Headhunters

Im from Norway, and the last years Norwegians movies that are known has been horror movies. So this is a kind of movies we don't get from Norway so very often. That the main actor was good, is no surprise - and he is the actor in many other movies as well. But this is probably the movie i have liked him most. He plays a character that have many flaws, and that does not act like a hero. And the story is a bit twisted - and surprising. I saw it with a friend from Philippines and we both agree that this is one of the best thriller we have seen in 2011. So hurray for this Norwegians movie - and lets hope it will come more in the years that come in this quality.

Dark Scandinavian crime movies being all the rage lately, this intelligent, action-packed thriller didn't disappoint. I went into the film without reading the book or indeed knowing a single thing about the film. I enjoyed it.

I was drawn into this northern world with its interesting people and beautiful natural scenery. What also made this movie stand out was the fast-paced plot with many unusual and unexpected twists. It is the kind of film that has you glued to your seat to see what could possibly happen next to the main character. Roger Brown, the headhunter, becomes headhunted. (But what's the story with the English name??)

No movie is perfect. There were a few plot problems and I have to admit I looked at my watch half way through, despite the fast pace.

Perhaps the film could be faulted for showing only two types of Norwegians: rich sophisticates and yokels (all blond of course). Aren't there any ordinary middle-class people in Norway?

Also, some of the scenes may be too difficult for the squeamish to watch. Not exessive, but just a little over the top.

I'd give this film a higher score, but I am not a fan of the genre. Still, I did enjoy it for what it was and would recommend it to anyone. It's a good movie.

Headhunters, based on Jo Nesbo's novel of the same, lived up to all my expectations - even though I am not very keen on thrillers in general. It all started out fairly interesting, although I quickly started to dislike the main character, Roger Brown. His snobbish, very self-confident attitude just put me off. However, to support his lavish lifestyle, he steals art to afford everything for his beloved wife and it all ends in a captivating battle of survival. Soon, he is chased by his rival, Clas Greve, and it seems to be an absolutely hopeless escape as Greve is always just a few steps behind. First, I attended the movie with close attention. But in the end, I didn't even dare to breath properly. A highly-recommended, although too bloody, high-quality thriller for everybody!

I have seen some plot holes mentioned by other reviewers, but to be honest it won't spoil your viewing of this movie and I could even say that most films ask you for some kind of suspension of disbelief, otherwise you'd never go to the movies.

I really didn't like the protagonist at all at first, but then your sympathy for him grows as he ends up having to do things that he wouldn't dream of in a million years, just to stay alive.

It's all handled very well and moves along at a nice pace. There some particularly black moments when you almost feel guilty about laughing. But this film got a reaction from me, and for me, that's what a well put together film should do.

Roger Brown has a pretty good life. By day, he's a corporate recruiter (headhunter) who goes home at night to a magnificent house and stunning wife. Unfortunately, Roger's insecurities (he's only 5'6") lead him to seek a lifestyle well beyond his means. How does he make up the difference between his income and expenses? High-priced art theft, of course.

Such is the premise of "Headhunters," a terrific Norwegian film that follows up its run at the 55th San Francisco International Film Festival with a general release. The film garnered quite a lot of buzz at the Festival and, after a recent screening, it's easy to see why. A mixture of crime/heist drama, action/suspense thriller, and love story, it's what the 1999 version of "The Thomas Crown Affair" might have looked like if it had been directed by Sam Peckinpah.

Brown, played by Aksel Hennie, is looking for one big score to settle him for life. Circumstances bring that possibility to him, but things are not what they seem. Things go wrong - very, very wrong - and Roger finds himself in deep, deep sh** (literally as well as figuratively.) To say much more would spoil the intricate plot (I'll leave that to the trailer,) but suffice it to say you should just sit back, buckle up, and enjoy the ride. This film has more twists and turns than a fjord-side road.

Fast paced and extremely violent in spots, this film is not for the squeamish. If you can get through a little (well, a lot) of body mutilation, high impact body trauma and the occasional spearing, you'll find yourself enjoying (yes, I said it – enjoying) a cinematic thrill ride that puts its American counterparts (see Ocean's Eleven/Twelve/Thirteen, etc.) to shame.

Catch it before the typical half-assed American remake appears…

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