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Dil Dosti aur Dogs is a feel good movie. If you are a dog lover, then you will definitely like this movie. But if you hate dogs, then you must watch this movie and at the end you will start loving the dogs.
Similar to most of the Bollywood movies, this film also has some weak points, which are: 1. Some parts of the movie are copied (inspired) by 2022 movie '777 Charlie' 2. When Sharad Kelkar looks at the dog robber for the first time, he was not ready with mobile to click the thiif's photo. But when he gave the photo to police, it was well posed photo of thief. How could it be possible 3. The dog that is owned by Sharad Kelkar was so inactive in the movie that it looks like the dog has some disease.
Similar to most of the Bollywood movies, this film also has some weak points, which are: 1. Some parts of the movie are copied (inspired) by 2022 movie '777 Charlie' 2. When Sharad Kelkar looks at the dog robber for the first time, he was not ready with mobile to click the thiif's photo. But when he gave the photo to police, it was well posed photo of thief. How could it be possible 3. The dog that is owned by Sharad Kelkar was so inactive in the movie that it looks like the dog has some disease.
What elevates "Dil Dosti Dogs" above similar films is its refusal to present easy
solutions or magical transformations. The characters' problems - grief, loneliness,
communication barriers, family conflicts - aren't suddenly solved because a cute dog
enters their lives. Instead, their relationships with their canine companions give them
new perspectives and the courage to face their challenges.
The screenplay skilfully interweaves four main storylines without ever feeling disjointed or rushed. Each narrative thread is given room to develop, and the points where they intersect feel organic rather than contrived. The dialogue sounds like things real people would actually say, refreshingly free of the preachy monologues that often plague this genre.
Technically, the film is a triumph. The cinematography is gorgeous without being showy, the editing maintains a perfect pace, and the sound design deserves special mention - the urban soundscape is richly textured, making Goa feel like a character in its own right.
If I have one criticism, it's that the musical score occasionally becomes too insistent, particularly in scenes that are emotional enough without musical cues telling us how to feel.
"Dil Dosti Dogs" is that rare film that manages to be deeply moving without manipulation and life-affirming without sentimentality. It's easily one of the best films I've seen this year, and I can't recommend it highly enough - even if, like me, you're not usually a "dog movie" person.
The screenplay skilfully interweaves four main storylines without ever feeling disjointed or rushed. Each narrative thread is given room to develop, and the points where they intersect feel organic rather than contrived. The dialogue sounds like things real people would actually say, refreshingly free of the preachy monologues that often plague this genre.
Technically, the film is a triumph. The cinematography is gorgeous without being showy, the editing maintains a perfect pace, and the sound design deserves special mention - the urban soundscape is richly textured, making Goa feel like a character in its own right.
If I have one criticism, it's that the musical score occasionally becomes too insistent, particularly in scenes that are emotional enough without musical cues telling us how to feel.
"Dil Dosti Dogs" is that rare film that manages to be deeply moving without manipulation and life-affirming without sentimentality. It's easily one of the best films I've seen this year, and I can't recommend it highly enough - even if, like me, you're not usually a "dog movie" person.
"Surprisingly Emotional Dog Tale"
Just finished "Dil Dosti Dogs" on Jio Hotstar and I'm still processing my feelings.
What I thought would be a light-hearted dog movie turned out to have way more emotional depth than I expected.
Tinnu Anand delivers a masterclass in subtle acting - his scenes with the old Labrador were my favorite parts of the film. The way the camera lingers on his expressions speaks volumes about his character's inner life.
The dogs themselves deserve all the awards - such amazing training went into their performances. There's this one scene with the German Shepherd that had me openly sobbing.
A few pacing issues in the middle section, but overall a really solid film. Viral Shah has created something special here.
Thank You.
What I thought would be a light-hearted dog movie turned out to have way more emotional depth than I expected.
Tinnu Anand delivers a masterclass in subtle acting - his scenes with the old Labrador were my favorite parts of the film. The way the camera lingers on his expressions speaks volumes about his character's inner life.
The dogs themselves deserve all the awards - such amazing training went into their performances. There's this one scene with the German Shepherd that had me openly sobbing.
A few pacing issues in the middle section, but overall a really solid film. Viral Shah has created something special here.
Thank You.
I caught "Dil Dosti Dogs" last night and I'm still trying to figure out how I feel about it.
On one hand, it's got these really touching moments between people and their canine companions that hit you right in the feels. On the other hand, the whole thing feels like it's trying too hard to make us cry.
First, the good stuff. Masumeh Makhija absolutely steals every scene she's in. Her performance has this quiet dignity that grounds the film whenever it threatens to become too cutesy. The dogs themselves are incredibly well-trained and manage to convey more emotion than some human actors I've seen this year (no names mentioned).
Another highlight is the unexpected comedy that comes from Neena Gupta's portrayal of a grumpy old woman who swears she hates dogs but ends up bonding with a scrappy little one. Their grudging friendship provided some of the biggest laughs and, surprisingly, one of the most tearjerking moments in the third act.
Now for the not-so-great. Just when you're invested in a character's emotional journey, the film throws in a slapstick sequence that feels imported from another movie entirely.
On one hand, it's got these really touching moments between people and their canine companions that hit you right in the feels. On the other hand, the whole thing feels like it's trying too hard to make us cry.
First, the good stuff. Masumeh Makhija absolutely steals every scene she's in. Her performance has this quiet dignity that grounds the film whenever it threatens to become too cutesy. The dogs themselves are incredibly well-trained and manage to convey more emotion than some human actors I've seen this year (no names mentioned).
Another highlight is the unexpected comedy that comes from Neena Gupta's portrayal of a grumpy old woman who swears she hates dogs but ends up bonding with a scrappy little one. Their grudging friendship provided some of the biggest laughs and, surprisingly, one of the most tearjerking moments in the third act.
Now for the not-so-great. Just when you're invested in a character's emotional journey, the film throws in a slapstick sequence that feels imported from another movie entirely.
"Dil Dosti Dogs" is like that friendly mutt at the park-a bit messy, occasionally
overexcited, but ultimately impossible not to like. Director Viral Shah's multi-strand
narrative about people whose lives are transformed by their relationships with dogs
hits familiar beats, but does so with enough sincerity and charm to overcome most of
its shortcomings.
The film juggles four main storylines, with varying degrees of success. Neena Gupta is magnificent, conveying volumes with just the subtle shift of an expression. Her journey from resentment to attachment feels earned rather than manipulated, and her scenes with her canine co-star have a natural, unforced quality that's genuinely touching.
Kelkar brings a certain brooding intensity to the role.
The film's production values are solid if unremarkable. Goa is photographed with affection but without particular distinction, and the musical score does its job without being especially memorable. The editing deserves praise, however, for skillfully balancing the multiple narratives without losing momentum or clarity.
The film juggles four main storylines, with varying degrees of success. Neena Gupta is magnificent, conveying volumes with just the subtle shift of an expression. Her journey from resentment to attachment feels earned rather than manipulated, and her scenes with her canine co-star have a natural, unforced quality that's genuinely touching.
Kelkar brings a certain brooding intensity to the role.
The film's production values are solid if unremarkable. Goa is photographed with affection but without particular distinction, and the musical score does its job without being especially memorable. The editing deserves praise, however, for skillfully balancing the multiple narratives without losing momentum or clarity.
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