Uno psicopatico privo di scrupoli attraversa il paese in cerca di donne da violentare e uccidere. Quando però uccide la fidanzata incinta di un agente dei servizi segreti la situazione cambi... Leggi tuttoUno psicopatico privo di scrupoli attraversa il paese in cerca di donne da violentare e uccidere. Quando però uccide la fidanzata incinta di un agente dei servizi segreti la situazione cambia completamente e il serial killer diventa preda del furioso agente in cerca di vendetta.Uno psicopatico privo di scrupoli attraversa il paese in cerca di donne da violentare e uccidere. Quando però uccide la fidanzata incinta di un agente dei servizi segreti la situazione cambia completamente e il serial killer diventa preda del furioso agente in cerca di vendetta.
- Premi
- 18 vittorie e 19 candidature totali
- Se-yeon
- (as Kim Yoon-seo)
Recensioni in evidenza
It's a breath of fresh air in a seemingly stagnant genre full of the same old vampire and zombie stories being retold over and over. And yes, there have been loads of revenge movies before, but I Saw The Devil takes it to the next level.
Gritty, dark, gory and original: I loved this movie, and I don't like anything. I just hope an American company doesn't comes along to make a shallow remake (Let The Right One In).
The movie turns around the question if one can and if so, how one could fight a monster. If two monsters fight each other can there be a winner and what are the consequences for other involved people. The movie hides in fact a lot of philosophical content and depth beneath the surface of blood and gore and is less superficial than it might seem at first sight.
The movie is comparable to the story of the great Korean vengeance trilogy around "Sympathy for Mister Vengeance", "Oldboy" and "Lady Vengeance". It has the same harsh language and great acting as the Korean crime masterpiece "Memories of murder". It has the same philosophical content as the Canadian "Les sept jours du talion". Those movies can be references but this flick isn't comparable to any Hollywood production. This movie is also much heavier than any of the mentioned movies and something like that could only be a success in a country like Korea because it would be cut or banned in Europe or North America. Be sure to catch the uncut version no matter how high the price because it's really worth it.
This movie doesn't only live from its shocking and gripping story and the numerous brutal scenes but also from the amazing acting. Choi Min-sik is one of Korea's greatest actors as he proved in "Oldboy" or "Lady Vengenace" but this time he is even more perfect than I expected. He plays his role with so much credibility and precision and is easily the best interpretation of a serial killer I have ever seen in a movie. Lee Byung-hun plays in a credible way a man that must become a monster to realize his promise and his revenge and he perfectly plays a broken person that goes through extreme changes. The other actors also deliver a more than solid job and remain credible. I must underline the acting of the weird cannibal friend of the monster and his strange wife (you should absolutely check out the deleted scenes).
The director also did a great and very detailed job. The acting is perfect, the settings work very well and a great atmosphere is created. Kim Jee-won already created the dark, calm and mind-blowing masterpiece "A tale of two sisters" and he shows in here that he can also create a heavy, pitiless and extreme movie like this. I happen to estimate him higher and higher and want to check out the rest of his movies.
In the end, this movie isn't maybe as gripping and stunningly original as my favourite Korean flicks "Oldboy", "A tale of two sisters" or "Memories of murder" but it surely is a movie you should check out if you like modern Asian cinema and if you liked the movies I've listed up in this review. It's a little masterpiece you won't forget after you have seen it and it's probably the best movie of the year to me. I would say that this movie underlines my opinion that the Korean cinema has become the best in the world during the last years.
With top Korean names as Ji-Woon Kim (A Bittersweet Life, Tale of Two Sisters), Byung-hun Lee (A Bittersweet Life) and the always amazing Min-Sik Choi (everything), this film had some lofty expectations, and I can easily say that whatever expectations I had, they were smashed, bashed, and slashed into smithereens and finally, thrown out the window.
Wronged by the blood-thirsty psycho Choi, Agent Byhung takes vengeance into his own hands in unrelenting fashion. And boy howdy, we got some serious, flesh-ripping and bone-shattering revenge here. Mix in great direction, cinematography, choreography, music, and, of course, dynamite acting, you've got one fantastic flick.
Not long into the film, I began to wonder if Min-Sik Choi was delivering one of the all-time anti-hero performances, and for a minute or two, I was definitely thinking that this was the case. However, those anti-hero thoughts were quickly dashed away - he's straight up evil. Always the reliable actor, Min-Sik may have out-done himself; he successfully transformed into one of cinema's most memorable serial killer/villains.
Beyond wishing for a stronger emotional impact, this film is just perfect stuff in my eyes. Serial killer movies are being made brilliantly by our beloved brothers from South Korea, and I thank them from the bottom of my heart with big hugs and kisses.
In short, its a visceral thriller. The movie is essentially driven by both lead characters trying to inflict as much pain and terror in one another as possible. Unlike most serial killer/crime thrillers, both the two characters collide (in violent, brutal fashion) with one another many, many times, leaving each other bloodied and eager for the next encounter. During these scenes, the movie takes on an unexpected action tone, with plenty of engaging fights that include knives, scythes, screwdrivers and in one scene, a fire extinguisher. In between these scenes the audience is shown the full depravity of the serial killer's psychopathic nature, who pretty much succeeds on setting the bar for on screen insanity.
If this sounds like a mindless action/thriller summer film, you'd be mistaken. Both Choi M.S and Lee B.H deliver great performances, with Choi in particular acting disturbingly convincing as a completely unhinged maniac. The plot, although somewhat predictable, is nonetheless entertaining and once set in motion, incredibly gripping. There are plenty of cheap "boo! gotcha" scares, but some scenes are masterfully crafted to generate a LOT of tension. Believe me when I say that there were plenty of scenes where you could literally see that the rest of the audience wasn't even breathing, much less moving. As mentioned earlier, the action scenes are shot surprisingly well, and there's a certain pleasure to be derived from watching the hunter become hunted... and in such an exquisite, effective and merciless manner.
On an aside, the movie seems to have remake potential with Hollywood production. Perhaps starring Will Smith and Robert Downey Jr. (as a serial killer? wouldn't you be terrified?), with maybe... Danny Boyle at the helm? Hopefully the movie does well enough in its release to receive any considerations.
But he's taken the wrong lady on, and events are starting to go wrong, there's a rather keen cop, loved the girl he's just topped, and he's out for revenge Kim Soo-hyeon.
Kim Soo-hyeon likes to play with his prey, adds more value if the hunt can replay, starts with a forfeiture, then ends with some torture, Jang Kyung-chul has the devil to pay.
Lo sapevi?
- QuizThe Korea Media Rating Board forced Kim Jee-woon to recut the film for its theatrical release, objecting to its violent content. Otherwise, the film would have gotten a "Restricted" rating, preventing any sort of release in theaters or on home video.
- BlooperAfter the fight in the greenhouse, Soo-hyeon breaks Kyung-Chul's left wrist. Yet shortly after, when Kyung-Chul kills the two men in the cab, he grabs and holds back the man in the rear seat while he alternately stabs him and the driver. He shouldn't have physically been able to do this with the wrist broken. Also, it would take six weeks for the wrist to heal, yet Kyung-Chul shows little sign of any impedance in using the left arm for the remainder of the film.
- Citazioni
Kim Soo-hyeon: I will kill you when you are in the most pain. When you're in the most pain, shivering out of fear, then I will kill you. That's a real revenge. A real complete revenge.
- Curiosità sui creditiThe title card unfolds with a scene in the background.
- Versioni alternativeThe director Kim Jee-woon made seven cuts between 80 to 90 seconds in order to receive an '18' (youth not allowed) certificate by the Korean Media Board (film censorship board). The cuts were made to one scene of body parts being eaten by a dog and humans, and a human body being mutilated. Before the censorship decision, the Korean censors twice gave the film a 'Limited' certificate which means to prevent a video and mainstream theatrical release. After cuts, it was later re-rated '18'.
- ConnessioniFeatured in Ebert Presents: At the Movies: Episodio #1.9 (2011)
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
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- Ang-ma-reul bo-at-da
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Botteghino
- Lordo Stati Uniti e Canada
- 129.210 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.567 USD
- 6 mar 2011
- Lordo in tutto il mondo
- 12.966.357 USD
- Tempo di esecuzione
- 2h 24min(144 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1