The Waking of a Nation

The most powerful thing about this series is how it makes you feel the weight of history, not just as an event but as something shaped by those in power. The Jallianwala Bagh massacre is often remembered as a single moment, but this show digs deeper, exposing the political tensions and motivations that led to it.

Kantilal Sahni's role as a member of the Hunter Commission adds so much depth to the story. He isn't a freedom fighter or an activist, he is just a man doing his job-until he realises that the job isn't about truth, it's about control. His slow realisation that justice isn't the goal, but rather the justification of power, is what makes this series so compelling.

The courtroom sequences are some of the best I've seen in a historical drama. The performances are gripping, making you feel the frustration of seeing history being rewritten right in front of you. The massacre itself is portrayed with restraint, not for shock value but as a moment that shifts the course of the story entirely.

This series doesn't just tell you what happened, it makes you feel the helplessness, the anger, and the resistance that followed.

The Waking of a Nation is a gripping series that explores the Jallianwala Bagh massacre from a perspective rarely shown. I had basic knowledge of the massacre before watching, but this show opened my eyes to the deeper political and social factors that led to that tragic day.

The narrative is layered and thoughtful. Instead of focusing solely on the violence, the series takes time to explore the reasons behind it. The character of Kanti, investigating the incident, was relatable, and his emotional journey felt real. As he uncovered the truth, I found myself questioning how power and authority can be misused so brutally.

The performances were exceptional. Alex Reece's portrayal of General Dyer was chilling - a man convinced that his actions were justified, highlighting the dangerous mentality of the colonial rulers. Poonam's character, representing the pain of the common people, was moving and added a necessary emotional depth.

The visual authenticity of the series is worth mentioning. The attention to detail in recreating colonial India - the architecture, the attire, the ambiance - transports you to that era. The riot scenes were intense and left a deep impact, emphasising the horror of that day.

Though some courtroom scenes felt a bit lengthy, they effectively portrayed the complexity of seeking justice after such a tragedy. The show doesn't provide easy answers but instead encourages reflection on the consequences of oppression and injustice.

The Waking of a Nation is more than just a historical drama - it's a narrative that challenges viewers to think critically about history and its ongoing implications. I highly recommend this series to anyone who appreciates meaningful storytelling and historical insights.

The Waking of a Nation is a gripping series that does more than recount a historical tragedy-it makes you feel the weight of the injustice, the pain of loss, and the resilience of those who endured it.

Sahil Mehta and Bhawsheel Singh Sahni are exceptional as Allahbaksh and Hari, their chemistry making the tragedy of their fate hit even harder. Nikita Dutta's Poonam is a quiet but commanding presence, portraying sorrow with such depth that her grief lingers in every scene she's in.

Paul McEwan as Michael O'Dwyer is chilling in his calm cruelty, embodying the worst of colonial arrogance. Carl Wharton as Lord William Hunter brings a controlled menace to the courtroom sequences, making every legal battle feel like a fight for dignity. Hansraj, the British informant, is another key figure, showing the devastating consequences of betrayal from within.

The cinematography captures both the chaos of the massacre and the quiet despair that followed. The contrast between the bloodshed in Jallianwala Bagh and the cold, calculated proceedings in the courtroom is striking, making the injustice feel even more unbearable.

Most shows about historical events focus on the big moments, but this one is different. It's not just about the Jallianwala Bagh massacre-it's about the tensions that led to it, the people who tried to stop it, and the system that covered it up afterward. That's what makes it so gripping.

Kantilal Sahni is such an interesting character because he starts off believing in the system. He thinks the Hunter Commission is there to find the truth. But as he listens to testimonies and sees how the British manipulate the investigation, he realises he's part of something much bigger-and much more dangerous. Watching his moral struggle unfold makes the story feel incredibly real.

The courtroom debates are some of the best moments in the series. The arguments, the frustration, the moments where you can see the truth slipping through the cracks-it's all so well done. The production quality is top-notch, from the costumes to the historical details that make colonial India feel alive.

It's rare to find a historical drama that feels this immersive. This isn't just about remembering history-it's about understanding how it was shaped.

While The Waking of a Nation is largely about the Indian struggle for justice, it wouldn't have been as impactful without the actors who portrayed the British figures responsible for the massacre and its cover-up. Alex Reece as General Dyer, Carl Wharton as Lord William Hunter, and Paul McEwan as Michael O'Dwyer play their roles with chilling conviction, making the injustice feel even more real.

Alex Reece's portrayal of General Dyer is particularly striking. He embodies the cold ruthlessness of a man who believed he was simply carrying out his duty, making him all the more terrifying. He doesn't play Dyer as a loud, over-the-top villain but rather as someone disturbingly calm in his cruelty. His presence in the massacre scene is haunting, and his lack of remorse in the aftermath is infuriating.

Carl Wharton as Lord William Hunter brings a more controlled yet equally unsettling energy. As the head of the Hunter Commission, his character pretends to seek justice but is ultimately just another tool for the British administration to manipulate the narrative. His exchanges with Kantilal Sahni highlight the deep-rooted racism of the colonial system, where justice was never truly meant for Indians.

Paul McEwan's Michael O'Dwyer is arguably the most sinister of them all. Unlike Dyer, who pulled the trigger, O'Dwyer is the mastermind who ensured that the British Raj stayed in control through fear and suppression. His manipulative nature makes him one of the most frustrating characters to watch, yet his presence is crucial to understanding how the British system operated.

The brilliance of these performances lies in their restraint. None of them play exaggerated villains, yet their mere presence fills every scene with unease. Their performances make the viewer angry, frustrated, and heartbroken-all the emotions a series like this should evoke. The Waking of a Nation wouldn't be as powerful without them, and that's what makes their portrayals so essential to the story.