Sopravvissuti

Z for Zachariah is the least conventional end-of-the-world film I've ever seen, and for the most part, I cannot figure out what to make of it. For the entire first half, it can't really figure out what it wants to do. There's no real story as Anne (Robbie) and John (Ejiofor), two separate survivors of a nuclear holocaust, meet and Anne nurses John back to health. Until Ejiofor is back on his feet, the film is relatively aimless as the director cuts between various shots of the valley and Robbie completing various chores. Even in the wider scheme of things, not much happens here - the film's plot is not much beyond building a water wheel while the characters interact around it.

As they talk, we gather how much they are worlds apart - John is an older, black man of science who relishes in typical vices and Anne is a young, pure, white Christian girl whose never touched drink and likely never looked at a man. John wants Anne, but is conscious of their differences, so when the script sweeps them together, John gently pushes back and says that they can take their time. After all, there's no competition.

But then there is. The mysterious and exceedingly polite Caleb appears in the valley out of nowhere, and he's everything John is not - he's a young white Christian boy who couldn't be more Anne's type if he tried. Here is where the film gets gripping. Director Craig Zerbel builds tension with a beautiful score, but this film is completely about the acting. Robbie dials back her supermodel good looks as best she can to play a plain-spoken country girl whose naivety is central to these two older men. Pine is unreadable and somewhat alluring, and his chemistry with Robbie is so off the charts that in one particular scene, I expected them to just start making out - despite John's presence in their midst.

Ejiofor is the only reason I watched this movie, and he's the best part. This doesn't scratch his performance in 12 Years A Slave, but he had me sold from his first screams of joy. His delirium and drunkeness are incredibly believable. He can convey so much emotion without even trying - jealousy as Anne and Caleb share smouldering glances, embaressment as his jokes of repopulation go over the naive Anne's head, rage and hurt as he gives a half-hearted blessing to what he feels is inevitable, and naked honesty as he speaks about an earth- shattering revelation. Tiny mannerisms in his performance make his third wheel status not only believable but completely uncomfortable, and as a result, makes John the most empathetic character.

The script is nothing special, but there is one reveal from John to Anne that actually made me drop what I was holding. Kudos all around. There's some beautiful mindgames between John and Caleb, with Caleb clearly outpacing John, who is clearly unaware of how to play this game. You just know that Caleb was wooing the local girls at school while John was in the library studying. When Caleb notes that something isn't in John's character, I completely agreed - because the characters created are so deep that I understood them intimately.

However, that goodwill cannot erase the aimlessness that permeates the first half of the film, and what did exist was lost to me when the film ends. The final ten minutes were completely out of context and gave almost no closure on any issue. The rivalry between John and Caleb is left hanging, with one outcome implied but then the opposite suggested as the truth. It felt like the screenwriter was told "pens down" and then hastily crammed together a few words while the teachers were collecting the papers. Considering the direction Z for Zachariah was going, to end so badly was the final blow in a film that had far tested my patience already. 95 minutes? Doesn't feel like it.

What happened to the Dog?

1/2 way in-the dog who is a prime character - Ann's only support mechanism other than the church

The dog disappears from the plotline and never shows up again - not laying on a rug by the fire strolling down the lane - nuth'n

Caleb appears they take him home and the dog is never shown again

Margot Robbie lives alone in an isolated safe area following some form of epic destruction killing the population of the planet. She finds she is not alone when she comes across a weak Chiwetel Ejiofor. Using his engineering skills they start to build a life together and affection grows but this is put to the test when a third traveller - Chris Pine arrives.

Very gentle, believable love triangle tale set against a background of rebuilding lives in a post apocalyptic environment. There are no zombies etc, just a quiet interplay between the 3 and an interesting look at the physical and emotional challenges this world would bring. All three give good performances, especially Robbie, although I rather wished Pine had articulated a bit more.

I was a big fan of Margot Robbie's work in The Wolf of Wall Street. I thought it was a fun, charismatic, electric turn, but I wasn't necessarily sure if that meant that she was an actual, capable dramatic actress. This really proves that she's one to watch out for. Although all three performers deliver some strong work, it's her moving, resonant performance that really stuck with me. I kept hearing a lot of negativity towards this film's ending and so I was sure it would be something out of left field, some turn or twist or something. It wasn't really any of that, and I actually loved the ending. It was semi-ambiguous, although not really, and the last scene was just pure magic and worked to conclude the film, beautifully. Definitely a very underrated, underseen film that I wish I had heard about before.

Just saw this movie at Sundance and thoroughly enjoyed it. While certainly not perfect, the film was beautifully shot, scored, and directed. As a post-apocalyptic film, it took a unique take on what was essentially a small group of survivors after nuclear fallout. However, instead of focusing on the apocalyptic elements themselves, it focused on the human drama that resulted and the emotional responses to this extreme sort of isolation.

I had essentially no expectations coming into the film and found myself completely invested in the storyline, which develops methodically but beautifully. The writing hits all the turning points within each character's development at just the right time, with just enough delicacy. In turn, the actors all delivered superb performances.

I had only seen Margot Robbie in The Wolf of Wall Street previously, and I was highly impressed by her perhaps more subtle turn here. I thought she did a wonderful job of portraying a woman trying to preserve her faith and even innocence in trying circumstances. Likewise, Chiwetel Ejiofor portrayed his character's shortcomings in an extremely relatable, human way.

Chris Pine's introduction into the film basically becomes the linchpin for the majority of the rest of the movie's tension, and Pine's typical suave-ness does not disappoint. Ultimately, a story of jealousy, desire, and necessity emerges, with the sense of isolation and loneliness prevailing, with an ending that leaves you thinking afterwards. 8/10.