Stephanie Plum, disoccupata e divorziata, trova lavoro nell'attività di sua cugina nel settore delle cauzioni. Il suo primo incarico la mette sulle tracce di un poliziotto del posto, ora ric... Leggi tuttoStephanie Plum, disoccupata e divorziata, trova lavoro nell'attività di sua cugina nel settore delle cauzioni. Il suo primo incarico la mette sulle tracce di un poliziotto del posto, ora ricercato, con cui condivide un passato romantico.Stephanie Plum, disoccupata e divorziata, trova lavoro nell'attività di sua cugina nel settore delle cauzioni. Il suo primo incarico la mette sulle tracce di un poliziotto del posto, ora ricercato, con cui condivide un passato romantico.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
- Benito Ramirez
- (as Gavin-Keith Umeh)
Recensioni in evidenza
I can't understand why the hostility toward One for the Money, wherein Heigl is newbie skip tracer Stephanie Plum.
I can't comprehend why a movie that has some decent soul, a good amount of humor, and captures the essence of Janet Evanovich's heroine and cast of characters is so reviled.
I can tell you that I've read a few of Evanovich's Plum books, and I didn't have trouble blending what I saw in my mind's eye with the film-maker's vision.
Since I am, at heart, a pig, I also can imagine Heigl cuffed to her shower curtain rod and it's an R-rated movie.
Sudsy!
Katherine Heigl seems to be on a successful roll on celluloid, and is in her element here in this romantic action adventure comedy as lead character Stephanie Plum, a rookie bounty hunter drawn to the profession only because she's desperate for a job to pay off impending bills. An ex-lingerie model, we follow her transition from girly girl to a somewhat tough cookie ready to hold her own in her cousin's business, where an added incentive is to hunt down and bring in her ex-boyfriend Joe Morelli (Jason O'Mara), a cop wanted for the gunning down an unarmed felon.
Yes one would expect the usual laughs coming from her inexperience in a new field, her constantly being outwitted by slier opponents in the big bad town of Trenton, New Jersey, and having that pitch perfect sexual charisma with her mark since they share a common romantic history before in their youths. But to my surprise One for the Money has a little bit more depth in its story than I would have imagined, playing out like a mystery with a crime at hand to solve, with Stephanie stumbling her way from fact to fact, interacting with various interesting caricatures who don't bore, and plays out exactly like an 80s private detective film of old in spirit.
Written by Stacy Sherman, Karen Ray and Liz Brixius off the well received novel of the same name by Janet Evanovich, this probably accounts for a lot of female-centric focus on elements in the storyline, as well as director Julie Anne Robinson's ability to center this very much like a chick flick, wrapped around an old fashioned whodunnit. I mean, only in a story with an attractive female protagonist would you have other females in the story either old, or matronly, and having not one but two hunks - Morelli and fellow alpha-male bounty hunter Ranger (Daniel Sunjata) - involved at the crossroads of her life. Plenty of characterization goes into the lead character of Stephanie Plum, and Heigl brings a certain sass to the role, with little street smarts that cover for her lack of experience in the field.
Granted the mystery doesn't quite play out with that kind of tension and suspense as one would expect from a true blur genre film, but it does enough with its slight touch and managed to keep interest afloat. While there are 18 novels to date in the series of Stephanie Plum's adventures in bounty hunting, with each novel title starting with a number / numerically related, reality is that any subsequent film will have to rely on how much this makes at the box office. My bet is that it'll likely be something quite modest with a potential of 17 more films made only if Heigl wants to be stereotyped (if not already) or typecast. Still, One for the Money sits above average on the entertainment scale, and can be recommended fare if you'd give it a chance.
I suppose the MAIN part of the plot is the same but the details are scrambled or in some cases completely left out. Maybe I'm in the minority but a lot of the really funny stuff in the book was in the details and these parts got lost in the translation to the big screen. There was nothing too extreme in the book that might not have fit in the PG-13 rating so why did they change so many things? It was like the added more dialog in places and took out the fun and exciting stuff. Time shouldn't have been the reason either because the movie ran only an hour and a half - if they'd gone for two they could have had a much better (and closer to the book) adaptation.
I didn't care for the casting. Lula, Connie, and Vinnie matched the book descriptions of the characters fairly well but everyone else was off. It was like the casting director didn't read the book.
I'm disappointed because I had high hopes for the movie. I won't be buying the DVD or going to any sequels. Really, I think they'd have been better off to cast all unknowns that FITTED the characters and stuck to the plot from the book - it would have had a better shot.
Heigl proves again what she showed in her television work in Grey's Anatomy and Roswell, that she's an excellent and versatile actress. She displays the vulnerability combined with toughness and a certain likable gullibility that are exactly as the book portrays the main character.
The movie is only 91 minutes long. Since the book and the movie depend more on the fun of getting to know the characters, including the first-person narrator, Stephanie Plum, it would have been so easy, and would have made it much better IMO, to include more scenes with the family, especially Grandma Mazur (Debbie Reynolds!), and with Lula (Sherri Shepherd is also wonderful). As it is, the "action" plot takes over in the second half, and it left me wishing for more of the fun character interactions.
Plum, Morelli and Ranger are really well portrayed and quite a lot like I imagined them while reading the book. This is light entertainment with a few quirks and unpredictable points of view, like the book, and overall a very enjoyable hour and a half.
Lo sapevi?
- QuizKatherine Heigl's hair is a wig. She wanted it to stay true to the book's description of Stephanie, and it would've been difficult to get her real hair to look like that.
- BlooperWhen Big Blue's driver's side window is broken, the close-up shows shattered safety glass crumbled down to the door frame, and several inches visible above it. When Stephanie opens the door and gets in from a wide shot, the broken glass is gone.
- Citazioni
Ranger: [answers phone] Are you in danger?
Stephanie Plum: [handcuffed to her shower rod] Not exactly. Kind of.
Ranger: I'm busy.
Stephanie Plum: I'm naked.
Ranger: ...I'll be right there.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #20.73 (2012)
- Colonne sonoreLove Gun
Written by CeeLo Green (as Thomas Callaway), Mack David, Jerry Livingston and Terrence Simpkins
Performed by CeeLo Green featuring Naz Tokio
Courtesy of Elektra Entertainment Group
By arrangement with Warner Music Group Film & TV Licensing
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- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 26.414.527 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.515.790 USD
- 29 gen 2012
- Lordo in tutto il mondo
- 38.084.162 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1