Un'attrice horror viene presa in ostaggio da un fan folle intenzionato a ricreare gli eventi sanguinosi del suo ultimo film in uno scenario distorto della vita reale.Un'attrice horror viene presa in ostaggio da un fan folle intenzionato a ricreare gli eventi sanguinosi del suo ultimo film in uno scenario distorto della vita reale.Un'attrice horror viene presa in ostaggio da un fan folle intenzionato a ricreare gli eventi sanguinosi del suo ultimo film in uno scenario distorto della vita reale.
- Premi
- 8 vittorie e 1 candidatura in totale
Jason Jamal Ligon
- Interviewer
- (as Jason-Jamal Ligon)
Kyle G. Johnson
- Jessica's Co-star
- (as Kyle Johnson)
Alexis Louder
- Agent
- (voce)
- (non citato nei titoli originali)
Recensioni in evidenza
What a nice surprise this movie was. Now I am the number one fan of Jenna Kanell. Jenna Kanell co-wrote the screenplay of "Faceless After Dark " with Todd Jacobs, bringing her perspective to the story of Bowie, an actress on the rise. Bowie may face challenges, from autographing at conventions to navigating a closeted relationship and dealing with home invasions, but she's determined to carve her own path. And with carving her path, this is literally the case. The movie explores the realities of Hollywood, particularly for women, but with a twist! Well, with a couple of twists. When the pressure mounts, Bowie discovers a hidden strength and resourcefulness. Faceless After Dark is a story of resilience, finding your voice, and the power of creativity. Jenna Kanell delivers a captivating performance, making this a fun and empowering watch. Really a solid acting performance. Before I forget, she also co-produced the movie and obviously as a stuntwoman, is performing her own stunts. I am sold. Great movie, hence, the rating of 8/10. Well worth watching.
"Faceless After Dark" isn't just a slasher flick; it's a warped reflection of fandom, fame, and the cost of artistic identity. Director Raymond Wood crafts a film that's equal parts terrifying and thought-provoking, anchored by a truly killer performance from Jenna Kanell. Who takes center stage as Bowie, a jaded actress haunted by her breakout role in a notorious killer clown movie.
The film starts off strong, establishing Bowie's disillusionment with fame and the obsessive nature of some fans. But it's when she's thrust into a terrifying situation - a home invasion by a deranged fan dressed as the killer clown from her film - that Kanell truly shines.
Her portrayal of Bowie's descent into paranoia and desperation is raw and captivating. We see a shift from initial defiance to a fight for survival. Kanell masterfully conveys this emotional rollercoaster, keeping you glued to the screen.
As the film delves deeper, the lines between reality and warped obsession blur. Kanell seamlessly navigates this complexity, hinting at a potential darkness within Bowie herself. This is where "Faceless After Dark" excels. It becomes more than just a slasher; it's a character study exploring the price of fame, the burden of expectation, and the lingering impact of trauma.
Sure, the deaths are brutal (and there are some truly creative kills here), but it's Kanell's performance that elevates the film. She's not just a scream queen; she's a powerhouse anchoring the narrative with her raw talent.
"Faceless After Dark" might not be perfect. The pacing can drag at times early on, but once the film lays its foundation, you become immersed in the raw intensity that keeps you glued to the screen.
The film starts off strong, establishing Bowie's disillusionment with fame and the obsessive nature of some fans. But it's when she's thrust into a terrifying situation - a home invasion by a deranged fan dressed as the killer clown from her film - that Kanell truly shines.
Her portrayal of Bowie's descent into paranoia and desperation is raw and captivating. We see a shift from initial defiance to a fight for survival. Kanell masterfully conveys this emotional rollercoaster, keeping you glued to the screen.
As the film delves deeper, the lines between reality and warped obsession blur. Kanell seamlessly navigates this complexity, hinting at a potential darkness within Bowie herself. This is where "Faceless After Dark" excels. It becomes more than just a slasher; it's a character study exploring the price of fame, the burden of expectation, and the lingering impact of trauma.
Sure, the deaths are brutal (and there are some truly creative kills here), but it's Kanell's performance that elevates the film. She's not just a scream queen; she's a powerhouse anchoring the narrative with her raw talent.
"Faceless After Dark" might not be perfect. The pacing can drag at times early on, but once the film lays its foundation, you become immersed in the raw intensity that keeps you glued to the screen.
Went into this not expecting a whole lot but mostly because I liked Jenna so much as Tara in Terrifier. Thought she was really great in Renfield as well. I decided not to read too much about this one because I do like to be surprised and MAN was I surprised. Jenna Kanell dominates this movie and takes it to places I don't think a lot of actresses can pull off these days. Her performance starts off light and fun but descends into some very dark territory that Jenna works to perfection. I was with her all the way as revels in choosing victims that I absolutely wanted to see her annihilate. It's a fun movie and Jenna is an absolute star!
A struggling actress who only had one hit, with an indie horror slasher involving a clown, gets countless trolls who troll her on the internet, and she gets turned down constantly by auditions. So one night she gets drunk and passes out only to wake up and find out that someone in a clown mask has broken in. Faceless After Dark oozes in its neon style, and is reminiscent of 80s horror. From its quick runtime, to its flashy charm, Faceless After Dark was really fascinating to me. It stars the upcoming Jenna Kanell, of Terrifier and Redfield fame.
She does great in the role, and fades into the character seemingly. She brings a lot of personality and charm to the film, and was the perfect fit. The movie is also great at subverting your expectations. I wasn't expecting some of the routes this movie was going in and i always appreciate when a film does that to me. Where it fails in its cycle. What i mean by that is towards the middle of the movie you get this formula that basically loops for the rest of the movie.
About three events happen and then a kill, and then that loops about 4 more times, and it definitely felt repetitive very quickly. I kinda wish this movie got more creative towards the climax, and maybe switched some things up. But overall i got a decent amount of enjoyment from this little indie horror flick. It's a fun version of a character study, that tells a good story, and is overall good for what it's trying to accomplish. You're definitely gonna get some sort of enjoyment out of this thing, and it's definitely not a movie to skip. Check it out and show it support, it's far from bad.
She does great in the role, and fades into the character seemingly. She brings a lot of personality and charm to the film, and was the perfect fit. The movie is also great at subverting your expectations. I wasn't expecting some of the routes this movie was going in and i always appreciate when a film does that to me. Where it fails in its cycle. What i mean by that is towards the middle of the movie you get this formula that basically loops for the rest of the movie.
About three events happen and then a kill, and then that loops about 4 more times, and it definitely felt repetitive very quickly. I kinda wish this movie got more creative towards the climax, and maybe switched some things up. But overall i got a decent amount of enjoyment from this little indie horror flick. It's a fun version of a character study, that tells a good story, and is overall good for what it's trying to accomplish. You're definitely gonna get some sort of enjoyment out of this thing, and it's definitely not a movie to skip. Check it out and show it support, it's far from bad.
This movie actually may be THE absolute WORSSSTT movie i have ever watched in my entire life
This is saying a LOT because i am someone who enjoys very movie, like I enjoyed Madame Web.
The use of modern gen z lingo is cringy causing me to not take the movie seriously whatsoever (and IM GEN Z) Nothing makes sense??? AT ALL The acting is horrible and all of the actions and saying of the characters like nobody acts like that in real life.
The actions of the main character are so random it's insane im so mad I paid 7 dollars to watch it on youtube. I just wanted to watch a good new horror movie and this was NOT it. So cringy that it's impossible to find it thrilling or frightening.
Not sure why the ratings for the movie are so high because it is genuinely bad.
Thank you for your time.
The use of modern gen z lingo is cringy causing me to not take the movie seriously whatsoever (and IM GEN Z) Nothing makes sense??? AT ALL The acting is horrible and all of the actions and saying of the characters like nobody acts like that in real life.
The actions of the main character are so random it's insane im so mad I paid 7 dollars to watch it on youtube. I just wanted to watch a good new horror movie and this was NOT it. So cringy that it's impossible to find it thrilling or frightening.
Not sure why the ratings for the movie are so high because it is genuinely bad.
Thank you for your time.
Lo sapevi?
- QuizAfter the Fright Fest premiere, the Q&A moderator asked Jenna Kanell how much of the script was inspired by true events. Kanell responded, "I've never killed anyone."
- Citazioni
SouthernGentleman74: Call me daddy, you fucking cunt!
Bowie: Mmm! Call me daddy, that's spicy. I like that.
- ConnessioniReferences Terrifier (2016)
- Colonne sonoreVesti La Giubba (Pagliacci)
written by Ruggero Leoncavallo
performed by Carling Chiu
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Luoghi delle riprese
- Atlanta, Georgia, Stati Uniti(on location)
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 26 minuti
- Colore
- Proporzioni
- 2.39:1
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