you're looking for a teen film that is a tad left of field, check this out.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      In the first scene, the camera passes by Tom's Restaurant, the same restaurant featured in Seinfeld (1989), aka Monk's.
    • Citazioni

      George Zinavoy: I read a quote once when I was a kid "We live alone, We die alone. Everything else is just an illusion." it used to keep me up at night.

    • Versioni alternative
      The UK release was cut, this film was originally seen for advice in an unfinished version. The BBFC advised the distributor the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by reducing the number of uses of strong language. When the finished version of the film was submitted for classification, the number of uses of strong language had been reduced from five to one. Accordingly, the film was classified 12A.
    • Connessioni
      Featured in Ebert Presents: At the Movies: Episodio #1.22 (2011)
    • Colonne sonore
      We Will Become Silhouettes
      Written by Benjamin Gibbard, James Tamborello aka The Postal Service

      Performed by The Shins

      Courtesy of Sub Pop Records

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    Dettagli

    Modifica
    • Data di uscita
      • 5 agosto 2011 (Italia)
    • Paesi di origine
      • Stati Uniti
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Homework
    • Luoghi delle riprese
      • New York, Stati Uniti
    • Aziende produttrici
      • Goldcrest Pictures
      • Mint Pictures
      • Island Bound Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 1.430.241 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 679.160 USD
      • 19 giu 2011
    • Lordo in tutto il mondo
      • 1.892.130 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 23 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby
    • Proporzioni
      • 2.35 : 1

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