Le belve

Entrepreneurs Ben (Aaron Taylor , though Leonardo DiCaprio, Tom Hardy, Garrett Hedlund and James Franco were considered to play him) , a peaceful and charitable marijuana producer, and friend Chon (Taylor Kitsch received training from real Navy SEALs as a part of his preparation and he performed his own stunts) , a former Navy SEAL, run a lucrative, homegrown industry - raising some of the best weed ever developed. They also share a one-of-a-kind love with Ophelia (Jennifer Lawrence was originally cast as O but she pulled out ,Blake Lively was subsequently selected , Director Stone instructed her to take firearm training for her role ; despite not being experienced at the gun range, she hit center mass in her first three shots) . Life is idyllic in their Southern California town... until the Mexican Baja Cartel decides to move in and demands that the trio partners with them. When the merciless head of the BC, Elena (Michelle Rodriguez and Zoë Saldaña were considered for the role as Elena, but Salma Hayek got the role instead) and her enforcer, Lado (Benicio Del Toro) , underestimate the unbreakable bond of the three friends, Ben and Chon - with the reluctant assistance of a dirty DEA agent - wage a seemingly unwinnable war against the cartel. And so begins a series of increasingly vicious ploys and maneuvers in a high stakes, savage battle of wills.

This thrilling film contains noisy action , lots of violence , sexual scenes , plot twists and unpleasant characters . Acceptable protagonist trio , Taylor Kitsch as Chon , a violent and tough ex-Navy SEAl , a gorgeous Blake Lively and the best acting is given by Aaron Taylor-Johnson as a sensitive young who turns into violent one to save his girl . Good support cast plenty of nasty , ominous villains well played by Mexican actors such as Demian Bichir , Benicio Del Toro , Antonio Jaramillo , Joaquin Cosio , though bear offensive racial stereotypes . Special mention to Salma Hayek , whose character of Elena is loosely based on Mireya Moreno Carreon who's known to be the first Mexican female boss cartel . Colorful cinematography by Daniel Mindel , this is Oliver Stone's first film in nearly 17 years to be photographed with Panavision anamorphic lenses . Adequate and lively musical score by Adam Peters .

The motion picture was well directed by Oliver Stone , though includes excessive violence , sexual scenes and unpleasant issues . Stone appears in a cameo as a dancer on the France cardboard skit . Oliver Stone began working on the screenplay adaptation before the book was published . So confidant he was of this story that he himself contributed to investing in the project . ¨Savages¨ is realized in frenetic style and fast-pace , similarly other Stone hits such as ¨Natural born killers¨ or ¨U turn¨ . Oliver Stone is a good professional , though usually panned by mostly critics , nowadays is best considered . Stone returning from the Vietnam war did his first film , it was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay . The next seven years saw him direct two films: Mad Man of Martinique (1979) and this The Hand (1981) . He also wrote many screenplays for films such as Midnight express (1978), Conan (1982), and Scarface (1983). Stone won his first Oscar for Midnight express (1978), but his fame was just beginning to show .

If I was asked for one word to sum up this film it would be - Naïve.

Every character in this movie is clueless as to how the rest of the world operates and seems to live in their own eternal bliss of their microcosmic world. This in itself made the film very hard to relate to.

I have been an Oliver Stone fan for years, holding out hope that Natural Born Killers will someday be recognized for the art it is, however, this film was his "popcorn flick," and left me sorely disappointed. Acting was sub-par (even del Toro seemed to phone in some scenes and I have the utmost respect for his ability), the direction was sporadic and jumped from bubblegum to blitzkrieg in a matter of frames.

Save your precious two hours and watch Sicario or Traffik or The Adventures of My Little Pony in Juarez.

"I have orgasms, he has wargasms" oh my oh my, what was Oliver Stone thinking?

It's definitely watchable but it's just about 30-40 minutes too long, really drags its heels in the second half.

This was not a great movie. It could have been a great movie, but it was let down in two major ways.

First off, two of the three lead characters are awful. Blake Lively makes for good eye candy, but she just isn't a good actress. She's not bad in smaller supporting roles (like her part in The Town), but she simply cannot carry a lead. Unfortunately the entire film basically revolves around her (and she narrates), so her shortcomings are brought front and center. Every time her voice-over came on, I cringed. It really was not a good choice.

Taylor Kitsch is no better. Again... good eye candy, poor acting. Very poor acting. He just has no soul, and brings absolutely nothing to his character whatsoever. He should be in a brainless Fast & Furious movie playing opposite Vin Diesel, not an Oliver Stone drama.

The second major failure of this film is even more serious, and that is the story structure. We are never really given the opportunity to understand why the three lead characters (Chon, Ben and Ophelia) have such strong feelings for each other. We're told that they do, but never given any real reason to believe it. This is extremely important, because literally the entire premise of the film hangs on their relationship. If you're going to build a dramatic story around an unorthodox three- way relationship, you had better explain in more than one quick scene exactly how this relationship happened, otherwise the audience won't know why they should care about the characters. Especially when the actors portraying these characters aren't very good to begin with.

I know that I kept asking myself why these two guys share a girl, how they have absolutely zero jealousy, why they never once thought of double-crossing each other, and why either of them care so deeply for her -- to the point of being willing to risk their lives and commit horrible atrocities to save her. Where did all this love and loyalty come from? It was never adequately explained, and the entire movie suffers tremendously for it.

On a slightly more positive note, the veteran actors did a fine job. Benicio Del Toro was wonderful as a psychotic cartel underboss, John Travolta chewed the scenery to bits, and Salma Hayek was entirely believable in her role as well. Unfortunately, their competence only served to underscore the incompetence of the younger leads. It's telling that the best scene in the entire film was between Del Toro and Travolta, with none of the three lead actors anywhere to be found, and hinted at the promise this movie squandered.

A lot of reviews took issue with the violence portrayed in the film, but I didn't have a problem with that. You really can't make a movie about Mexican drug cartels without violence, so I didn't feel it was gratuitous. Unfortunately, however, it also didn't make the movie any more believable from a plot perspective.

Overall, I just don't think this was a very good film. I don't think that Stone felt entirely comfortable with what he was doing here, trying at times to be Tarantino but failing miserably. And likewise, I think that if this film had been in the hands of Tarantino or Robert Rodriguez, it likely would have come out much better, perhaps even great.

Chon (Taylor Kitsch) and Ben (Aaron Taylor-Johnson) coexist in a drug filled love triangle with O (Blake Lively). They become successful high grade weed dealers north of the border. Their lives get complicated when the Mexican Baja Cartel leader Elena (Salma Hayek) muscles in on their business.

Oliver Stone is putting all his skills into making a flashy crime action. But it just seem more flash than substance. Mind you, I appreciate the flash. There isn't anything original to the story. Certainly Oliver Stone has done better. Yep, there is definitely better Oliver Stone works out there.