Un uomo è accusato di omicidio in un futuro dove ognuno smette di invecchiare all'età di 25 anni, ma può continuare a vivere solo se in grado di acquisire nuovi crediti per estendere la prop... Leggi tuttoUn uomo è accusato di omicidio in un futuro dove ognuno smette di invecchiare all'età di 25 anni, ma può continuare a vivere solo se in grado di acquisire nuovi crediti per estendere la propria vita.Un uomo è accusato di omicidio in un futuro dove ognuno smette di invecchiare all'età di 25 anni, ma può continuare a vivere solo se in grado di acquisire nuovi crediti per estendere la propria vita.
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Recensioni in evidenza
Will Salas (played by Justin Timberlake) is a 28-year-old factory worker whose one year clock started and aging stopped, like everyone else in the film, when he turned 25. He and his 50 year-old mother Rachel (played by Olivia Wilde) live in the ghettos of Dayton hoping to earn and save enough to at least see the next day. All while wages in the ghetto are constantly going down and the cost of living is constantly going up. Then, while out drinking with his friend Borel (played by Johnny Galecki), he learns of a man with more than a century left on his clock who has unadvisedly advertised his good fortune while in the same bar as Will and Borel. A local time-thief enters the picture and, rather than retreat like his friend did and advised him to do, Will comes to the aid of the fortunate stranger. While saving his life was all for naught, the stranger gives Will all the time left on his clock before allowing the time on his own clock to run out while he's sitting on a bridge overlooking a dry river basin.
"Time is money" was a phrase first coined by Benjamin Franklin. While the idea of reversing that concept to "money is time" is interesting, I don't believe the cast was up to the challenge of exploring it. Whatever success Justin Timberlake might've had in supporting roles, he doesn't have what it takes to be the leading man. Amanda Seyfried, whose role has her playing off Timberlake for a lot of the film, is another professional whose appeal tends to overshadow her abilities for some reason. Perhaps an independent production could provide actors with genuine talent, who are young enough to look the part, but this is closer some sort of CW melodrama.
The cinematography is visually stunning, with proficient use of lighting in both daylight and night scenes, although the lighting in some club scenes feels a bit off. The film makes effective use of medium and long shots, complemented by great editing, particularly in the car chase scenes, which are thrilling and well-executed.
However, the editing feels clumsy and choppy at times, detracting from the overall experience. The pacing is intentionally rushed, aligning with the protagonist's characteristics. Despite enjoying the film, it feels like there are missed opportunities, especially in exploring its rich concept.
The writing captures the dystopian feel well, with time as the currency in a world where the poor and the rich are starkly divided. The film raises philosophical questions about life, death, time, justice, generosity, capitalism, poverty, morality, and trust. The dialogue is engaging, but the concept sometimes feels underdeveloped, lacking depth and straightforwardness.
The chase and fight scenes are entertaining, and the production design, with its contemporary buildings and futuristic cars and clothing, enhances the film's atmosphere. The soundtrack is unique, with a calm, mellow, and slightly electronic touch, featuring gritty bass lines and a dystopian feel. It's not generic but purposeful in its composition.
This film feels like a school project with a high budget. It could have benefited from extended scenes and more action sequences to fully explore its potential.
Overall, In Time is an interesting watch with visually stunning cinematography and a unique concept. Strong 6/10, decent 7/10.
This could have become a new scifi milestone, if it wasn't for the poorly executed script, stiff acting and highly predictable plot. The scenes are thrown together and feel like reenacted from typical "Bonnie and Clyde", "Romeo and Juliet", two against the world and enemy of the state type movies. None of the scenes seem original or well executed. Actions and reactions by the actors seem unnatural or rushed, unrealistic even. Some character development just feels plain wrong. Not because of the plot, but because the characters don't seem to be portrayed very well. Although a scifi movie, realism is still necessary. "In time" shows a world that is not believable and many scenes seem straight stupid.
It's not a great movie. If not for the cool plot idea and the likable main character, it wouldn't be worth watching at all. But if you want to see a world, albeit fake, where people fight over time to survive, give it a go.
But I enjoyed this twist on the same old action movie. It even starts with some thoughts on philosophy. A rich boy finds himself in a poor man's bar where everybody wants a piece of him, so much so that his considerable wealth and time line are in danger. While the poor are in constant need of money, it turns out that the rich don't have the same drives for life. This rich guy is impressed by Will's (Justin Timberlake) honesty and earnest desire to find out how the other side lives. Will is then faced with the possibility of an infinite life time of money.
From there, we get a Robin Hood action movie. Will pairs up with a daddy's girl vixen, Sylvia (Amanda Seyfried) and they are on the run from the time keepers (Cillian Murphy). I have enjoyed Timberlake's recent foray into the world of movie stars, but I like him more as a comedic straight man than as an action hero. Seyfried, on the other hand, proves that she can play pretty much anything. A mysteriously innocent, sharp-shooting, sexy action girl suits her well.
The logic that this new world presents is pretty easy to figure out, but as you are doing that at least you are distracted from the usual action movie set-up. Hollywood has ventured again into the science fiction romance genre, and has again come out with an intelligent, action-packed film with something for everyone.
Lo sapevi?
- QuizThe film takes place in 2169.
- BlooperWhen congratulating his mother with her 50th birthday Will says: "25 for the 25th time". However 25 for the 25th time would be her 49th birthday. On her 50th birthday she turns 25 for the 26th time.
- Citazioni
Henry Hamilton: How old are you? In real time?
Will Salas: 28.
Henry Hamilton: I'm 105.
Will Salas: Good for you. You won't see 106, you have too many more nights like tonight.
Henry Hamilton: You are right. But the day comes when you've had enough. Your mind can be spent, even if your body's not. We want to die. We need to.
Will Salas: That's your problem? You've been alive too long? You ever known anyone who's died?
Henry Hamilton: For a few to be immortal, many must die.
Will Salas: What the hell is that supposed to mean?
Henry Hamilton: You really don't know, do you? Everyone can't live forever. Where would we put them? Why do you think there are time zones? Why do you think taxes and prices go up the same day in the ghetto? The cost of living keeps rising to make sure people keep dying. How else could there be men with a million years while most live day to day? But the truth is... there's more than enough. No one has to die before their time. If you had as much time as I have on that clock, what would you do with it?
Will Salas: I'd stop watching it. I can tell you one thing. If I had all that time, I sure as hell wouldn't waste it.
- Curiosità sui creditiIn the start and end credits, some letters such as O and I, begin as numbers which count down to 0 or 1.
- ConnessioniFeatured in In Time: The Minutes (2005)
- Colonne sonoreMi Swing es Tropical (Zeb's Reggae Remix)
Written by Nickodemus (as Nicolas DeSimone), Hector Alomar and William Holland
Performed by Nickodemus and Quantic featuring Hector "Tempo Alomar"
Courtesy of Wonderwheel Records
By arrangement with Visions from the Roof
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El precio del mañana
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.520.095 USD
- Fine settimana di apertura Stati Uniti e Canada
- 12.050.368 USD
- 30 ott 2011
- Lordo in tutto il mondo
- 173.930.596 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1