VALUTAZIONE IMDb
5,5/10
7921
LA TUA VALUTAZIONE
Sulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuo... Leggi tuttoSulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuovo programma di eutanasia del governo va storto.Sulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuovo programma di eutanasia del governo va storto.
- Premi
- 5 candidature totali
Lisa Berry
- Newscaster
- (voce)
Recensioni in evidenza
After stumbling upon many negative reviews around here, I felt compelled to share my thoughts with my first review. This film doesn't quite hit the lows that many claim, nor does it reach the heights promised by its premise.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
In 2024's "Humane" we are introduced to a wealthy families dinner party that transforms into a night of horror and betrayal. Due to an environmental collapse, humanity is forced to shed 20% of its population and after the father of the York family dies, they are confronted with a situation that seems unsolvable at first. But without spoiling anything, the siblings certainly don't have much of a problem to betray each other and go for the easiest way out to save themselves.
The premise seemed interesting enough and with Caitlin Cronenberg as the director I was intrigued to say the least. However the movie ultimately falls pretty flat and becomes a rather underwhelming flick. It's well acted and overall the production looks pretty solid. The premise is slightly stupid but also interesting and unique in its own way. However the movie never manages to evolve into something memorable. It's able to pass the time but overall doesn't leave lasting impression and therefore ends up being pretty ordinary. [5,4/10]
The premise seemed interesting enough and with Caitlin Cronenberg as the director I was intrigued to say the least. However the movie ultimately falls pretty flat and becomes a rather underwhelming flick. It's well acted and overall the production looks pretty solid. The premise is slightly stupid but also interesting and unique in its own way. However the movie never manages to evolve into something memorable. It's able to pass the time but overall doesn't leave lasting impression and therefore ends up being pretty ordinary. [5,4/10]
Enlist today! Aren't you ready to die for your country?
While it's nowhere near as good as its dysfunctional family/friends counterparts: You're Next, Ready or Not, The Collector, and Bodies Bodies Bodies, it would fit right in with a home-invasion marathon with these. And that's nowhere near what I expected, from the poster anyways.
I succeeded in going in cold for this one, sans the poster of a masked man standing at a doorway while holding a syringe. This is my preferred method; I absolutely love being surprised throughout the experience, like with this movie. I *thought* this was a slasher with a medical nutjob. Well, kinda, I guess?
Humane is definitely inhumane, obviously. In the near, and possible future, global warming has Day After Tomorrowed and people are now forced to both use umbrellas whenever in the sun and do whatever it takes to decrease the population. Enter rich, snobbish, opinionated and divided family X of the central plot and get ready to root for the bad guy.
I like movies like these. Movies that start of humorous/hilarious and fun-horror/suspense and eventually and progressively gets dark. Like really dark. And gruesome. Well-done practical gore. (Or at least it appeared practical.)
I also liked the commentary that's incredibly relevant today. We are most certainly a divided (by design) country and this movie is every Thanksgiving meal when the guests have courage.
Plus, I did favor all the backgrounds and the director/writer allowing time for each character to shine leaving really only one that dominated and stole every scene: Bob, the collector. He was definitely my favorite character, even though his slight revelation of who he really is was kinda disappointing. I preferred him indifferent.
I wish this movie was broader, but maybe like The Purge, this'll need a sequel or franchise to break free from the house setting. While I liked what I got in exposition/news clips, I was still a bit confused on the worldbuilding outside of the single-place location.
Still, I definitely recommend this fun and sometimes brutal romp that shouldn't be taken too seriously. A scary popcorn flick, indeed.
***
Final Thoughts: My headline was gonna be "Starship Bloopers" with reference to enlisting to a propaganda-soaked government, but thought that would reference more sci-fi/alien invasion movies more. Though, I'd love to see the bloopers for this movie.
While it's nowhere near as good as its dysfunctional family/friends counterparts: You're Next, Ready or Not, The Collector, and Bodies Bodies Bodies, it would fit right in with a home-invasion marathon with these. And that's nowhere near what I expected, from the poster anyways.
I succeeded in going in cold for this one, sans the poster of a masked man standing at a doorway while holding a syringe. This is my preferred method; I absolutely love being surprised throughout the experience, like with this movie. I *thought* this was a slasher with a medical nutjob. Well, kinda, I guess?
Humane is definitely inhumane, obviously. In the near, and possible future, global warming has Day After Tomorrowed and people are now forced to both use umbrellas whenever in the sun and do whatever it takes to decrease the population. Enter rich, snobbish, opinionated and divided family X of the central plot and get ready to root for the bad guy.
I like movies like these. Movies that start of humorous/hilarious and fun-horror/suspense and eventually and progressively gets dark. Like really dark. And gruesome. Well-done practical gore. (Or at least it appeared practical.)
I also liked the commentary that's incredibly relevant today. We are most certainly a divided (by design) country and this movie is every Thanksgiving meal when the guests have courage.
Plus, I did favor all the backgrounds and the director/writer allowing time for each character to shine leaving really only one that dominated and stole every scene: Bob, the collector. He was definitely my favorite character, even though his slight revelation of who he really is was kinda disappointing. I preferred him indifferent.
I wish this movie was broader, but maybe like The Purge, this'll need a sequel or franchise to break free from the house setting. While I liked what I got in exposition/news clips, I was still a bit confused on the worldbuilding outside of the single-place location.
Still, I definitely recommend this fun and sometimes brutal romp that shouldn't be taken too seriously. A scary popcorn flick, indeed.
***
Final Thoughts: My headline was gonna be "Starship Bloopers" with reference to enlisting to a propaganda-soaked government, but thought that would reference more sci-fi/alien invasion movies more. Though, I'd love to see the bloopers for this movie.
How do you sully the Cronenberg name? Well, this is a start.
Maybe that's too harsh, as "Humane" is a passable movie going experience, but it does pale next to what poppa David and brother Brandon have unleashed lately.
After a career in photography Caitlin Cronenberg joins her family of filmmakers with this auspicious eco-thriller debut, and it does look great. It has that. It also has the spunky yet amateurish charm of the early Cronenberg films, where horror sprinkled with macabre comedic touches is the payoff of to quickly ignored and outlandish plotlines. The set up to "Humane", a voluntary 20% euthanasia program to combat climate change, is great. Even better, a well to do family gathers for a squabbling dinner only discover that one of them will be "volunteered" before the night is over. Greater! Jay Baruchel turns in another stellar performance, this time as the fast talking, back-tracking, squirming son who is squeamish about walking the walk he's talking. Greatest!
The rest of the movie is a sibling rivalry gone extreme exercise, as the kids are literally at each others' throats. Spoiler: things get bloody. Sounds, er reads good on paper, but the execution is just not up to the task. The plot holes are too egregious to ignore, and the action not engrossing enough to forgive the sketchy story line. A thriller without the thrill. Perhaps filming during the Pandemic hampered the production, who knows?
There's enough here to satiate those without expectation, and if including Trooper's "We're Here for a Good Time (Not a Long Time)" seems like a laugh riot knee-slapping inclusion, well, then you may dig this.
Maybe that's too harsh, as "Humane" is a passable movie going experience, but it does pale next to what poppa David and brother Brandon have unleashed lately.
After a career in photography Caitlin Cronenberg joins her family of filmmakers with this auspicious eco-thriller debut, and it does look great. It has that. It also has the spunky yet amateurish charm of the early Cronenberg films, where horror sprinkled with macabre comedic touches is the payoff of to quickly ignored and outlandish plotlines. The set up to "Humane", a voluntary 20% euthanasia program to combat climate change, is great. Even better, a well to do family gathers for a squabbling dinner only discover that one of them will be "volunteered" before the night is over. Greater! Jay Baruchel turns in another stellar performance, this time as the fast talking, back-tracking, squirming son who is squeamish about walking the walk he's talking. Greatest!
The rest of the movie is a sibling rivalry gone extreme exercise, as the kids are literally at each others' throats. Spoiler: things get bloody. Sounds, er reads good on paper, but the execution is just not up to the task. The plot holes are too egregious to ignore, and the action not engrossing enough to forgive the sketchy story line. A thriller without the thrill. Perhaps filming during the Pandemic hampered the production, who knows?
There's enough here to satiate those without expectation, and if including Trooper's "We're Here for a Good Time (Not a Long Time)" seems like a laugh riot knee-slapping inclusion, well, then you may dig this.
- hipCRANK.
The concept of this movie is pretty good, government needs to reduce population so pays people to be euthanised. Rich guy invites family round to tell them he's enlisted to do this. All kinda makes sense and can go along with the general idea.
The rest of the movie makes absolutely no sense whatsoever, the company that come and do it, the behaviour of the family, every action, further development of the original concept, decisions of everyone involved, nothing works. There is that single original concept, and thats it.
But actually that single thing was kinda enough to keep watching and see how it plays out, to its inevitable dissatisfying ending.
Nice idea. Ok to watch, could have been waaay better in every single way.
The rest of the movie makes absolutely no sense whatsoever, the company that come and do it, the behaviour of the family, every action, further development of the original concept, decisions of everyone involved, nothing works. There is that single original concept, and thats it.
But actually that single thing was kinda enough to keep watching and see how it plays out, to its inevitable dissatisfying ending.
Nice idea. Ok to watch, could have been waaay better in every single way.
Lo sapevi?
- QuizBob's Instagram account, @whataboutbob42 is real. In the movie, he talks about a photo from when he only had 4 unpopped popcorn kernels in a bag. That photo is there, and is interestingly dated at March 20th, 2021, more than three years before the film's release.
- ConnessioniReferenced in Film Junk Podcast: Episode 941: Challengers + 3 Body Problem (2024)
- Colonne sonorePrelude in D flat major Op. 28 no. 15
written by Frederic Chopin
performed by Sebastian Chacon
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- İnsancıl
- Luoghi delle riprese
- Hamilton, Ontario, Canada(entire film)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 44.509 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.850 USD
- 28 apr 2024
- Lordo in tutto il mondo
- 44.509 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Proporzioni
- 1.85 : 1
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