Die Hard - Un buon giorno per morire

In the early '80s and '90s, the "Die Hard" series of films were all about entertainment. Sure it's not a thought-provoking piece of art, but it's art done with class, integrity and art; these films were made at a time when action films were..actually..action films. They had no quick-style MTV editing that tries to pass itself off as "action", they were done with pure and honest craftsmanship with stunt men willing to put it all out for all to see. And for that aspect alone, they did a commendable job.

So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.

Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.

The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.

In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.

I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.

I gave it a 3 to be nice because i'll always have a huge place in my heart for Die Hard, and just because i am loyal to the franchise i will probably buy this piece of junk on DVD when it comes out. Maybe when it comes out on DVD it'll be the extended edition ( seriously it was barely and hour and an a half long) and it'll actually have a story instead of just long drawn out action scenes, one-liners, and dialogue we can actually hear over the load background noise. I use to rank Die Harder as the worse of the franchise, guess who just moved up a step.

The only thing that this movie benefited the franchise is that John's son at the end actually mentions the fact that his name is actually John McClane Jr. not Jake ( in Die Hard (1988) his kids are named Lucy and John Jr.), But not actually explain the name change in the first place.

Much like when they took Oceans 12 to Europe and twisted Indiana Jones into confusing whirlwind that involved aliens, they should have just stayed in America where John McClane belongs. We got enough problems here he could fight.

All right, basically all you need to know about this latest "Die Hard" movie is that once again, Bruce Willis plays cop John McClane and he's now in Russia to rescue his grown son who he thinks is in trouble. He's actually a CIA agent sent to take someone out of jail for some files. There's also a very alluring young woman named Irina played by Yuliya Snigir in this movie. Oh, and then there's a ridiculous amount of car crashes that had me just staring in astonishment at how they had the gall to wreck so many vehicles. Still, the story is pretty compelling if one doesn't think too much about it and the length is short enough so on that note, A Good Day to Die Hard is still a pretty entertaining movie.

I love Die Hard, but shaky camera ruined it for me this time. I can't see because 35% film use shaky camera, 25% out of focus, blurry and 10% rapid zoom ins. Please STOP using Shaky Camera in Films, PLEASE :I am some of those remaining species, who go to watch feature films in cinemas. I never download a movie for free, I pay to netflix. Just doing my part to save the cinema I love. But, some directors and movie making houses, make stupid moves. One of them is use of unwanted, un-needed, shaky camera. So, I want to get my voice heard. If you are a fan, go see the movie, but if you don't like Shaky Camera, then think twice.

While many people slated DIE HARD 4.0, I enjoyed watching it the few times I've seen it since release; I felt like it was a moderately successful way to bring the Bruce Willis-starring franchise slap bang into the 21st century, although of course it wasn't as good as the original trilogy. Inevitably, A GOOD DAY TO DIE HARD followed, but the bad news is that it makes the last instalment look like a masterpiece by comparison.

This movie really is that bad, and it's all down to the people who made it. Much of the blame can be laid at the door of director John Moore, who makes even more of a mess with this than he did with MAX PAYNE; he can't even do basics like where to place his actors in their shots, and he manages to screw up every action scene in the movie (and believe me, there are a lot of them).

Still, it's no surprise that the appalling script was written by one Skip Woods, who also handled the equally rubbishy A-TEAM movie. Woods is without a doubt the worst writer currently working in Hollywood and why people still employ him is anybody's guess.

Willis realises he's making a turkey so he makes no effort whatsoever; he sleepwalks through this with a monotonous voice guaranteed to send most moviegoers to sleep. This isn't John McClane, not even the McClane of DIE HARD 4.0; instead it's just some tired old guy who clearly doesn't want to be there. As his son, Jai Courtney is given a one-dimensional character and displays none of the charm he brought to his role as Varro in SPARTACUS: BLOOD AND SAND.

The film meanders from one pointless action scene to the next, and we never get a clear idea of who the bad guys are or what they want; Willis just kind of stumbles into their plans (whatever they are) and goes along with it. The violence is mind-numblingly routine, and despite the explosive special effects the film offers little in the way of entertainment, with an early car chase being the only half-decent part purely for its destructive visuals. The great Sebastian Koch is wasted en route, and the film ends with a CGI-fuelled whimper.

I hope to God I never have to see it again.