La coppia di Manhattan Marion e Mingus, che hanno entrambi figli da precedenti relazioni, vedono la loro confortevole dinamica familiare sconvolta da una visita dei parenti di Marion.La coppia di Manhattan Marion e Mingus, che hanno entrambi figli da precedenti relazioni, vedono la loro confortevole dinamica familiare sconvolta da una visita dei parenti di Marion.La coppia di Manhattan Marion e Mingus, che hanno entrambi figli da precedenti relazioni, vedono la loro confortevole dinamica familiare sconvolta da una visita dei parenti di Marion.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
- Manu
- (as Alex Nahon)
- Willow
- (as Talen Riley)
- Julia
- (as Carmen Lopez)
Recensioni in evidenza
The main storyline chugs along pretty nicely: the couple endures a brief visit from her elderly flowerchild father ("he says that showers deplete the immune system"), tactlesss sister and sister's doltish boyfriend. Parallel plots involving a gallery opening (she's some sort of conceptual art photog) and a colossal Lucy-style whopper she tells a neighbor to get out of a minor scrape are a little draggy, though a couple of these filler scenes have a modest payoff later on. Delpy plays pretty much the same talky, frazzled, excitable character she does in the "Before" films; Chris Rock seems a little colorless (as it were), as if he's trying too hard to escape from his standup persona (the scenes where he soliloquizes to a cardboard-cutout Obama didn't do much for me).
Delpy's been accused of being a self-hating Frenchy, but I think the point is that people tend to behave as if the stuff they do in a foreign country doesn't really go on their permanent record—Sis swans around in a T-shirt that doesn't quite cover her butt, par example, Dad takes his keys to the lustrous flanks of a stretch Hummer (back home he only does that if they're parked on the sidewalk), boyfriend Manu commits every possible faux pas. The highpoint is a scene where Mingus, who writes for the Village Voice, is trying to score points with a dark-complected White House staffer (not played by Kal Penn) they run into in a café, and the sisters immediately start bickering while Manu babbles on about Harold and Kumar going to White Castle Not a must-see at all but definitely watchable.
PS—a reviewer down below insists that Marion's French connections don't act right b/c they're "gritty" Bretons, not Parisians. Au contraire! Both films make clear that Dad's a gallery owner, Sis a child psychologist and Manu some sort of writer; they're from Paris.
Everything about this movie appeals to me. The entertaining mix of farcical humor (low art) and metaphysical inquiry (high art) is reminiscent of Woody Allen's best work. And the quality of the writing is high. The dialogue Julie crafts sounds authentic and makes the characters credible.
Also charming is her choice of cast-members. I'm a big fan of Daniel Brühl from his superb work in "Rush" (and "Inglourious Basterds"), so seeing him in cameos in these two films is a delight. And adding the infamous artist who plays the purchaser of Julie's character's soul is inspired. I leapt with joy at seeing that surprise.
Independent film exists for personal, well-crafted art and Julie Delpy is supplying us with some nice work. I'll follow her future efforts without exception.
Lo sapevi?
- QuizJulie Delpy wrote the role of Mingus specifically for Chris Rock.
- Citazioni
Marion: If you live your life with one person only, one day they'll be gone or you'll be gone. And one of you will be left in the cold world. The family we are born in eventually vanishes. By then you have created your own family if you're lucky. First you have to choose the person you'll build this family with, and stick to it as much as possible. How many tries do you get before you strike out? When my mother died, just a few hours before the end, she looked in my eyes and had the expression of a little girl who didn't know what was happening to her. The same as when Lulu was born. Something totally pure. So I guess we can do all the growing up we can. In the end, at the core, we stay the same. But before that sad ending that awaits all of us, maybe we can share beautiful, ephemeral moments with the people we love.
- Curiosità sui creditiJulie Delpy wishes to thank all scientists from biologists to anthropologists to everyone working on space travel and future space colonization.
- ConnessioniFeatured in Projector: 2 Days in New York (2012)
- Colonne sonoreA Night Like This
Written by Vincent DeGiorgio (as Vincent Paul DeGiorgio), David Schreurs (as David C. Schreurs) and Jan Van Wieringen
Performed by Caroline van der Leeuw
Courtesy of Grandmono Records
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- 2 Days in New York
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 633.210 USD
- Fine settimana di apertura Stati Uniti e Canada
- 23.942 USD
- 12 ago 2012
- Lordo in tutto il mondo
- 4.058.113 USD
- Tempo di esecuzione
- 1h 36min(96 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1