Quasi a modo

When Broken Lizard released 'Super Troopers' in 2001 it became a big hit in no time, and it put the comedy troupe on the map. Whether or not they fell off the map thereafter is up for debate. None of their subsequent pictures met with the same success; if I'm being honest, after 'Club Dread' came out to unexpected silence (I still haven't seen it myself), I kind of forgot Broken Lizard existed. So for the group to serve up a new film in 2023 begs the question of whether their brand of comedy still holds up, or if they've grown and changed in the subsequent years. For that matter, would 'Super Troopers' still come off as well now as it did 20 years ago? It's safe to say I sat to watch 'Quasi' with mixed expectations, not least of all given very reasonable concerns of how the titular character himself would be approached. It doesn't take long to begin forming an opinion, for it turns out that comedy, like beauty, is in the eye of the beholder. I can honestly say I do enjoy this, and it's quite good and well done, proving itself more as the length draws on. At the same time, surely there are other folks who will get more out of it than I do.

The simple fact of the matter is that I don't think I'm the target audience. I was 16 years old when 'Super Troopers' had its wide release in the U. S.; it turns out that Broken Lizard is still probably best suited to teens, or at least those who have the same sense of humor as teens. Gags and jokes based on sex, anatomy, or bodily functions are just boorish and unfunny (even at the climax); outrageousness, silliness, or offensiveness for their own sake - including the exaggerated accents that much of the cast adopts - are tiresome. This is hardly to say that there's no entertainment value herein, because that's distinctly untrue. There's some definite wit and intelligence on hand, and the fun stems directly from those bits that are specifically tied to the plot, the setting, or the particular characterizations. The best jokes or gags come from, for example, Quasi's employment, or the fraught dynamics between the power players in this heavily fictionalized medieval France; the anachronisms of modern language, cultural concepts, and sensibilities infused into the medieval setting; those ways in which power structures, ableism, classism, sexism, and other sorry truths of our world, and the world of several hundred years ago, are twisted and upended for the storytelling and the humor. More common material such as dynamics between friends, coworkers, and love interests are also inserted sagely into the tale. I mean it when I say there's a lot to like here; there would be more if the writing passed on the cheap and easy crassness that undercuts the earnest ingenuity.

In so many other regards 'Quasi' is very well done. At its best the screenplay is splendid as it plays fast and loose with a historical setting, its politics, and its society, for the sake of both narrative and comedy. (The reveal to come heading into the third act, advancing the story and introducing a romantic element, is a superb example.) The plot is delightfully smart (and, again, the humor that flows from it); the dialogue and scene writing are as sharp as they are cheeky when ideally employed. The sets, costume design, hair, and makeup are truly fantastic, striking and rich with detail. The direction, cinematography, editing, and overall production values are as strong as we'd expect from modern cinema; stunts and effects look great. The cast unreservedly embrace the nonsense, and it's a blast to see most actors take on multiple roles; I'm personally of the mind that Adrianne Palicki, given notable prominence as Queen Catherine and herself detached from Broken Lizard, gives the best performance in and of itself. Jason Akana's music is solid.

I'm happy to say this is actually notably better than I anticipated. Its strength builds over time as the plot progresses, and as the comedy attached to that plot gradually becomes more prominent than the lower forms. Would that there were less of that base humor in the first place, or even none - and that 'Quasi' didn't itself employ a tidbit of ableism and play it for laughs. For as capably as this is made and written at large I want to like it more than I do; given those facets that are much weaker, I wonder if I'm not being too kind, and that includes not just the cruder jokes, but in a broader sense, even the resolution of the plot as it just sort of tapers off in the last ten to fifteen minutes. One way or another, however, more than not this is a pretty good time, and worth checking out. It's hardly an absolute must-see, and it's recommended above all for fans of Broken Lizard and the high school students in the audience. But if you're looking for something casually enjoyable, and don't mind if it's less than perfect, 'Quasi' is a decent way to spend 100 minutes.

Broken Lizard strikes again with a movie that could have been perfect comedy wise, but I feel it fell a little short for me.

The plot is Quasi and his hut mate work at the torture house in their village. When Quasi wins the lotto things start to get interesting.

The characters and acting in the film were good, but I feel like they tried a little to hard to be Monty Python in this one. I understand that was the influence, but I wish it was a little more of their own style. The jokes were kind of tired at times, and it didn't really have the feel of a Broken Lizard film in my opinion.

The movie itself is decent, and I would watch anything these guys make. I'd recommend it for anyone who likes comedy to watch it at least once.

The gang at Broken Lizard is back at it, but this time set in medieval times in France. Their typical slapstick humor is abundant in this one, and for the most part it's fairly entertaining and will make you laugh. It was a little long for what it was though.

I wouldn't say it was their best work, as I think Super Troopers, Beerfest, and Tacoma FD are better, but it was still enjoyable to watch. I think maybe the accents got a little tiresome, but it helped that they worked in some jokes involving their accents.

I was happy to see the cast from Tacoma FD in this as I find them all a great fit with the original Broken Lizard guys.

I think the re-watchability of this one is probably not great, but I do suspect it might be the type of cult-classic movie that will get better with time. We'll have to see how it ages.

These guys used to be comedy geniuses but this is truly a stinker of a film in all aspects. You can tell they are trying to homage and Americanize Monty Python in many ways with this and it absolutely fails. You can't take something that was already perfect and try to remold it to fit your own comedy groups image. Aside from that Steve Lemme who plays the main character Quasimodo seems to have modeled his entire character after Adam Sandler's in Little Nicky right down to the affected accent and mannerisms. This was such a disappointing film and there were no laugh out loud moments in it only a few dry chuckles. I was so let down by this and it's a sad day when one of the comedy greats put out a DOA flop.

I'm not really sure what kind of movie the Broken Lizard gang were trying to make or even why they felt the need to make this movie.

It's not a particularly funny movie as the jokes are very by the book and are the sort of jokes that would have been out of date 100 years ago, let alone nowadays.

At best the jokes are nothing more than expected insults throw at one another by the cast.

And the storyline itself is your standard zero to hero storyline without you really caring what happens to any of the characters.

Sadly the group haven't written a decent movie since Beerfest. You can't just keep making the same jokes and not making any real storyline and expect the movie to be good.