Una creatura fatata, accecata dalla vendetta, scaglia una maledizione su una principessa neonata, ma scopre che quest'ultima è l'unica in grado di riportare la pace nella loro terra tormenta... Leggi tuttoUna creatura fatata, accecata dalla vendetta, scaglia una maledizione su una principessa neonata, ma scopre che quest'ultima è l'unica in grado di riportare la pace nella loro terra tormentata.Una creatura fatata, accecata dalla vendetta, scaglia una maledizione su una principessa neonata, ma scopre che quest'ultima è l'unica in grado di riportare la pace nella loro terra tormentata.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 12 vittorie e 44 candidature totali
Recensioni in evidenza
That was then. This is now. An influx of talent, inspiration, and a few well-chosen corporate takeovers have put Disney back at the top of the heap. And this film is not merely entertainment but a flexing of those corporate muscles, especially after the worldwide success of Frozen.
Note the quiet arrogance in re-imagining a story which the studio itself had made archetypal. Try pulling that off in film class.
And if they don't create an Oscar category for best cheekbones, they should. Many actresses in Hollywood will tell you that they could look that good with prosthetics. They lie. To look that good you have to START with the best face in Hollywood.
In deference to critics, the second Act of the film simply does not maintain the wonder and innovation of the start; and Elle Fanning, a future actress of great promise, seems slightly lost in an under-written part.
Still, this film is a major achievement and destined to delight children for generations to come.
It is Pathos that the Movie Embraces and the Good and Evil are Reversed somewhat but there are still Characters Worth Rooting for and others to Hiss and Boo.
Haters of this Backstory seem to be Under the Delusion that the Original Fairy Tale and the Original Disney Animated Movie have been Purged from Existence with some Sort of Orwellian Eraser and Cease Existing to Enjoy.
Both are still there to be Perused and Appreciated, this is just something a bit Different, Not a Replacement. Angelina Jolie makes a Great Maleficent and is backed by an Array of Colorful and Interesting Fairies and other assorted Moor Magnificence.
Thankfully there are No Outburst of Sappy, Old-Fashioned, Done-to Death Songs Interrupting the Story and it Plays out like a Truly Grim Fairy Tale. True Love comes in Many Forms and is not always found in a Traditional way, there could be others, and this is Not a Replacement, it's just Manifested in Another Form.
The Film certainly Looks Seamless incorporating Live Action and Animation. The Three Fairies are Amazing, and the Whole Movie is Spellbinding in a somewhat "New" Kind of Look from Modern Artistry.
Definitely Recommended for Those that Don't always Take the Path Well Traveled and are Willing to Accept and Embrace New Directions as New Entertainment and this Does Not Eliminate the Old, but Enhances with Enchantment.
Lo sapevi?
- QuizOn the second day of the Disney D23 Expo at the Anaheim Convention Center, Saturday, 10 August 2013, Angelina Jolie admitted that she scared little kids while in costume on the set of Maleficent, with one kid actually saying, "Mommy, please get the mean witch to stop talking to me." She adds that her daughter, Vivienne Jolie-Pitt, who played young Aurora, was the only child who was not scared of her.
- BlooperSpinning wheels don't have sharp spindles, and most drop-spindles are not sharp enough to puncture skin. The distaff on a spinning wheel, however, is often this sharp. The distaff is the pointed bit that holds the wool (or other fiber) waiting to be spun. Disney has perpetuated this falsity to the point where few American children know the difference.
- Citazioni
Maleficent: [before kissing Aurora to awaken her from her enchanted sleep] I will not ask your forgiveness because what I have done to you is unforgivable. I was so lost in hatred and revenge. Sweet Aurora, you stole what was left of my heart. And now I have lost you forever. I swear, no harm will come to you as long as I live. And not a day shall pass that I don't miss your smile.
- Curiosità sui creditiThe usual Disney castle in the opening credits is replaced by the castle used in the movie.
- Versioni alternativeGerman theatrical version was cut (ca. 40 seconds) by the distributor to secure a "Not under 6" rating.
- ConnessioniFeatured in Showreel: Jasmine Kills Again (2013)
- Colonne sonoreOnce Upon a Dream
Melody composed by Pyotr Ilyich Tchaikovsky for the ballet "The Sleeping Beauty" (1890)
Performed by Lana Del Rey
Produced by Daniel Heath (as Dan Heath)
Written by Sammy Fain and Jack Lawrence
Arranged by Julian Shah-Tayler (uncredited) and Daisy O'Dell (uncredited)
Remixed by Raffertie (uncredited)
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Dettagli
Botteghino
- Budget
- 180.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 241.410.378 USD
- Fine settimana di apertura Stati Uniti e Canada
- 69.431.298 USD
- 1 giu 2014
- Lordo in tutto il mondo
- 759.853.685 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1