Bruna Surfistinha

The movie shouts at every scene: somebody else, like the State, paid for this movie. It reminds me of crappy popular European movies from the 1970s, all made with State money for the mindless pride of politicians and bureaucrats: our nation is so good! Everything is a missed hit about this movie.

The "kids" are much older. And I do not care about the actor's ages. They can be 95 years old as far as I care. But they certainly do not look the given age. See above: some useless actors were used, not because they fit the bill, but because they have enough experience and relationships that the syndicate or some politician did the casting. And how come the fresh flower from a middle class family has fake breasts already healed? Another proof of the power of prayer!

Each and every scene is slow. The actors are moving too slow. The camera is moving too slow. I doubt this story can fill the usual 90 minutes. And it's almost two hours long! Because the wages were certain, nobody bothered to learn anything about the life of the characters. Probably most could not be bothered to read the entire book. Now, Brazil has enough backwards religious communities so some might be surprised about the concept of prostitution or homosexuality. But these are actors. The year is 2011. And there is such thing as the internet. And not only the actors are bad and rigid, but the whole team is junk. Take the scene from the beginning, when the girl is introduced to her flat mates. They are all, like Jesus at the last supper, turned towards the camera. And the newcomer? Easy! She finds a place left for her and turns for the camera.

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I Never thought I would enjoy a biography like this.Its progressive,tragic and depressing.Thanks to the makers who did a great job by making this in a serious way than just a flick.

This is the story of a teenage girl who runs away from her adopted family for vague reasons (her adopted brother is cruel to her, she is taken advantage of sexually by the boys in school). She "turns the tables" on everybody by going to work at a brothel, then striking out on her own as an internet call girl, then starting a pseudo-feminist blog as "Bruna Surfergirl" where she "rates" the performance of her male clients (which you would think would be bad for business), and somehow becoming the most famous hooker in Brazil.

This movie is based a real-life story, but it is of a piece with a lot foreign movies I've seen lately from France ("Student Services", "Elles", "Young and Beautiful"), Eastern Europe ("A Call Girl"), and Chile ("Joven y Alocado"). This is less preachy and socially alarmist than some of the others, but I think, like them, it definitely glamorizes prostitution quite a bit, both for women (this really doesn't seem like that bad of profession) and definitely for men since all these actresses are insanely hot and much more wholesome looking and genuinely pretty than any actual streetwalker who services thirty men a week and abuses hard drugs would ever possibly be. You could complain that the actress, Deborah Secco, was nearly 30 here and playing an 18 year old, but she probably LOOKS more fresh and innocent than any real teenager who has spent six months working the streets. Prostitution is obviously enticing sometimes to both female providers and male clients, but at best it's like a tasty-looking meal that happens to be lying in a garbage dumpster. These movies kind of tend to ignore the garbage dumpster.

If you're just looking a hot sex movie with higher production values, better acting, and more of a story than "Cinemax After Dark", this movie is definitely worth watching, but don't expect any profound statement on the human condition.

This is a movie about a former Brazilian prostitute, based on the book written by herself.

Bruna Surfistinha (Rachel Pacheco) gained national recognition after had her book on all Brazilian best sellers list, and, prior to that, she was a well-known blogger and prostitute.

One of the keys to the book's success was the simple, unskillful style, which appealed to the masses that aren't well educated and rarely read books.

Deliberately or not, the movie follows the same style, full of clichés and hypocritical moralism to help depict the main character as a victim, the greedy and shallowness of a generation that lacks proper education and goals were left aside.

Deborah Secco bears no resemblance to the original Bruna which gives the wrong impression of a fragile beauty.

Other than that, the acting is good, especially Drica Moraes which is impressive in her natural performance as a madam. The sex scenes aren't gross or out of place.

In short, it's a movie for those that doesn't need anything more than to pass the time gazing at a screen, just for fun.

as all other review said this is about a real life Brazilian prostitute who became famous from a blog she kept,and where she talked about her clients and even rated their performance in bed.She became very popular and even wrote a popular book about her life.In this day and age porn sells,thats about it.Either a girl sells it directly or indirectly,society seems still fascinated with the seemy side of prostitution. The problem with this movie is,the character never really becomes likable,her job would not be so objectionable if one understood why or how she ended up being a prostitute.It is never really explained,other than a story of a woman who wants to be independed,which hardly explains her trip into prostitution,as thousands of women manage independence by working at respectable jobs.The fascination with this story is all about sex,and her sexual experiences,which makes it really pretty much a commercial for the porn profession.The life of a prostitute is just glamourized,shown as just a job with a lot of money,glamour,success and popularity,pretty much anything a girl would want.There is a downside about drug addiction,but even that is shown as just a side effect of our times and of living the high life,,not especially of the profession of a hooker. All in all,i think this movie is lost in its own sensationalizing of its subject and ends up losing any focus on the reality of the story it tries to tell.