Un agente assicurativo/ex poliziotto si trova coinvolto in un'associazione a delinquere mentre torna a casa dal lavoro.Un agente assicurativo/ex poliziotto si trova coinvolto in un'associazione a delinquere mentre torna a casa dal lavoro.Un agente assicurativo/ex poliziotto si trova coinvolto in un'associazione a delinquere mentre torna a casa dal lavoro.
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Recensioni in evidenza
Fun popcorn flick with Liam Neeson giving it his all as usual. Here's hoping we can see Liam Neeson be the right guy in the wrong place at the wrong time on a boat to complete the Liam Neeson transportation trifecta. LIAM NEESON WINS AT TRAVELING!
The former cop and insurance agent Michael MacCauley (Liam Neeson) loses his job when the company where he works is downsizing. He goes to a bar where he meets his former partner and friend Alex Murphy (Patrick Wilson) and tells that he has not told the news to his wife Karen (Elizabeth McGovern). While commuting home, a mysterious woman called Joanna (Vera Farmiga) offers a game to Michael where he would locate a commuter in the train and receive a large amount. When Michael finds the money hidden in a wagon, the woman informs that he has accepted the offer and need to find the person in a few moments; otherwise his beloved family will suffer the consequences. What will Michael do?
"The Commuter" is another entertaining Liam Neeson´s action film. The unlikely story has promising beginning but the conclusion is absurd and funny. Despite the clichés, the non-stop action does not let the viewer think and in the end, "The Commuter" is a decent film. My vote is six.
Title (Brazil): "O Passageiro" ("The Passenger")
"The Commuter" is another entertaining Liam Neeson´s action film. The unlikely story has promising beginning but the conclusion is absurd and funny. Despite the clichés, the non-stop action does not let the viewer think and in the end, "The Commuter" is a decent film. My vote is six.
Title (Brazil): "O Passageiro" ("The Passenger")
The movie started off good, showing the daily routine, introducing the characters and setting up the mystery. The editing was interesting and even a little artsy, yet it got me hooked. I really enjoyed the first 30 minutes.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
It was setting itself up to look like an intelligent mystery action. Having Neeson in this kind of movie spoils a lot, yet I thought this would be something different from his typical movies since he's getting older. I haven't seen the trailer though, just went to see the movie straight away.
After everything is set up, it just turns into a totally divorced from reality generic conspiracy action. The premise was indeed as silly as it gets. The ending was as unsurprising as possible. Omnipresent supervillains who can plan and predict everything by the smallest detail, control the situation without even being close yet fail at the most obvious things. The plot just plays itself, at times Neeson is not even doing anything to change the situation, it just changes by itself to adapt to his needs. This is not a well written movie. The ending had me saying "oh, no, you're not doing this...oh God".
Seeing Neeson perform ridiculous stunts was also a little confusing. No one should see an old man getting beaten like that. This just looks wrong.
Overall, next time I'll want to see a cop/witness drama routine, I'd better go re-watch 16 Blocks. At least it had characters instead of comic book villains.
Usual comments about Liam Neeson playing Liam Neeson again. Another one of his simple action movies etc etc.
But I disagree. You know why? This man never disappoints. I have yet to see the day when I'm coming out of a cinema (or my living room) saying to myself "nahh, that was bad...".
Because - even when his movies does suck, Neeson himself always brings it to the table and saves the day. Never halfa$$sed day at work. And so sympathetic it always shines through in his characters.
Okay. That being said. This movie has a decent storyline. Everything's not good in it -- far from it -- but he's just bringing us to the finish line one more time and I'm amazed. The guy is 66 or 67, and looks ripped for a 35 year old.
Clapping hands from Sweden!
My wife and I watched this movie at home on DVD from our public library. It is the right length, just over 90 minutes, and kept our interest the whole.
Yet this is a throw-away movie, the story is highly contrived to create suspense. For example he is told to look for a passenger "who doesn't belong" yet the people manipulating him know exactly who the passenger is.
My other issue with it are the fights, hand-to-hand combat in a moving train, they are shown to hit each other so hard, sometimes with devices (guitar!) that would kill them yet they recover very quickly. It definitely subtracts from the believability.
Yet overall I found it suitable entertainment because I like Liam Neeson, he is perfect for this type of role. He is Michael MacCauley, an insurance salesman, who commutes by train along the Hudson River and into NYC each day. After 10 years he pretty well knows all the usual commuters. But this day he is laid off, he has two mortgages, his son is about to start college, so when he is tempted with $100,000 cash to perform a task it gives him the motive to accept it. As a former cop he has the investigative instincts.
The DVD extras are interesting, except for brief NYC scenes the whole movie was shot on sets at Pinewood Studios in England. They say 90% of the actors are British but I didn't try to verify that number.
Yet this is a throw-away movie, the story is highly contrived to create suspense. For example he is told to look for a passenger "who doesn't belong" yet the people manipulating him know exactly who the passenger is.
My other issue with it are the fights, hand-to-hand combat in a moving train, they are shown to hit each other so hard, sometimes with devices (guitar!) that would kill them yet they recover very quickly. It definitely subtracts from the believability.
Yet overall I found it suitable entertainment because I like Liam Neeson, he is perfect for this type of role. He is Michael MacCauley, an insurance salesman, who commutes by train along the Hudson River and into NYC each day. After 10 years he pretty well knows all the usual commuters. But this day he is laid off, he has two mortgages, his son is about to start college, so when he is tempted with $100,000 cash to perform a task it gives him the motive to accept it. As a former cop he has the investigative instincts.
The DVD extras are interesting, except for brief NYC scenes the whole movie was shot on sets at Pinewood Studios in England. They say 90% of the actors are British but I didn't try to verify that number.
Lo sapevi?
- QuizNeeson revealed on a talk show that no scenes were filmed on board an actual train. Instead, all of these scenes were shot on a soundstage, with the same single mock-up train cabinet serving as all of them, only slightly redressed, and all the outside scenery added in post production with the help of green screens.
- BlooperNYPD has no authority to leave the city limits and take charge of any crime scene let alone a hostage situation in another county. The Westchester County Police and Metro North Police would handle the stand off.
- Citazioni
Michael MacCauley: Hey, Goldman Sachs. On behalf of the American middle class, fuck you.
- Curiosità sui creditiThe end credits are done in the style of a train map.
- ConnessioniFeatured in Chris Stuckmann Movie Reviews: The Commuter (2018)
- Colonne sonoreMelting Pot
Performed by Blue Mink
Written by Roger Greenaway and Roger Cook
Courtesy of Sanctuary Records Group, a BMG Company
Issued under licence from Universal/Dick James Music Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El pasajero
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 36.343.858 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.701.452 USD
- 14 gen 2018
- Lordo in tutto il mondo
- 119.942.434 USD
- Tempo di esecuzione
- 1h 44min(104 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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