Una storia basata sulla vita del giornalista Torgny Segerstedt, che allertò il pubblico svedese sulla minaccia del fascismo negli anni '30.Una storia basata sulla vita del giornalista Torgny Segerstedt, che allertò il pubblico svedese sulla minaccia del fascismo negli anni '30.Una storia basata sulla vita del giornalista Torgny Segerstedt, che allertò il pubblico svedese sulla minaccia del fascismo negli anni '30.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 7 candidature totali
Recensioni in evidenza
I quite loved the movie in terms of cinematography - although rather slow at times. However I couldn't say I liked the character of Segerstedt, who appeared to me as a most spoilt, selfish and inconsiderate man. I don't even find him 'heroic' in the slightest: how much courage does it take to oppose and attack a foreign regime from another country? The list of Anglo Americans who went to fight (and lost their lives) in Spain in an attempt to oppose the establishment of Franco's regime is long. Those are heroes, not the verbally incontinent Segerstedt.
''The Last Sentence'' (original title in Swedish- ''Dom över död man'') is the story of Torgny Segerstedt, a Swedish journalist whose fierce anti-nazi articles became a matter of great concern within the country's political life and stirred major backlash both in Germany and Sweden. The movie begins with Adolph Hitler's rise to absolute power in Germany in mid-1930s and follows the growing aggressiveness and hate-speech of the Third Reich until the ending of the Second World War, examining the influence and effect that the threat of a possible German invasion had on the decision-making of Sweden's government. The film focuses on the much-debated neutrality of Sweden and Segerstedt's bold critique on the inactivity of Swedish politicians even when Nazis invaded the neighboring Scandinavian countries. The basic flaw of ''The Last Sentence'' is that it follows an uneven rhythm and as a result, the movie can be divided into two parts, the first being tedious, almost annoying, while the second picks up speed and leads to an emotionally touching climax. The director, Jan Troell, is one of Sweden's greatest auteurs and each one of his films is characterized by its high-quality standards as well as magnificent performances. In this one, I think that Jesper Christensen's performance deserves to be in the spotlight but the whole of the cast does a tremendous job as well. My rating would be closer to 3,5/5.
Saw it at Busan International Film Festival(BIFF), and it was the most disappointing film of the weekend.
In fact Torgny Segerstedt's story, in which an anti-Nazi journalist became a political martyr, is quite fascinating. His relationships with women are also intriguing drama material. In addition to those good ingredients, the director Jan Troell had one more ambition: making this film as a journey to the mind of Mr. Segerstedt, rather than a bland and harmless biography. What could go wrong?
First of all, making a black and white period piece with digital cameras(Arri Alexa) was not a good idea; especially when you start your film with real archive films filled with gritty film grains. The images here lack any depth of field, resulting in images which are crisp and dull at the same time. The whole feature felt like a cheap TV reenactment of the actual events, rather than an artistic reinterpretation.
The script is not good as well. Without some fantasy elements based on a Bergman tradition, the whole feature consists of a series of important events in the protagonist's life. The timing is always off; things just come and go without proper investments. Most of all, even though it is based on the real events during World War 2, there is no sense of dread or grief.
Even though Jesper Christensen's performance was stellar, I cannot recommend this film. It is a film made with good intentions, but fails to live up to them.
4/10
In fact Torgny Segerstedt's story, in which an anti-Nazi journalist became a political martyr, is quite fascinating. His relationships with women are also intriguing drama material. In addition to those good ingredients, the director Jan Troell had one more ambition: making this film as a journey to the mind of Mr. Segerstedt, rather than a bland and harmless biography. What could go wrong?
First of all, making a black and white period piece with digital cameras(Arri Alexa) was not a good idea; especially when you start your film with real archive films filled with gritty film grains. The images here lack any depth of field, resulting in images which are crisp and dull at the same time. The whole feature felt like a cheap TV reenactment of the actual events, rather than an artistic reinterpretation.
The script is not good as well. Without some fantasy elements based on a Bergman tradition, the whole feature consists of a series of important events in the protagonist's life. The timing is always off; things just come and go without proper investments. Most of all, even though it is based on the real events during World War 2, there is no sense of dread or grief.
Even though Jesper Christensen's performance was stellar, I cannot recommend this film. It is a film made with good intentions, but fails to live up to them.
4/10
Jesper Christensen with his Danish accent isn't very credible in his role as the Swedish newspaperman Torgny Segerstedt, famous for his uncompromising anti-Nazi stance. And could Jan Troell be any more boring director? Instead of making a movie about a man who stould up for liberty and against nazism to a great cost for himself, the director Troell just zeros in on his personal life and mistresses.
I loved this movie.
I couldn't disagree more with the two previous reviewers. I almost wondered whether they had been watching the same film. The pace of Troell's film allows you time to reflect as the story develops.
No, it's not Raiders of the Lost Ark nor is it in colour, but it is a thoughtful, beautifully made film which stays in your mind long after you have left the cinema.
And I'm not alone in rating this film. Most of the other reviews have praised the quality of the script, the camera-work and the way Troell manages to get such amazing performances from his actors.
In my opinion, a must-see.
I couldn't disagree more with the two previous reviewers. I almost wondered whether they had been watching the same film. The pace of Troell's film allows you time to reflect as the story develops.
No, it's not Raiders of the Lost Ark nor is it in colour, but it is a thoughtful, beautifully made film which stays in your mind long after you have left the cinema.
And I'm not alone in rating this film. Most of the other reviews have praised the quality of the script, the camera-work and the way Troell manages to get such amazing performances from his actors.
In my opinion, a must-see.
Lo sapevi?
- QuizThis is the second movie in which Jesper Christensen and Pernilla August are parts in a wife-husband-mistress triangle. Here Pernilla August is the mistress, in Drabet (2005) she was the wife.
- BlooperIn the movie at a party which is supposed to take place 1938 the swedish song "Hur har du det med kärleken idag?" is played and also sung by the character Maja Forssman. This song is from 1945 and was then made popular by the famous swedish artist Ulla Billquist.
- Colonne sonoreFinlandia
Written by Jean Sibelius
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Dettagli
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- Celebre anche come
- The Last Sentence
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 62.506 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9020 USD
- 22 giu 2014
- Lordo in tutto il mondo
- 328.005 USD
- Tempo di esecuzione
- 2h 6min(126 min)
- Colore
- Proporzioni
- 1.78 : 1
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