Mr. Sunshine

Now all he has to do is find a talented director. The character of "Mr Sunshine" is a tractor beam to all of the nervous nerdy types who look for direction in how to handle social situations in life... from their television. I am one of these people. Obviously, Matthew is putting himself out there... and coming on as a somewhat more animated Bob Newhart character... and it works.

Chandler Bing lives, indeed, in the character of Ben Donovan. This would be him some years later... after the young adult stage of marrying Monica, etc. He is the caring, passionate general manager of a sports stadium in San Diego. Fortunately for us, the audience... none of his staff or the owner gives a damn about their job! He is the one sane man in the character list of the show whose last nerve is being stepped on minute by minute by the crazies who surround him in his life.

Those who feel paranoid about life being out to get them will feel at home and identify with this man surrounded by demonized nutsoes who live to make his life hell! (Fortunately for us, again!) ...As Larry David responded to Jason Alexander of Seinfeld upon questioning the believability of the show scripts for Seinfeld, "Yes, this all can happen. I know...these scripts are based on true events from my life...I lived it!" Perry must be ADHD, as I am. The funny lines come so quickly you will really need to set your VCR to play this back again to see things that you missed.

My one criticism and caveat with the whole show is the direction. The verbal deliveries and timing of some of the lines is sometimes sloppy. Funny can be lost in sloppy editing and direction. A second or two too long in a shot after a line can destroy a good joke. Too quick of a response to a question by a character can destroy the credibility. Too low of a volume level on a punchline by one of the main characters can make a joke non-existent.

The writing is funny, and flawless. Kudos to Mr Perry and company. Translation to proper acting and character direction is crucial in getting "funny" across to the audience. The direction appears amateurish. I noticed on several occasions (with two episodes broadcast so far) that camera shots are too tight. In older classic sitcoms you will notice most of the time a tight shot does not serve comedy well. Tight face shots work well in drama and soap operas, not comedy. Witness the original sitcom of Perry, "Friends." It is much funnier to see the whole room of characters in a scene all respond to funny lines than it is to just see a tight shot of the character speaking. (Pull the cameras back a little.)

Comedy is a group thing because the moment we are laughing is usually because the character is in a situation where he is not laughing. There is tension and stress on the character... but we are convulsing wildly on the floor gasping for air. Would love to see a James Burrows or a James Widdoes directing this sitcom. The writing and brilliant creation of Matthew Perry here certainly deserves it.

I watched this show only because of Matthew perry. He is really talented. and spontaneous. we can see a bit of chandler in his new character Ben. May be its because Matthew is a bit like chandler, so he cant get it out.

The pilot is good, but its like I have seen an entire season in just one episode. The characters, the story goes so fast, its like they are making an half-hour movie. So many things had happened in just one episode. Ben gets dumped, Roman meets his mother after a long time, Ben realizes that he is insecure and needs a commitment,... oh my god, its like going in a train, the trees disappear very fast and the journey is coming to an end. Mathew has to slow the story, so that people will get time to know the characters, connect with them and gradually enjoy the show.

Overall, its really nice to see Perry back and the show has a lot of potential. May be as the time grows, perry will grow in confidence and rock the show, like he did in Friends. ATB

Like many other reviewers, I started watching this on to see Mathew Perry return to television. He's always been fun to watch and Mr. Sunshine is no exception.

Unfortunately, the show hasn't hit its stride yet. Four of the cast members are fun to watch and offer some decent laughs: Perry, Andrea Anders, James Lesure and Allison Janney. The two additional cast members however are one note jokes that wear flat almost immediately.

Nate Torrence's "I'm an idiot" shtick gets boring really quickly and elicits no laughter. Portia Doubleday has potential, but the show works the crazy angle so hard that it retreats into sitcom cliché instead of real character.

I'll still be watching the show in hopes it improves, but its going to need some work to stick around.

He's back! After the failing of Studio 60 a while back, it's good to have another show of Matthew Perry on TV. The show, though, is clearly not the same as Studio 60. Mr. Sunshine is a lot less serious, but has true potential to be something good. It was almost disappointing to find out the episode lasted only 20-something minutes, because up until now each episode left me wanting more. It was already a done deal when the intro (short, dry, funny) already made me laugh. Fingers crossed they will keep shooting and airing Mr. Sunshine, because it'll definitely brighten your day. Let's hope for more crazy events, dry humor and extravagant characters alternated with a hint of romance and yes, some heartwarming, touching scenes. So far, so good!

If the rest of the episodes live up to pilot, Mr Sunshine will be a big hit. It is a smart comedy with dialogue reminiscent of some of the episodes of "West Wing". Allison Janney & Matthew Perry play off each other well and though Matthew Perry's character seems a little like, "Chandler - the Later Years", it's still very funny.

As with most ensemble comedies, it will take a little time to learn the characters and their individual personalities. I think this show has the potential to be a big hit and it is in an appropriate spot in the line-up at the present time, following 3 other hit comedies. Let's hope the network doesn't move it around to other time spots, as sometimes happens, before it has time to create its audience.