VALUTAZIONE IMDb
5,5/10
7591
LA TUA VALUTAZIONE
Sulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuo... Leggi tuttoSulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuovo programma di eutanasia del governo va storto.Sulla scia di un collasso ambientale che costringe l'umanità a eliminare il 20% della sua popolazione, una cena di famiglia scoppia nel caos quando il piano di un padre di arruolarsi nel nuovo programma di eutanasia del governo va storto.
- Premi
- 4 candidature totali
Lisa Berry
- Newscaster
- (voce)
Recensioni in evidenza
The concept of this movie is pretty good, government needs to reduce population so pays people to be euthanised. Rich guy invites family round to tell them he's enlisted to do this. All kinda makes sense and can go along with the general idea.
The rest of the movie makes absolutely no sense whatsoever, the company that come and do it, the behaviour of the family, every action, further development of the original concept, decisions of everyone involved, nothing works. There is that single original concept, and thats it.
But actually that single thing was kinda enough to keep watching and see how it plays out, to its inevitable dissatisfying ending.
Nice idea. Ok to watch, could have been waaay better in every single way.
The rest of the movie makes absolutely no sense whatsoever, the company that come and do it, the behaviour of the family, every action, further development of the original concept, decisions of everyone involved, nothing works. There is that single original concept, and thats it.
But actually that single thing was kinda enough to keep watching and see how it plays out, to its inevitable dissatisfying ending.
Nice idea. Ok to watch, could have been waaay better in every single way.
In 2024's "Humane" we are introduced to a wealthy families dinner party that transforms into a night of horror and betrayal. Due to an environmental collapse, humanity is forced to shed 20% of its population and after the father of the York family dies, they are confronted with a situation that seems unsolvable at first. But without spoiling anything, the siblings certainly don't have much of a problem to betray each other and go for the easiest way out to save themselves.
The premise seemed interesting enough and with Caitlin Cronenberg as the director I was intrigued to say the least. However the movie ultimately falls pretty flat and becomes a rather underwhelming flick. It's well acted and overall the production looks pretty solid. The premise is slightly stupid but also interesting and unique in its own way. However the movie never manages to evolve into something memorable. It's able to pass the time but overall doesn't leave lasting impression and therefore ends up being pretty ordinary. [5,4/10]
The premise seemed interesting enough and with Caitlin Cronenberg as the director I was intrigued to say the least. However the movie ultimately falls pretty flat and becomes a rather underwhelming flick. It's well acted and overall the production looks pretty solid. The premise is slightly stupid but also interesting and unique in its own way. However the movie never manages to evolve into something memorable. It's able to pass the time but overall doesn't leave lasting impression and therefore ends up being pretty ordinary. [5,4/10]
After stumbling upon many negative reviews around here, I felt compelled to share my thoughts with my first review. This film doesn't quite hit the lows that many claim, nor does it reach the heights promised by its premise.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
The core issue is rather straightforward: the script (skillfully executed by Michael Sparaga) leans heavily into satire, however, it appears that not everyone involved in the production fully embraced this idea. The film oscillates between moments of absurdity, humor, thriller, and straight-up horror, leading to a somewhat disjointed direction. While there are occasional flashes of comedic bullseyes, the constant comparison to David Cronenberg's esteemed body horror of work is inevitable, despite the absence of substantial horror elements (barring a few graphic close-ups in the third act).
The movie would have greatly benefited from leaning further into its satirical elements rather than focusing primarily on horror and suspense. This failure to fully embrace its comedic side left me feeling somewhat confused. Is it a left-wing nightmare? A mockery of right-wing extremes? Probably neither. This imbalance, favoring horror over absurdist hilarity, likely contributed to the dissatisfaction of many viewers. When the socio-political message becomes too apparent in any form of art, there's a risk of either angering or boring the audience.
Still, if viewed as a satire, the movie with its one-location concept offers an entertaining experience. It serves as a commendable directorial debut and showcases a standout performance by Enrico Colantoni, who knows exactly what kind of movie he's in.
Caitlin Cronenberg makes her directorial debut with Humane (2024), a film set in a near-future where overpopulation has led to drastic government measures-including voluntary euthanasia. A wealthy family gathers for dinner, only to see their night descend into chaos as they confront uncomfortable truths about their privilege and morality.
The premise is fascinating and full of potential for sharp social commentary, but the execution leaves much to be desired. At just under 100 minutes, the film still feels slow, struggling to sustain tension throughout. While the script aims for dark humor and suspense, it often lands in an awkward middle ground where neither element fully takes hold.
Performances are a highlight, with Jay Baruchel and Emily Hampshire delivering strong work. They bring some energy to an otherwise uneven narrative, but the characters as a whole lack the depth needed to make their dilemmas fully compelling. The production design and cinematography do a decent job of building an eerie atmosphere, but visually, the film never quite elevates beyond its small-scale setting.
Humane is an ambitious debut that doesn't fully deliver on its promise. Caitlin Cronenberg shows flashes of directorial skill, but the film's sluggish pacing and underdeveloped character arcs make it a frustrating watch. With a sharper script and a more dynamic approach, it could have been a gripping thriller, but as it stands, it remains a missed opportunity.
The premise is fascinating and full of potential for sharp social commentary, but the execution leaves much to be desired. At just under 100 minutes, the film still feels slow, struggling to sustain tension throughout. While the script aims for dark humor and suspense, it often lands in an awkward middle ground where neither element fully takes hold.
Performances are a highlight, with Jay Baruchel and Emily Hampshire delivering strong work. They bring some energy to an otherwise uneven narrative, but the characters as a whole lack the depth needed to make their dilemmas fully compelling. The production design and cinematography do a decent job of building an eerie atmosphere, but visually, the film never quite elevates beyond its small-scale setting.
Humane is an ambitious debut that doesn't fully deliver on its promise. Caitlin Cronenberg shows flashes of directorial skill, but the film's sluggish pacing and underdeveloped character arcs make it a frustrating watch. With a sharper script and a more dynamic approach, it could have been a gripping thriller, but as it stands, it remains a missed opportunity.
So I won't go into a movie summary since IMDb already does a pretty good job of doing that. It is watchable, but kind of slow to get started. The acting is very average for all involved except for the two main character husband and wife...they of course are quite seasoned. The soundtrack, yea that is really lacking. And actually takes away from many scenes while always playing softly in the background. But where this film is actually quite strong is the cinematography. Whoever the cinematographer was for the movie knew his business. Not a single shakey-cam anywhere. They set up the scenes and and shots it all really well. That is something so new. Typically it is annoying shakey-cam and high school level film class shots. So it's worth a watch.
Lo sapevi?
- QuizBob's Instagram account, @whataboutbob42 is real. In the movie, he talks about a photo from when he only had 4 unpopped popcorn kernels in a bag. That photo is there, and is interestingly dated at March 20th, 2021, more than three years before the film's release.
- ConnessioniReferenced in Film Junk Podcast: Episode 941: Challengers + 3 Body Problem (2024)
- Colonne sonorePrelude in D flat major Op. 28 no. 15
written by Frederic Chopin
performed by Sebastian Chacon
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- İnsancıl
- Luoghi delle riprese
- Hamilton, Ontario, Canada(entire film)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 44.509 USD
- Fine settimana di apertura Stati Uniti e Canada
- 26.850 USD
- 28 apr 2024
- Lordo in tutto il mondo
- 44.509 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Proporzioni
- 1.85 : 1
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