Brats
- 2024
- 1h 32min
VALUTAZIONE IMDb
6,5/10
7105
LA TUA VALUTAZIONE
Segue la rapida ascesa degli attori del 'Brat Pack' nei film di formazione degli anni '80, esplorando il loro impatto.Segue la rapida ascesa degli attori del 'Brat Pack' nei film di formazione degli anni '80, esplorando il loro impatto.Segue la rapida ascesa degli attori del 'Brat Pack' nei film di formazione degli anni '80, esplorando il loro impatto.
- Premi
- 1 vittoria e 2 candidature totali
Recensioni in evidenza
Some young actors once celebrated as The Brat Pack, which sounded very cool to us normal kids back then,whine and complain about having been called that name, because it killed their carreers? Oh please, really? Other actors have been labelled this or that, they moved on and proved themselves, and that was it. Nobody thinks of Robert Pattison as the vampire boy anymore, and Kristen Stewart is a regular of independent films. Demi Moore went on to become a very successful A-lister, same for Tom Cruise. If success failed for some others that was probably for other reasons. Also,those films made them very famous opened more doors, made them rich. I loved Breakfast Club, Sixteen Candles,The Outsiders and many others. I think they should instead be celebrating the success they had with them, all the young hearts they touched, and how they are still remembered by their legacy.
Sadly, watching this, I felt bad for the young actors. It did not impact movie goers like it did the actors. I felt the documentary was about the fact that McCarthy let it hit him so hard that it affected his career. Watching the other actors talk about their experience wasn't the same. They were upset, but they moved on, in some ways by separating themselves from the group, which is sad.
As a journalism major I was taught to be truthful, but be thoughtful and kind in my approach. Don't leave a trail of bones to make a personal attack, unless you have the experience or talent of the person you're interviewing. You're job is to report the facts, not personal opinion, unless its an editorial, which should hold no weight. The man who wrote the article did not have the same training apparently, nor did the editor. Before you demolish people, talk to them all and walk a mile in their shoes.
I'm sorry to see how it affected them personally. I would have enjoyed seeing them together in more movies. As a child of the 80s we related to the characters. I wish Andrew peace and happiness and hope he finds his bliss.
As a journalism major I was taught to be truthful, but be thoughtful and kind in my approach. Don't leave a trail of bones to make a personal attack, unless you have the experience or talent of the person you're interviewing. You're job is to report the facts, not personal opinion, unless its an editorial, which should hold no weight. The man who wrote the article did not have the same training apparently, nor did the editor. Before you demolish people, talk to them all and walk a mile in their shoes.
I'm sorry to see how it affected them personally. I would have enjoyed seeing them together in more movies. As a child of the 80s we related to the characters. I wish Andrew peace and happiness and hope he finds his bliss.
The idea was interesting. But the documentary sometimes took itself too seriously, and sometimes was too flippant. It could be overly harsh and other times too forgiving. It would have been good to hear how lives were specifically changed, but instead talked around what happened so no one would be labeled as bitter or brooding.
One poignant point was how movies had changed in the early/mid 80s to be youth oriented with movies about teenagers and played by younger actors. It created a swelling of new, young stars never seen to that degree before or since.
The focus was on a hit piece article by an envious reporter that labeled them "the brat pack." It was supposed to be article on what it was like hanging out with Emilio Estavez for a few days before it was morphed into a scathing denunciation of an entire group. The article was pretty sloppy in its writing and tried to tar and feather as many people as possible, including Nicholas Cage and Tom Cruise.
It changed the lives of all the actors. They stopped talking to each or seeing each other to distance themselves from the insinuation. But the damage was done. The label went "viral" before that was a term and for a group that was already getting older and would be looking for more adult roles, many found a wall they didn't expect and didn't know how to overcome.
Many of the actors most deeply immersed in the time weren't interviewed. Some in the documentary were barely on the outskirts. And again what was truly missing was the nitty gritty of how it impacted rather than hearing again and again versions of wow, that was really something and quite an experience. How did it feel to break contact? What was it like going to movie auditions after that? Had the public reaction change? How did it change their lives?
That was the part that was missing.
One poignant point was how movies had changed in the early/mid 80s to be youth oriented with movies about teenagers and played by younger actors. It created a swelling of new, young stars never seen to that degree before or since.
The focus was on a hit piece article by an envious reporter that labeled them "the brat pack." It was supposed to be article on what it was like hanging out with Emilio Estavez for a few days before it was morphed into a scathing denunciation of an entire group. The article was pretty sloppy in its writing and tried to tar and feather as many people as possible, including Nicholas Cage and Tom Cruise.
It changed the lives of all the actors. They stopped talking to each or seeing each other to distance themselves from the insinuation. But the damage was done. The label went "viral" before that was a term and for a group that was already getting older and would be looking for more adult roles, many found a wall they didn't expect and didn't know how to overcome.
Many of the actors most deeply immersed in the time weren't interviewed. Some in the documentary were barely on the outskirts. And again what was truly missing was the nitty gritty of how it impacted rather than hearing again and again versions of wow, that was really something and quite an experience. How did it feel to break contact? What was it like going to movie auditions after that? Had the public reaction change? How did it change their lives?
That was the part that was missing.
This documentary hit me like a ton of bricks. The soundtrack, the movie scenes , seeing the guys. I was never able to describe why loved these movies so much but listening to the folks in the film explain why these films were so important to them 100% made me feel like they were speaking for me. To those that gave this film a negative review, it's obvious that you weren't around during those years. This documentary made me want to watch all those movies all over again for the first time. I feel sorry for this generation, you guys can't even spell nostalgia without expecting help from Google translate. Great film.
Andrew McCarthy makes an earnest attempt to put his own struggles with what I always just assumed was a convenient turn of the Sinatra and friend's super cool "Rat Pack" nickname, into an 80s-ready contrivance for a hack reporter to weild as a cudgel against a coterie of successful actors who were younger and more talented than he was, to rest.
And in the end McCarthy does seem to make peace with the 'Brat Pack' moniker and its implications.
Along the way we find out that a few of those talented young actors allowed it to define their very careers and one or two of them are convinced it changed the entire trajectory of their professional lives.
A far more important consideration should be writer/director, John Hughes, and the impact on the Brat Pack's careers and the films that he made that many would agree, defined a generation.
Someone may have already delved into the Hughes' genius and the legacy he left for us to enjoy.
And in the end McCarthy does seem to make peace with the 'Brat Pack' moniker and its implications.
Along the way we find out that a few of those talented young actors allowed it to define their very careers and one or two of them are convinced it changed the entire trajectory of their professional lives.
A far more important consideration should be writer/director, John Hughes, and the impact on the Brat Pack's careers and the films that he made that many would agree, defined a generation.
Someone may have already delved into the Hughes' genius and the legacy he left for us to enjoy.
Lo sapevi?
- QuizAndrew McCarthy reached out to Judd Nelson to join The Brat Pack reunion but Nelson "politely declined".
- Citazioni
Andrew McCarthy: For those of us experiencing the brat pack from the inside, it was something very different.
- ConnessioniFeatures Today (1952)
- Colonne sonoreDon't You (Forget About Me)
Written by Keith Forsey and Steve Schiff (as Steven W. Schiff)
Performed by Simple Minds
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Brats: las jóvenes estrellas de los 80
- Luoghi delle riprese
- Malibu, California, Stati Uniti(Location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Mix di suoni
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti