Christmas Is You

Yikes, every line in this movie is either expository, or pointless.

The shooting is way better than most Hallmark movies, and the editing as well. But the script is just awful. I can't even imagine how this script was greenlit. The director has given the actors nothing to work with, so the whole film is like a very well made table read of inane dialogue.

Childhood loves, Emma Bloom (Becca Tobin) and Tyler Thorn (Matthew MacCaull), reunite in their home town during Christmas. He's a big music star. She works for a record company. Her boss hears that he dropped his agency and tells Emma to sign him. If she can do it, she could be the new partner in the firm.

Her best friend and confidant should be a girlfriend. She needs to do some emotional exposition and dumping but can't be explicit with her brother. She needs a sister. It's not like the actor playing the brother is anything special. The younger couple is cute but they are strictly amateur actors. This is the gentlest of romantic drama. I like the two leads and I've always liked Tobin. This movie is not requiring much from them and that's what they deliver. Maybe if they could turn this more into a musical. It's very bland but that's par for the course in this type of movies.

Christmas Is You (2021) -

Not typically my type, Matthew MacCaul in the lead male role of Tyler, definitely had a certain sexiness about him, although he needed a hair cut and I wasn't sure that I would want to rush out to buy his characters album.

And Casey Menderson was cute too. There was a good chemistry between him and his sister Emma (Becca Tobin) and it would have been easy to see him and her as the leading romantic couple if they hadn't been related. I don't know many siblings that get on quite as well as they did. He always comes over a bit gay though too and actually it might have been better if Tyler had fallen for him instead, because they also had a good chemistry.

Casey as Jett wasn't a good brother however. I could see that his interaction with Emma's boss Rachel was to create a second romance, but there was a lot of underhanded behaviour and interference between them on Emma's behalf. Their interest in each other was a bit of a stretch too, because they barely knew each other.

Honestly though, I hadn't expected to like this one at all. Becca Tobin was horrible in 'Glee' (2009-15) and Matthew seemed like he was going to be slimey, based on the pictures I'd seen and the format seemed very typical too, but even after a few minutes it did appear to be a well made film, which I found interesting and worthy of my attention.

I wonder if the guy playing Mitch (Not listed on IMDB - Matty Finochio) has ever played someone who wasn't a douche bag though? I generally get irritated the moment he turns up on screen and it doesn't help that he's usually playing some pushy idiot. Thank God he never gets the leading roles.

It was a cute romance and I loved the shop setting. I do think that they could have utilised Becca's voice a bit more though and even potentially made it in to a musical.

5.50/10.

I wanted to like this film , against cliches, music as new pretext and crisis of space for significant show of young people.

In part, I was enough lucky to discover its good points , from family spirit and the wise mother, to the provocative tensioned moment when the hope of no nice final was real fresh.

But , sure, romance and Christmas, the return of hero and the feelings from youth more than present are useful details for not ignore the consacrated recipe . And reproches are far to be fair , the acting being decent, the story not boring and the supporting actors , near the romance of young couple working not awful.

So, nice .

And it is just enough - grace to some music, off course.

Another save the festival movie. The other half of the story is another common one. Emma is sent back to her home time to connect with an old flame and do a deal so she can earn a promotion.

The way Emma's backstory is revealed is a bit unusual in that it is done by her brother telling her boss.

You can see the conflict coming from a thousand miles away. I don't really understand Emma's hesitance to admit her mission. She has a lot of confusion because one minute she says one thing and the next it's another. I really don't understand Tyler's reaction given what he owes Emma. Things get a bit twisted so maybe that is explanation enough, but not for me.

Emma's boss is way too nice, but totally stupid in what she does.

Tobin looks her mid thirties age and perhaps even younger, but the almost decade older MacCaull obviously isn't the same age which the characters are supposed to be.

There are several performances by Becca Tobin and Matthew MacCaull. There duets are good including what appears to be an original song. MacCaull does OK, but when not doing harmony, he's not quite superstar singer material.