Le inchieste dell'ispettore Zen

I have to say, I have really been taken by surprise by this series. I really enjoyed the first episode but, it was the 2nd episode, Cabal, that really got me hooked. First and foremost I absolutely love the extended running time. At 1:30 minutes, without commercials, its literally double the average running time for drama's and ultimately it gives the show the ability to be far more character driven. I honestly don't think I have ever seen a series before that had this kind of running time and ultimately I think it speaks to the kind of show its trying to be.

Zen is really a throwback to old school TV. No funky cinematography, no shaky cameras, no funky camera angles, no high tech police gadgetry etc. In fact, I don't think I even remember seeing a single computer. Cell phones are about as high tech as this show has gotten thus far. The locations are simply stunning and that is no surprise given that it takes place in Rome. I openly admit that was initially one of the things that I was most excited about as I absolutely love Rome. Its hands down one of my favorite cities in the world and its a perfect setting for this series, especially with the approach that they have taken.

Of course if your going to have a show in Rome then fashion simply must play a role and the show certainly doesn't disappoint in this regard. The wardrobe choices are impeccable especially in regards to Rufus Sewell's suits. He looks outstanding in practically every scene. Then you have Caterina Murino and she looks absolutely fabulous as well. Her outfits are classy and while there is definitely a very sexy edge to her look, its not overtly sexy. She just looks stunning and they look absolutely dynamite together.

As for the stories, thus far its definitely been one of the weaker aspects of the show but they have still been entertaining and in regards to story, the 2nd episode was definitely an improvement over the first episode. I love the whole Cabal storyline and hopefully it will be a reoccurring theme with this show. It fits perfectly with the shows setting in Rome and while these types of detective shows always have different stories with each episode, there is usually a main storyline that takes place alongside the solving of individual cases. I think The Cabal would be a great choice in this regard.

Overall I have really enjoyed the first 2 episodes and cant wait for more. This show is just such a breath of fresh air compared to the usual detective riff raff that is practically everywhere you look. Hopefully Zen can pull in enough viewers as it would be a real shame to see this show end prematurely.

Definitely a solid 9 out of 10 thus far.

As I am an eager follower of UK and Scandinavian police dramas, it is logical than I have finally reached Zen, although, apparently due to 1 Season of 3 episodes, it has been "lost"/forgotten somehow. And that is pity - as the characters/performances, pertinent environment enhancing the general mood, and some unexpected twists make it a far-above-average miniseries. The events take place in Italy, all the cast is very local type (mainly from the UK though), but all communication is carried out in English (the same approach as in the e.g. Wallander UK version). The chemistry between Rufus Sewell as Aurelio Zen and Caterina Murino as Tania Moretti is sweet, yet realistic, ironing out some irregularities in the plot and scenes included just for thrill, but mystery is maintained and the Italian scenery makes you want to revisit Central Italy again...

PS And Rufus Sewell is a really versatile character actor, just recently saw Man in the High Castle where he stars as well. And so differently!

Underrated leading man Rufus Sewell gets his best role in years as Italian police detective Aurelio Zen in this summer's Masterpiece Mystery series: ZEN - now in rotation in the U.S. [ >>>>>See note on how to save this series at end of review<<<<< ]

Going against the grain of playing to younger audiences - and beautifully produced on location in Italy - this is a series for adults, lovingly crafted by a spot-on cast and shot with verve by cinematographer Tony Miller (INFINITE JUSTICE). Calling it a "detective series" seems to miss he point entirely, for it is really about watching Sewell establish an ultra-cool, post-modern anti-hero with the quiet confidence of a Raymond Chandler gumshoe and the personal flair of a '70s Alain Delon film noir protagonist.

Playing off an accomplished Italian/English cast ( see the office love interest embodied by the mesmerizing Caterina Murino), Sewell is a study in understated reserve that can turn testy when high-placed superiors want favors and cover-ups that are just not in Zen's wheelhouse. One of the fascinating things about Aurelio Zen is he must deal with a reputation for honesty that most of his cynical peers assume is just a pose, hiding a more crooked set of values closer to their own. It is too Sewell's great credit that he plays with this, sometimes showing Zen's more devious side, but then steering back to safer shores of a muted integrity that stays pretty dinged-up from episode to episode.

While there are satisfying moments of action and rather robust plot twists, still it is the face and expressions of Rufus Sewell that lock down this fresh, interesting series; his staying alive goes way beyond being able to think on his feet - for Zen must continuously side-step the dark expectations of his suspects and superiors, walking a tightrope between the half-truths and dangerous lies that make up his professional world.

In a TV universe of ever-falling standards, we should support this rare, intelligent portrait of a complex man trying to outsmart a world that grows more ruthless everyday. Those wishing to sound-off to the PBS execs that can perhaps reverse the BBC's initial decision to not buy more episodes can try contacting the American Executive Producer of PBS MYSTERY based at Boston's WGBH - Ms. Rebecca Eaton. In the past, she has been instrumental in saving several series that were not immediately picked up for a second season.-Brian H. Shaw b l o g "F.I.L.M.interpretation" at opera.com

And then they go and axe it. Typical.

ZEN was a three-part miniseries adaptation of of the literary detective Aurelio Zen. The BBC took the decision to shoot in English and not bother with dodgy accents, which works well.

I found all three episodes to be smart, stylish and above average thrillers. Each episode contains danger, intrigue, political machinations, romance and humour. Rufus Sewell is perfectly cast and plays Zen to the hilt, and he's supported by an excellent list of actors headed by the lovely Caterina Munro.

Add in some classy music and beautiful locations and you have a winning series. Of the three episodes, the first, VENDETTA, is the strongest, featuring a murderous assassin; the second, CABAL, gets tied up in government conspiracies and shady suited figures; the third and weakest, RANSOM, features Zen thrown into the middle of a kidnapping where nothing is what it seems.

It's a shame we'll never find out who was at the other end of the phone but nonetheless, ZEN made for great viewing.

I think everything has already been said in the above reviews about this series of three 90 minute episodes.

Its a stylish, beautifully shot,well acted,classy piece of entertainment, with fairly decent story lines with Rome as the backdrop.

Though i haven't watched the third instalment i felt the second 'Cabal' was a definite improvement on the first 'Vendetta' which i thought was slightly preposterous

No, it won't appeal to everyone, think of it as Bergerac with style, it has an upbeat Midsommer Murders pace to it.Like someone has said, it bucks the current trend of hard nosed police dramas, and it works, give it a try. You might just be pleasantly surprised like i was.

Some might condemn this as escapist TV but what's wrong with that? we all need to get away sometimes so why not summer in Rome, i can't think of a nicer place.