Rev.
- Serie TV
- 2010–2014
- 30min
Aggiungi una trama nella tua linguaThe misadventures of an Anglican vicar, his wife, and a small but odd group of parishioners in London.The misadventures of an Anglican vicar, his wife, and a small but odd group of parishioners in London.The misadventures of an Anglican vicar, his wife, and a small but odd group of parishioners in London.
- Ha vinto 1 BAFTA Award
- 7 vittorie e 20 candidature totali
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Recensioni in evidenza
What a wonderful series; I had heard about it but never seen it and finally the chance to hire it came about. I had my doubts, having been scarred by the rector's wife a couple of weeks ago, but this is a totally different kettle of fish, and funny, serious, and real. Great acting, wonderful characters and gentle humour. And upbeat!! The vicar is a highly likable character and he brings a reality to the fact of a man with faith that many series would scorn. Here he is not a villain, but a man trying to do the best he can with the lot he has chosen. It's refreshing to see a clergyman portrayed as a real human being, not a warped or bitter character, and a normal non-resentful wife.
I finally gave this show a go, for the last episode in the series, and it's left me completely bewildered as to what all the fuss has been about. I had tried it once previously only to find the credit sequence so annoying that I switched it off.
But, having read rave reviews in the press (Guardian, Telegraph, Standard), with columnists dubbing it 'brilliant', feting it as a masterpiece and praising the performances, I steeled myself to try again.
I really wish I hadn't bothered.
I found Tom Hollander entirely unprepossessing in a vaguely irritating way. His relationship with wife Olivia Colman had no ring of truth – their absurd polite arm's-length behaviour made it seem like they didn't know each other at all but had just been deposited on the same set together that day. She was phonily perky like someone instructed to alter her tone to 'jolly' and 'upbeat' as if talking to a child in need of special encouragement.
They are supported by a cast of characters who all have faces that you want to slap.
Is it meant to be a comedy? There was no humour in it, not a single funny line, bar the chap professing himself to be very good at humility.
I have never had much sympathy for self-indulgent people who lie in bed moping all day after a setback, as the lead did in this episode. After all, he has a wife, child and people who appear to respect him despite the fact that he comes across as a bit dim and self-centred.
Thank goodness this wasn't some gem that had passed me by but rather a travesty of a comedy/drama/whatever (I couldn't really tell), purporting to be intellectual and appealing for some reason to the moneyed upper-middle classes.
But, having read rave reviews in the press (Guardian, Telegraph, Standard), with columnists dubbing it 'brilliant', feting it as a masterpiece and praising the performances, I steeled myself to try again.
I really wish I hadn't bothered.
I found Tom Hollander entirely unprepossessing in a vaguely irritating way. His relationship with wife Olivia Colman had no ring of truth – their absurd polite arm's-length behaviour made it seem like they didn't know each other at all but had just been deposited on the same set together that day. She was phonily perky like someone instructed to alter her tone to 'jolly' and 'upbeat' as if talking to a child in need of special encouragement.
They are supported by a cast of characters who all have faces that you want to slap.
Is it meant to be a comedy? There was no humour in it, not a single funny line, bar the chap professing himself to be very good at humility.
I have never had much sympathy for self-indulgent people who lie in bed moping all day after a setback, as the lead did in this episode. After all, he has a wife, child and people who appear to respect him despite the fact that he comes across as a bit dim and self-centred.
Thank goodness this wasn't some gem that had passed me by but rather a travesty of a comedy/drama/whatever (I couldn't really tell), purporting to be intellectual and appealing for some reason to the moneyed upper-middle classes.
This meditation on how a a Good man might fare as a Priest in modern inner city London is so real that, as in life, it's often almost impossible to know whether you want to laugh or cry. Often I did both. And at the same time. The story arc leads to flirting with the old postulation on what would we do to Jesus if he walked among us today, but the deeper insight is into what it means for us mere mortals, just to try to be good, even Christian, in this world, surrounded by the selfish and the self involved, the deluded and the indifferent. As writing it isn't being bettered anywhere on TV. As a company, all the players are brilliant, as the protagonist, Tom Hollander stakes a claim of such star quality, warmth and truth, as should make every writer and director beg to have him work with them. Along the way to the denouement, guest stars Ralph Fiennes and Liam Neesons involvement points to the richly deserved recognition that this show has received. The end is almost too much to take...but by a God I'm grateful that it got made.
If only Olivia Coleman weren't in this. Basically, this should be the story of an inner city vicar who is not really sure if he's making a difference. So if Olivia Coleman's character didn't exist, everything would be fine.
He could lust after the beautiful principal of the school, he could question his vocation and he could get a chance to openly discuss religion in a modern sitcom and that might be really helpful.
But it's hard to understand how these two people would even meet, let alone have sex or get married. They don't seem to know each other and they don't seem to have anything in common. It's like they just added her in as an afterthought.
So she is dressing up like a prostitute in the local convenience store to enhance their sex life and he's questioning the nature of existence. Just doesn't make any sense.
You would think that someone in his situation who decided to marry would be really in love and pretty certain about what they want to do with their life. I almost think she forgets what his job is.
Anyway, they have wonderful actors and they are all wasted with an absurd plot line.
He could lust after the beautiful principal of the school, he could question his vocation and he could get a chance to openly discuss religion in a modern sitcom and that might be really helpful.
But it's hard to understand how these two people would even meet, let alone have sex or get married. They don't seem to know each other and they don't seem to have anything in common. It's like they just added her in as an afterthought.
So she is dressing up like a prostitute in the local convenience store to enhance their sex life and he's questioning the nature of existence. Just doesn't make any sense.
You would think that someone in his situation who decided to marry would be really in love and pretty certain about what they want to do with their life. I almost think she forgets what his job is.
Anyway, they have wonderful actors and they are all wasted with an absurd plot line.
It's not terribly exciting, and there are seldom any real plots, and very little actually happens, but it's a very nice story of an English vicar trying to do his best to please everyone around him. Tom Hollander is a great character actor but he struggles to be the lead in this -- the rest of the cast is so good it doesn't really matter. All in all, Rev. Is a nice place to land when you want a respite from the intense serious drama occupying most of the space on tv today.
Lo sapevi?
- QuizAs well as guest starring as celebrity clergyman 'Roland Wise' Hugh Bonneville is also a huge fan of the show
- BlooperArchdeacon Robert is show a few times to be worried about what the Dean has to say, giving the impression that a Dean is above him in the church. The truth is that each Archdeaconry is divided into several Deanery establishments, so the opposite is true.
- ConnessioniFeatured in Breakfast: Episodio datato 24 giugno 2010 (2010)
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