Tees Maar Khan

Farah Khan (FK) seems to have lost her bearings with this one. Being fun loving and irreverent is one thing, but making a movie full of PJs is really pushing it! Akshay Kumar's brand of comedy seems completely out of sync with Farah's brand of humor and the result is a disaster only made tolerable if you are salivating over Katrina Kaif grooving to 'Sheila Ki Jawani' or seeing Akshay and Salman dance together. The script is pretty nonsensical and a stretch even by outrageous plot standards (a conman making a fake movie and convincing a big Bollywood star that it will win an Oscar? Seriously, give me a break!!) and the jokes are pretty weak all through. Tees Maar Khan, for lack of a worser word, is utter trash!

TMK is the worst movie of 2010. The story is awful and direction of Farah Khan is even more awful. I wish Farah had put more effort in script rather than songs. Apart from Akshay Kumar nothing is this movie is good. Some of his cheeky dialogues will make you laugh but again its not worth to watch the movie.

Movie has copied several scenes from various movies and Farah has tried to put all Masala in the movie for which she is famous for. But unfortunately story don't have the weight to carry this movie. Senseless jokes are not going to make a movie entertaining.

Don't watch the movie. That's my verdict. Forget about previous movies of Farah Khan, they were good because of SRK and the direction tips she were getting from Karan Johar. This movie seems good only during the songs.

Worst movie of 2010.

This wasn't a movie it was "the change" in passive sense.it was a bloody slap on the face of Indian cinema entertainment.nothing was of sense ,cant be categorized under any category.was it done just for money making by taking big stars and releasing on Christmas. May god Save the Indian cinema from the bad effects of upcoming nonsense movies Like this. Never watch this movie .... Few stupid things to be noticed: -- -poor jokes, poorly executed action sequences –dialogues full of overacting. –good actors were not able to show their talents due to bad direction and poor script. –promotion was done as if a blockbuster movie was going to be released.

A strict law should be made to check the movie's quality before its release, because its just like robbing viewers pocket in a gentle way ..

Just watch "After the Fox (aka Caccia alla volpe released in 1966 US n UK)" it's totally copied from that and therefore no need to say about the movie, more frankly; script needs a super computer to understand and then let others understand that what was happening in it, I live in Mumbai and I admire Akshay Kumar a lot, n believe me this TMK "Sucks"; only stars can't make good movie u need a "script" and here it's all messy, farah should love her husband but don't pamper him by making a bogus movie on his stupid script, this movie is worthless 4 those who have brain and completely made for zombies (brainless), katrina is beautiful but she failed here so as farah's nonsense direction, so don't misguide people because it's their hard earned money and should not be get fooled.... have a great life cya...... advice to farah plz don't direct movies u r making us (indians) look like a fool in front of the international cinema, akshay plz read script b4 u sign anything, katrina u need serious acting lessons don't b a dumb, and to writers plz get a life and stop copying movies from Hollywood, don't ruin Indian cinema... TMK is just awful and a great shame in terms of cinema

TEES MAAR KHAN Bollywood is replete with examples of fetishes of film makers who closely associate these fetishes with the success of their films. The earliest example is that of film maker J Omprakash who always wanted his movie titles to begin with A; and in recent times we have the example of Karan Johar, who has a similar fetish with the letter K. Farah Khan, who began her career as a choreographer and quickly moved into the shoes of another Khan choreographer (Saroj Khan) quickly won a lot of acclaim for her work and then decided to expand her role to include film direction. Having got the box-office ringing with her first two ventures, MAIN HOON NA and OM SHANTI OM (both of which had Shah Rukh Khan playing the lead), she perhaps concluded that since both the films had three words, three is a lucky number for her. So soon after the success of the first two movies, she gave birth to triplets and her husband, an electronics engineer, Shirish Kunder and she floated a production house called Three's Company! She also perhaps knew that the presence of Shah Rukh Khan in the first two movies was a big factor for the success of those movies, but because she was not having him in her next movie (I will not go into the reasons for that here), she felt that the word KHAN appearing in the title would help. When she was finding it difficult to combine the word KHAN with her fetish for "TEEN" to get the title of her new movie, I presume a well-wisher perhaps told her that using a multiplication factor of ten would triple the chances of the movie's success; thus the word "TEES" came into the title. The choice of the third word was relatively easy, since the phrase TEES MAAR KHAN connoted a braggart and which was in tune with the character of the script itself. The next exercise was to find an inspiration for this tale and happily for her, that was also a three worded Peter Sellers starrer: AFTER THE FOX. Also, perhaps other well wishers suggested to her that she must have as many Ks as was possible in the film crew and therefore had her husband Kunder work for the background music, write(?) the story, co-produce and write some of the lyrics. The star cast also had a number of Ks: AKshay Kumar, AKshaye Khanna, Katrina Kaif, Sachin KhedeKar and special artistes like Salman Khan and Anil Kapoor! Now about the movie itself. Claiming to be a parody, it turns out to be a rather inane effort. Several scenes of the movie looked utterly pedestrian both in conception and execution and the only saving grace is the performance of Akshaye Khanna in the role of an Oscar hungry actor. Of course, the review will not be complete without the mention of the much touted Sheela Ki Jawaani number by Katrina Kaif; but Katrina with her innocent looks doesn't ooze with oomph despite the raunchy lyrics and the dance movements. I would rate Munni Badnaam from Dabangg (also choreographed by Farah) as a better song although the joke which I heard when I was coming out from the theatre was: Agar Sheela Ki Jawaani Pehle Aati, to Munni Badnaam Na Hoti!