Safe House - Nessuno è al sicuro

It's an interesting albeit predictable action flick that's nothing special but delivers enough to make it worthwhile. It does feature what has to be the dumbest CIA operatives/handlers ever put on film. What transpires, especially early, will make most viewers say "why in the world didn't they just…" but getting past that means enjoying a film where Denzel Washington perfectly menaces and charms his way through every scene. Put just about anyone else in this role and the film would lose a lot. Ryan Reynolds was good enough and the rest of the stellar supporting cast is absolutely wasted. Again, I found it interesting despite it being three repetitive acts of mindless turns highlighting that the government is pure evil and they apparently keeping hiring the same set of mindless goons who race around guns blazing everywhere with little effect or competence whatsoever. Also, the camera work was AWFUL in terms of the overuse of the shaky cam.

I'm of the opinion that out of all the movie stars and would-be movie stars in Hollywood, Denzel Washington is one of, if not THE, safest bet. I say this because I don't think I've ever met a person who dislikes the man. In a culture that is built upon strong opinions and holding to said opinions fiercely (this is the backbone of the industry in many ways), it is a remarkable feat to put together a 20+ year career like Denzel has without drawing the ire of someone or some group. Age, race, and gender seem to matter not when it comes to Denzel, whose films almost always find a way to exceed expectations whether they are magnificent (Training Day, American Gangster) or wholly lackluster (John Q, Unstoppable). There is an overriding sense among a high percentage of moviegoers that if Denzel is in, so are they. Safe House, a solid if uninspired action thriller, has proved this theory to be true. Instead of the undercover investigations and shoot outs he expected when he joined the CIA, Matt Weston (Ryan Reynolds) has been relegated to manning a safe house in Cape Town, South Africa. He is bored and he wants some action, a desire that is all too well fulfilled at the outset of the film when former CIA agent-turned-traitor Tobin Frost (Washington) is brought to his house for interrogation. Soon after his arrival, a militant force arrives to take possession of Frost, killing the highly-trained team that brought Frost into the house. With no other option, Weston grabs Frost and makes a bolt for it, barely escaping the unknown villains who killed his comrades. With no other teams in the area, Weston's superior, David Barlow (Brendan Gleeson), tasks him with keeping Frost alive and in custody until he can be collected, a proposition which turns out to be much more difficult and complex than Weston would have ever imagined. With the assailants hot on their trail and Frost crawling deeper and deeper in Weston's head, the young agent must think fast and learn on the run before he becomes another casualty of a dirty battle that Frost has sucked him into. There are a few departures from the main storyline at work within Safe House but these distractions are only there to lengthen the film and add some uninteresting depth. This film lives and dies on the performances of Reynolds and Washington, both of whom come through beautifully. It's been a rough year for Reynolds whose star status has been thrown into serious question with the failures of Green Lantern and The Change-Up. This role, however, is a better fit for him, allowing him to share the load with an established genre veteran instead of being relied upon to carry a major film on his own. I was pleasantly surprised at his ability to give Weston more depth than what you usually get with this sort of film and I thought he hit the right balance between being a half- terrified, inexperienced field agent and being that hardened, "see this thing through to the bitter end" character that Safe House had to have. Washington, meanwhile, is a tour de force, exuding both charisma and menace in just the right amounts. Always a commanding presence on the screen no matter what his role, Washington is at his best when delivering his lines in that quiet, calm, measured manner which he has become famous for and this is a role that calls upon that ability several times. I can't say that this is one of Washington's best portrayals and it's certainly a safer choice than I'd like to see an actor of his caliber make, but it is nonetheless a reminder of exactly why just about everybody digs what this guy has been selling for two decades. Every other element of Safe House plays second fiddle to the work done by the two leads. The action is intense and somewhat gritty; when a shot is fired, you feel it as much as hear it, a characteristic I quite like in a serious action film. The plot itself is rife with generalities and clichés, making the film about as paint-by-numbers as they come. Personally, though, I didn't get caught up in these half-hearted missteps too often. Better choices could certainly be made; the major "twist" could be seen from a mile away and the conclusion was unsatisfactory for me. But given director Daniel Espinosa's relative inexperience behind the camera and the sheer power of Washington's star appeal, these are issues I found easy to overlook as the film progressed. It's nothing new and it's not a film I want to watch a dozen times over but for what it is, Safe House provides an entertaining and appealing experience.

I'll be honest. When I saw the trailer, I was madly excited. It looked fantastic. But then, after a while, I remembered, that the main point of a trailer is to do just that. Hype the film, while revealing literally all the main plot scenes and parts. I didn't know if it was the case with 'Safe House', since, hey, it's Denzel Washington. That man doesn't just do any role.

I just got back from the movie theater, and am I glad that I was wrong. The movie is fantastic, electrifying. Do know that I don't just 'get off' on any action flick. In most cases, I just watch and forget. This was actually, fantastic. I don't have a single bad word to say about it, the way it was directed, acted or anything else. Everything was simply fantastic.

I realize my words sound absurd, and the score looks the same, but it really is worth it. I didn't see an action movie this well written, and this well acted in a really, really long time. Of course, by the end of the movie, any experienced watcher will figure out the ending by himself, but even though you 'get it', it's still extremely fun to sit through and see how the pieces connect.

I really hate long reviews, so I'm trying to make this one as short and sweet as possible. Lastly, have in mind that not one cast member failed his role. Ryan was fantastic, even better then I could've imagined (a nice showing of his acting skills after Green Lantern and Change-Up), and Denzel, what to say that hasn't been already said about that man's acting. Phenomenal doesn't cut it.

Go and see it. It's much better then anything else thats currently 'showing'.

Safe House is a movie that fulfils its popcorn intentions, but metaphorically brings to mind the image of a bobble-head – a bloated brain supported by little else, springing uncontrollably in different directions. When the action ramps up, Safe House is at its best, providing ample energy, a plethora or gunplay and a number of gritty combat sequences. When pausing to forward the plot, spew exposition or focus on perfunctory romances, it grinds to a halt. Safe House would be better viewed with a remote equipped with a fast forward button nearby.

Thankfully for Safe House, the sequences with action outnumber those without, so it comes out on top on a percentage basis alone. What makes it slip just out of the realm of solid praise is that it really fails as a tense, psychological duel of wits. I mean c'mon you have the one of the coolest actors working today (Denzel Washington of course) trying to escape his confines with only a lowly safe house guard (Ryan Reynolds) in his way – use it! The trailers and radio ads prominently feature the line "I'm already in your head", but the movie itself offers little in the way of subtle manipulation or mind games. All we get are a few scenes where Washington's Tobin Frost intimidates the crap out of the inexperienced operative and forebodingly warns that the CIA will screw him one day.

Now that I've kicked this movie while it's down, let me tell you what it does very well: bloodshed. I already mentioned the ample high-octane set pieces, but of course volume of action does not always translate directly to a solid film ("Transformers" springs to mind) it has to bring something to the table. Safe House earns its R-rating in many an instance with sometimes uncomfortably realistic shootouts, brutal interrogations and wonderfully choreographed (but wince-inducing) hand- to-hand combat sequences. If you think that John McClane looks rough at the end of a "Die Hard" flick, wait until you see how Reynolds looks when the credits roll. Refreshingly, this is not the kind of movie where a character is shot, grits his teeth a little bit, holds his wound and then ten minutes later they have apparently forgotten about it. You feel every punch and when somebody gets stabbed they writhe on the floor in pain and when somebody gets shot they are likely not getting back up.

There are also a handful of lengthy chase sequences through the streets of Cape Town, a soccer stadium and the slums of Langa and in all instances deliver. They are easy to follow, high-energy and far more real-world than we're normally accustomed when talking about a Hollywood car chase. In all of these sequences (automotive or otherwise) we have Reynolds front and center. Safe House is really a Ryan Reynolds movie masquerading as a Denzel Washington film, though that is not to say Washington is relegated to a just supporting role, it is simply more focused on our in-way-over-his-head rookie than the lethal pro. Reynolds is the surprise here, not only holding his own against the veteran but delivering his best mainstream performance to date (there is not a hint of his wise-cracking The Green Lantern or Deadpool characters to be found here).

Curiously, there were very few one-liners delivered by Washington and though he oozed charisma through his presence alone, I would have liked to see a little more sizzle; one more duty that lands on the script, which just offers nothing in the way of interesting dialogue, insights into the mind of a killer or even a brisk pace for that matter. As a movie to pop in the DVD player with some buds, however (one that you can tune out the downtimes between action set pieces) it delivers absolutely and does offer one of the rarer instances for Washington to do his bad guy thing – a welcome sight.

Rating: 6.5/10

"I'm not your only enemy tonight." Tobin Frost (Denzel Washington)

In Safe House, Tobin Frost is one cool fugitive, but then he's played by one of Hollywood's coolest actors: Denzel Washington. Guarding him is young CIA agent Matt Weston played by the prominent film actor, Ryan Reynolds. Together they make good acting possible; if only this crime adventure would let them.

Instead, their moments are mere interludes to the cacophony of guns and gore, a smorgasbord of thriller clichés planted in neat rows by director Daniel Espinosa and blossoming glass and guts ad nauseam. As the cool Frost escapes numerous captures and Weston follows him (they've discovered the "safe house" is not so safe), I wish they'd sit and talk for an hour because the older agent has much to tell the younger about love (Matt has a questioning girlfriend) and survival in the den of thieves known as espionage—global that is. Frost has a computer file with the names of bad cops, some of them friends and supervisors. So nobody's safe.

Among the vulnerable are seriously good actors like Sam Shephard, Vera Farmiga, Brendan Gleeson, and Robert Patrick. The shame is they have parts so formulaic as to obliterate their acting excellence.

Anyway, you get the routine. The only surprise is that this type of film continues to entertain us even when we know the plot points. In part that's because we like to see good/bad guys played by the likes of Denzel work their way through some challenging puzzles and achieve some success just as we try to do in our daily lives. Also we get to see multiple car crashes without being in them, a wish we may have subconsciously when we experience road rage.

I suggest you leave your rational hat at home (most of the plot makes little sense) and wear your thrill-seeking one because this film will fulfill all your demands for excitement without touching a nerve in your left brain.