Un fine settimana in una casa sul lago nel Golfo della Louisiana si trasforma in un incubo per sette villeggianti che subiscono attacchi di squalo.Un fine settimana in una casa sul lago nel Golfo della Louisiana si trasforma in un incubo per sette villeggianti che subiscono attacchi di squalo.Un fine settimana in una casa sul lago nel Golfo della Louisiana si trasforma in un incubo per sette villeggianti che subiscono attacchi di squalo.
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But it's really the same scenario. Some brainless young adults are frolicking about on a big, freshwater lake when all of a sudden, people are being tossed about and pulled under by unseen attackers. About thirty minutes in, it's revealed (as if we didn't already know) that the lake has been infested by sharks. And not just great whites, either. No, there are hammerheads, tiger sharks, bulls, and even cookie-cutters. How are all of these oceanic species ending up in a freshwater lake? Well, the movie gives an explanation, but it's one of the most outrageously bad plot twists in recent years. And remember, I'm an aficionado on the junk monster movies that pop up on the SyFy Channel every weekend. Now, I do not go to a monster movie looking for great character study or plot logistics. I go there looking for good old-fashioned, escapist fun. Only when a B-movie becomes so incredibly empty and devoid of joy do I start nitpicking on things I might otherwise overlook until after the credits have rolled. But the writing and directing of "Shark Night" (which by the way, mostly takes place under a bright sunny sky) is so bland, so unenthusiastic, so absent-minded that it left me looking at my watch after about twenty minutes. After the first attack sequence, which starts with a predictable twist and then becomes a practical shot-for-shot knock-off from the all-more-effective opening scene in "Jaws," the only thing that ran through my mind was wondering how long it would be before Steven Spielberg and Universal decided to pitch out a lawsuit for copyright infringement.
The whole movie looks and feels very much like it was made directly for a television release, giving it a sort of schizophrenic, out-of-place feeling. The fact that the performances are beneath comment does not help any, since they are on screen far more often than the cartoony, computer-generated sharks who can twist their necks as flexibly as a human arm and snarl like lions. In addition, there is the other big problem that I also had with "Piranha": dopey exploitation. The movie's far more interested in ogling at the hindquarters and torsos of partially-naked models-turned-'actors' than it is in developing plausible attack scenarios or engaging the audience in the way only a good B-movie can.
Well, at least there weren't any underwater lesbian scenes this time. No chewed up, sex organs either. Thank heaven.
If the writers had realized that they were making a movie for the big screen and not for television, "Shark Night" might have proved to be a solid, lighthearted matinée. Instead, it fails to recognize what it ought to have been and pretends to be a grade-A exploitation flick, falling flat from the beginning. In regards to its 3D: it's thoroughly unimpressive. Granted, I am not the biggest fan of 3D; I think it's a cheap, unengaging gimmick. But half the time, you wouldn't know this were a 3D movie if it weren't for the bulky glasses sitting on your nose. It's still murky and nothing jumps out from the screen except for a few pieces from a motorboat and some seaweeds. Not scary, not entertaining, not even remotely interesting, "Shark Night" was one of the more unhappy times I've had at the movies.
It seems like the only folks who can still produce good monster flicks are the Japanese. Their contemporary rubber monsters smashing miniature Tokyos and Osakas are far more interesting than any monster mayhem I've seen on the big screen in a long while.
Not likely, unfortunately.
Interestingly, the plot is rather creative: college teens go to one of their homes in a salt water lake, unknown to them that several different species of sharks are put there by some locals with sick intentions. We have some typical teen stereotypes, some of which are at least interesting while others not so much. A few of the characters are either stupid or just plain creepy (suitable for a movie like this).
What I like here is that the filmmakers use different kinds of sharks besides the usual great white. Species include hammerhead, bull, and even cookie cutter (which was a real surprise). I'm glad that they were getting creative with the use of differing creatures. The sharks are pretty scary and there are some moments that will shock you.
Unlike "Piranha 3D", Shark Night actually has a good enough plot, some amount of character development, decent back story, and some good creature moments. I guess this movie literally has a bigger bite than "Piranha 3D." While far from great, Shark Night is at least an entertaining flick, worth the watch once or twice. Wanna see some good old killer shark fun? Then check this action out. Just make sure you're not bleeding when you enter the water.
When Malik is skiing in the lake, he has a severed arm by a shark and his friends seek for help. But sooner they learn that the lake is infested of different species of sharks and they have a more dangerous problem threatening them.
"Shark Night 3D" is a silly and absurd rip-off "Jaws" with the storyline that recalls "Texas Chainsaw Massacre", with a group of youngsters that travels to the countryside and are slaughtered by sharks. They are actually victims of a gang of psychopaths that make money in a website with snuff movies showing the sharks attacking and killing people. Chris Carmack is scary with his psychotic behavior but the film is dull, ridiculous and the special effects are very poor. But maybe the greatest problem is that "Shark Night 3D" is a B-movie with the pretension of being a serious movie. My vote is four.
Title (Brazil): "Terror na Água 3D" ("Terror in the Water 3D")
The script is horrific and the plot is ho-hum but more importantly, takes way too long to get going. Every character is dull and hollow and the stale acting doesn't help. But in all honesty this could be forgiven had the film actually delivered on what was expected. There's surprisingly very little in the way of shark carnage. The PG13 rating means death scenes mostly consist of some flailing in red water. Other death scenes are almost completely off-screen. I'm not a gore fanatic but when the film has nothing else going for it, this could have easily saved it to a degree. They don't even capitalize on the 3D. There were a few genuinely creepy moments in the film that actually made me want to cover my eyes (something I haven't wanted to do in over 15 years)but these are so few and far between. I longed for more of these but the film seems to be too interested in silly melodramatic plot. The film also just takes itself way too seriously to the point where it just isn't fun to watch... which is all you'd be wanting going into a 3D horror movie about sharks.
It's a cheap attempt to cash in on the success of 'Piranha 3D' but without the tongue-in-cheek self-awareness or over the top gory thrills, there's very little to recommend in 'Shark Night 3D'. It could have worked as a campy throwback or It could have even worked as a more serious horror movie because I did feel uneasy at times but it really doesn't do either any justice.
Lo sapevi?
- QuizThis was director David R. Ellis' final film. On January 7, 2013, Ellis's body was found in the bathroom of his hotel room in Johannesburg, South Africa. He was preparing to direct Kite at the time. No cause of death has been released; however, police say no foul play was suspected.
- BlooperLily pads don't grow in salt water lakes.
There are saltwater water lilies aswell as fresh water lily pads.
- Citazioni
Sara Palski: Hey!
Nick: Sara!
Sara Palski: Room for one more?
Nick: [as he's moving boxes to make room] Yeah totally. Right there, no problem.
Sara Palski: Cool.
[Sara snaps her fingers and her dog barks and jumps in the back]
Sara Palski: Good boy! You guys have fun back there.
Gordon: Not quite, uh, what we had in mind there Sara. But...
[Sara closes the boot of the car before Gordon finishes]
- Curiosità sui creditiAfter the credits the music video for the song "Sharks Bite" performed by the cast is shown.
- ConnessioniFeatured in Cinemassacre Video: Top 40 Shitty Shark Movies (2013)
- Colonne sonoreLove You Like an Animal
Performed by Top Johnny!
Written by Dwane Rechil
Courtesy of Music Dealers
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- Siti ufficiali
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- Celebre anche come
- Terror en lo profundo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 18.877.153 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.404.260 USD
- 4 set 2011
- Lordo in tutto il mondo
- 41.363.927 USD
- Tempo di esecuzione
- 1h 30min(90 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1