Miss Lovely

Miss Lovely is not an easy movie. It's not a movie that will ever play at a hundred mutiplexes and draw large popcorn eating crowds. But it's a fantastic movie, a sweaty, fever-dream of a movie, and it's wonderful that people are engaging with it. There is simply nothing like it in Hindi cinema - and like it or not, that is one thing I'm sure no one can argue with.

Miss Lovely doesn't offer anything like a straight plot, and it has no real stars - save for the "discovery" of Nawaz Siddiqui (this film was his first lead role). He's great in it, as is another "discovery" Anil George (who plays the demanding elder brother with an intensity unseen before in Hindi cinema). For me however, the film belongs to Niharika Singh, who plays the mysterious 'Pinky'. On one level, she is a femme fatale of yore (like in a 1950's Noir film), on another she's a complete cipher, a blank slate. You can project anything you want on her and she absorbs it. This could be seen as insignificant characterization, but I saw it simply as a struggling character who exists in the shadows of the film industry, someone you know almost nothing about but around which most of the plot revolves - like an empty center. Her mix of coyness, intensity, disinterest, coldness & warmth is terrific and incredible subtle.

That said, this is one of my favorite films of the year so far, and I'm glad to see this kind of edgy, fearless filmmaking coming from India.

Films like these provide an eye opening reality to college students, especially those pursuing Media related courses in colleges. I would love it if the makers offered us an opportunity to perform a case study on every aspect of this film. Being a film student myself, I always knew of Ashim Ahluwalia. However this film has given me a chance to understand why he is an idol to many aspirants like me. The film is brave, crazy and goes against the tide. This sends out a strong message to all those who are clueless about the importance of emotions and humanity in an era where money has an edge over anything and everything. I for one am really happy that a film like Miss Lovely can be made and released. It offers hope to a lot of film students and younger filmmakers that something else other than the usual masala fare is possible.

Watched this at Cannes and early reviews were initially confused, almost dissuading me from checking it out and sometimes positioning it as a Boogie Nights style American film, other times describing it as Wong Kar Wai-like. IT IS NOT ANY OF THE ABOVE! It's expressionistic, strange, captivating, surreal, eccentric and one of the more beautifully designed movies in recent memory, specially if 1980s Asian pulp & auteur cinema appeals to you as it does me. Its fragmentary plot is uncompromising, yet deeply rewarding as a complex genre movie makes way for a much more poetic take on what it means to be trapped in a claustrophobic economic/ social world with no way out. Feels like a marriage between von sternberg and andrei zulawski (kind of)..def art house, though. The narrative is just straight enough to follow whilst being daring enough to baffle - many feel that the character of Pinky, the dream-girl that drives much of the film is too opaque, but for me she felt just right - a kind of mona lisa of the bombay underground. highly worth checking out.

Bollywood movies are generally based on fantasy and imagination. Where the audience is made familiar with the characters which he 'wishes' to be.

Miss Lovely Adopts a different Approach.It makes the Audience identify with reality and makes familiar with the characters that 'are' around him.

The movie has penetrating dialogues, harsh naked truth characters and language. Nawaz with the character 'Sonu' was awesome.

The movie was brilliant in first half. One needs to watch the movie carefully.

Bollywood very proudly flaunts badges like mindless entertainment, leave your brains behind comedy, potboiler, masala entertainer etc. The award winning success of these films proves that there exists a larger population of people who step into the theater to consume these films and most of them find it real too.

This is a master piece. I call this new age cinema. Those who are getting bored of Yashraj and KJ movies, will definitely like Miss Lovely.

It would suffice to say that Miss Lovely is a film which is in a class of its own by such a far distance from its peers from the same house, that, by the sheer fact of its existence, it manages to add a chapter to the history of that very house.

The character building is magnificent, which lets one flow with the story without any jarring effects.The distinct flavour of each new element and the twists introduced thereby make it worth the trouble of tracking the complex plot.