Natural Selection

natural selection - my friend picked this film to watch, and it looked like a slapstick comedy, luckily for me it wasn't. i was not familiar with the actors, but thought all the performances were excellent. this film has a lot of heart, its quirky, but not in a pretentious way. an excellent movie about love and relationships. i found the movie touching sad funny and never knew how the film would end, right up until the credits started to roll. i recommend this movie to just about everyone. if you track it down, grab it you maybe as surprised as i was. fantastic drama comedy, that is as good as any movie with the big budget and big stars.

I was more than surprised by this film. The performance of the two main characters was authentic and moving. Linda and Raymond were both desperate and lonely people yearning for human connection. The film takes us on a whirlwind trip through powerful, unexamined emotions. A few of the supporting characters were under developed, but did not seriously detract from the movie. I was moved by the power of this little film.

I was somewhat skeptical of the premise of this film (which you can read elsewhere) before I saw it. However, writer and director Robbie Pickering does a masterful job of bringing this original and surprisingly compelling story to life. His main characters are cut from starkly different backgrounds (fundamentalist Christian housewife and petty criminal/drug addict) to good comedic effect but each reveals a depth that is both genuine and touching as the story unfolds. I should also mention that the production is outstanding as well - from the pacing and the cinematography to the score. That's hardly a given for an independent film! Last but certainly not least, the acting is fantastic across the board. Rachael Harris especially shines in what I can honestly describe as an Oscar-worthy performance. I had no idea what a talent she is. I dare you to see this film and not be wildly impressed by her.

An okay indie flick bolstered by a fantastic lead performance by comedienne Rachael Harris. Harris is probably best known for playing Ed Helms' wife in The Hangover, or perhaps for her appearances on The Daily Show or VH1's I Love the '70s/80s/whatever. One could never have predicted the depth she gives to her character here. She plays a sexless, Christian housewife whose husband (John Diehl) suffers from a stroke. It comes to light that, though he refuses to sleep with her, he frequents the local sperm bank. Harris feels betrayed, but her husband is at death's door, so she attempts to forgive him. He mutters, perhaps from delirium, that she needs to find a long lost son, and she sets out to find the young man. Matt O'Leary plays the drug addict she finds, and, attempting to escape the sheriff, he takes off with her on a road trip. O'Leary is quite good himself, but, again, it's Harris' movie. The film starts off a little snarky about the whole situation, but Harris takes her character's dilemma seriously and plays her as a woman in deep emotional turmoil. The film is a dramedy, and it's often very funny. But Harris' dramatic moments are the ones you're going to remember. She's a true revelation here, turning in one of the best performances of the year.

Robbie Pickering had its World Premiere at SXSW where it was well-received and earned several awards. It is sort of an odd film about the struggles of damaged people. Natural Selection could be described as partially a critique of fundamentalist religion, part road trip film, and part human tragedy. It is the story of Linda who is trapped in a loveless marriage. She goes on a trip looking for one thing and discovers parts of herself that she didn't know existed. The script is well-written and the film is well-acted – especially considering this is the writer/director's first feature film. The film avoids easy answers or simple judgments to complex questions. The character development for the two main characters is nuanced and provocative. In the end, the audience may be left with more questions than answers. The film seeks intended as a critique of dogmatism, but offers the viewer little in the way of alternative answers to hang on to.