Un amore in Cornovaglia

After faithfully watching Hallmark movies for years, this film finally broke the mold of predictable formulaic Hallmark plots. There was no big city girl returning to her home town to help fix the cupcake bakery or the seasonal festival, help because Dad hurt his back or broke a leg, meet her old boyfriend, review why they broke up, have an almost kiss, an accidental misunderstanding, and get it all resolved by the last 5 minutes.

Here is a story of real emotion, real life issues, professional conflicts, personal struggle with anxiety, loss, sadness, and unresolved relationships. Here is a sensitive young woman, searching for answers in both a professional and a family crisis of her own, opening herself to risks and unknowns to help her resolve her sadness.

The acting on the part of Eloise Mumford, the young child, and the granny were spot on. Truly sensitive, deep interpretations of their roles. Sadly, the leading man was bit bland and one-note, but nevertheless presented a solid rock to lean on for the young woman in her personal emotional search.

The scenery was just breathtaking! It added drama and seriousness to the story. The exploration of the child's dyslexia was done with great sensitivity. The issue of professional conflict and creative blocks had a real life quality to it. Addressing personal depression, anxiety, medication, and the helplessness of such moments is a real departure for Hallmark and is so welcome in our current world.

And yes, as a previous reviewer noted, how and why did the young woman manage to pack 4 coats and a jacket in her suitcase for such short trip? But one has to forgive such filming gaffes. This was a Hallmark movie, after all. Not everything needs to make sense.

Here is a film truly worth watching, and truly a departure for Hallmark, which has become so formulaic that one can predict almost everything in most moves before it happens. Not here. This is a gem!! More of the same, please!!

There are some real high points in this movie that are not typical of this genre. The scenery was gorgeous, the characters were well drawn out with actual problems in their lives, and the overly saccharine plot points were still somewhat palatable. I thought the ending strained credulity, but that didn't ruin the movie at all. I could have used a second part to this -- or even a miniseries.

I enjoyed this film tremendously, more than I have enjoyed a Hallmark film in awhile...and it had a few things working against it...like a mental health story and a dyslexia side story, but the overall story and chemistry made those minor dislikes insignificant.

The story is about an American college professor of literature, Joss, who I think is trying to get tenure and has two weeks to turn in her research paper post revisions. She receives a gift of a trip from her deceased mom who passed away just a year ago and from which Joss hasn't really recovered...she still feels like she is missing a piece of herself.

"Loss is a terrible thing, it never completely goes away."

Joss suffers from severe anxiety stemming from the car accident that took her father's life when she was a child. She makes the trip to Cornwall, staying at a sheep farm that her mom grew up on and her grandparents owned...but now she is a guest staying in the old mill house. The current owners are a single father and his mother. His daughter is struggling a bit in school...but is the most precious thing in the movie! She is a real scene stealer and I could listen to her for hours. Her grandmother is a bit cantankerous and is fighting a battle with her son over updating the farm. The son is the love interest who has wonderful chemistry with our lead actress. These two make a wonderfully soft spoken and lovely couple.

My three favorite things about this film were 1) the battle over the proper way to do tea 2) the scenery-which was truly beautiful and 3) the literary references from Oscar Wilde to William Wordsworth!

"It's what you read when you don't have to that determines who you'll be when you can't help it."-Oscar Wilde.

My favorite was the reading of the Wordsworth poem "I wandered lonely as a cloud", the description of daffodils was perfectly suited for the timing here in the Pacific Northwest where the daffodils are dancing in the wind so cheerfully this time of year.

Thank you for this breath of spring and sharing beautiful literature in this romance.

Highly recommend...you will not be sorry if you are a romantic.

"You know how scary that would be?"-Joss "I know, but you'd have the best wingman."-Daniel.

What a wonderful change of pace! This movie had depth, understanding, a steady pace and excellent acting. Such a relief from the annoyingly formulaic movies usually presented. No old boyfriend, no high heels, no saving the old bakery, festival, tree... here we had a lovely background, intertwining stories and themes, well developed characters, and a movie that was complex yet simple. It stays with me and I'll think about this one for a long time.

For me, it was a beautiful surprise. Because it is one of films having the courage to be more than a Hallmark.

I love the themes and the manner to explore them.

Loving books, having the experiences of teaching and the work for Phd, I discovered so familiar slices from my life, just fair reflected.

I loved the acting and the landscapes. The courage to use, in wise manner, the subjects as dislexia, ruined marriage, motherhood and dyslexia. I loved the intro, using the verses of Wentsworth and the box with the old volume by Coleridge.

The problem ? Obvious, the too conventional ( but predictable ) end.

But, honestly, it is more than Hallmark. And this just matters.